The nature and complexity of the welfare system is examined by sequences illustrating the staggering 　　diversity of problems that constitute welfare: housing, unemployment, divorce, medical and psychiatric 　　problems, abandoned and abused children, and the elderly. These issues are presented in a context where 　　welfare workers as well as the clients are struggling to cope with and interpret the laws and regulations that 　　govern their work and life.

The nature and complexity of the welfare system is examined by sequences illustrating the staggering 　　diversity of problems that constitute welfare: housing, unemployment, divorce, medical and psychiatric 　　problems, abandoned and abused children, and the elderly. These issues are presented in a context where 　　welfare workers as well as the clients are struggling to cope with and interpret the laws and regulations that 　　govern their work and life.

某天，米奇（沃尔特·迪斯尼 Walt Disney 配音）和伙伴们筹划了一个孤儿慈善晚会，他们邀请城中的孤儿们来到剧场观看演出，小家伙们在演出开始前便大闹会场，把这里弄得乱七八糟，却乐在其中。稍候演出开始，首先上台演出的是唐老鸭（克拉伦斯·纳什 Clarence Nash 配音），他接连唱了两首歌曲，可是没多久便引来阵阵嘘声，唐老鸭气愤不已，最终被小孤儿们赶下台去。下一个上场的是古菲（品托·考维格 Pinto Colvig 配音）等人表演的滑稽剧，他们可笑的表演引来小家伙们阵阵欢呼声。幕间休息，忿忿不平的唐老鸭再次冲上台，结构饱受戏弄。下一个节目，米奇弹琴，克劳拉（弗劳伦斯·吉尔 Florence Gill 配音）演唱。 　　精彩的演出一个接着一个，给孩子们带来无上的欢乐……

The mice orphans arrive at a theater for a free show entitled "Mickey's Big Show: Orphan's Benefit." As they file into the building they are given free lolly pops, ice cream, and balloons by Mickey and Minnie from the box office. 　　Donald Duck begins the show by reciting "Mary Had a Little Lamb", dancing "Sailor's Hornpipe", and reciting "Little Boy Blue." But when he says "come blow your horn," an orphan blows his nose and Donald gets frustrated. Mickey encourages him to continue, but the second time all the orphans blow their noses. Donald's temper flairs and he challenges them to fight, but is forcibly removed from stage. 　　The next performance is Goofy, Horace Horsecollar, and Clarabelle Cow performing an acrobatic dance. 　　After this, Donald returns to have his revenge by reciting "Little Boy Blue" and blowing his own horn before the orphans can respond. While he is laughing, the orphans throw their ice cream at him provoking him further. As Donald challenges them to fight again the orphans punch him with boxing gloves almost knocking him out. Donald is again removed from stage. 　　Mickey then introduces the "Barnyard Nightingale," Clara Cluck, who sings a clucking aria accompanied by Mickey on piano. She is also harassed by the orphans, but seems to be unaware of it. 　　Finally Donald returns to the stage one last time and quickly recites one line – "Little Boy Blue, come blow your horn" – and waits for the orphans to interrupt him. Yet as they seem well-behaved this time, Donald continues the recitation. But when he says "Where is that boy who looks after the sheep?" the orphans answer in unison "Under the haystack fast asleep, you dope." This angers Donald all the more, yet while he challenges the orphans to fight again, they tie bricks and other heavy objects onto their balloons, float them over his head, and pop the balloons with their slingshots unleashing a barrage which culminates in a box of raw eggs. When it's all over Donald finally accepts defeat and exclaims "Aw, nuts!"

With privileged access to hospitals, schools and prisons, writer and rapper Darren McGarvey takes an unflinching look at the UK’s public services.

2014年冬季 フジテレビ 深夜剧 　　集合住宅を舞台に繰り広げられる恐怖のオムニバスドラマ。

2014年冬季 フジテレビ 深夜剧 　　集合住宅を舞台に繰り広げられる恐怖のオムニバスドラマ。

在二零零四年的十月和十一月，P.K.14乐队开始了他们第一次全国巡演。经过一个多月的拍摄，这部记录了这次巡演过程的作品最终成为一扇窗口，带领我们进入到这支来自南京的后朋克乐队的奇异世界中。 　　在跟随着乐队转辗于火车，汽车，卡车，货车，出租车，手推车的同时，戴维.哈里斯也引领着我们进入中国的现在，穿过城市和乡村，进入到现实生活中。我们将会看到乐队在各种场所各种情形下表演他们的音乐，我们也将会看到他们是如何在今天中国纷乱吵杂的众多声音中找到自己的位置的。 　　(特别收录P.K.14乐队音乐录像《他们》，乐队二零零五年欧洲巡演照片，歌曲现场版，以及更多影像花絮。) 　　屏幕比例16:9和4:3，彩色，片长55分钟。 　　简体中文和英文字幕。 　　摩登天空出品

Dallas Campbell reveals why we can only understand the familiar world around us by discovering the hidden wonders beneath our feet.

Simon Schama explores the history of British portraiture, revealing the stories behind some of the most compelling images in British art. The series examines the ways this unique art form has been used as a statement of power, a declaration of love, to promote fame, to offer insight into the artists themselves and to capture the faces of the British people.