替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

女导演温柔为编剧鱼乐讲述了一个故事，女孩温柔和男朋友小飞如胶似漆的恋爱因为一个事件而改变，故事有多少是真的？有多少是虚构？谁也不知道……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

时髦的打扮掩饰了岁月在她的身上留下痕迹，66岁的美子（尹静姬 饰）像一朵摇曳在街边的小花一样绽放着自己暮年的美丽。 　　美子靠做钟点工赚些小钱，与读初中的外孙独自生活的日子虽然清贫，但却丝毫没有影响她对于生活的热情。虽然已经确诊患上了老年痴呆症，但她却依然酷爱诗歌，不仅时常参加诗歌朗诵会，而且开始学习写诗。她总是留意观察生活中的点滴，以便捕捉随时可能出现的灵感，然后把它们记录在随身携带的小本上。然而，如同写诗的灵感并不会轻易出现一样，生活也并非表面的那样轻松和容易…… 　　在63届戛纳电影节上，李沧东凭借此片获得最佳编剧奖。

时髦的打扮掩饰了岁月在她的身上留下痕迹，66岁的美子（尹静姬 饰）像一朵摇曳在街边的小花一样绽放着自己暮年的美丽。 　　美子靠做钟点工赚些小钱，与读初中的外孙独自生活的日子虽然清贫，但却丝毫没有影响她对于生活的热情。虽然已经确诊患上了老年痴呆症，但她却依然酷爱诗歌，不仅时常参加诗歌朗诵会，而且开始学习写诗。她总是留意观察生活中的点滴，以便捕捉随时可能出现的灵感，然后把它们记录在随身携带的小本上。然而，如同写诗的灵感并不会轻易出现一样，生活也并非表面的那样轻松和容易…… 　　在63届戛纳电影节上，李沧东凭借此片获得最佳编剧奖。

许鞍华导演大学念文学时主修诗歌，感其解忧纾困，于是便一偿多年心愿，好好拍下香港的诗文风景。 　　电影主要分为三个部分，第一部分是记录许鞍华导演亲自拜访多位香港诗人好友，如淮远、饮江、邓阿蓝、马若等会友论诗；并借用资料影像及照片，追怀已然离逝的西西和也斯。而整部电影的重点就落在第二部分已移居深圳，性格自由率性的诗人黄灿然及第三部分在台湾忙于讲学兼顾家庭，积极入世的诗人廖伟棠。香港诗或香港诗人宛如边缘的小草，在生活压迫挣扎的同时，展现出顽强的生命力。

许鞍华导演大学念文学时主修诗歌，感其解忧纾困，于是便一偿多年心愿，好好拍下香港的诗文风景。 　　电影主要分为三个部分，第一部分是记录许鞍华导演亲自拜访多位香港诗人好友，如淮远、饮江、邓阿蓝、马若等会友论诗；并借用资料影像及照片，追怀已然离逝的西西和也斯。而整部电影的重点就落在第二部分已移居深圳，性格自由率性的诗人黄灿然及第三部分在台湾忙于讲学兼顾家庭，积极入世的诗人廖伟棠。香港诗或香港诗人宛如边缘的小草，在生活压迫挣扎的同时，展现出顽强的生命力。

觉晓 （ 王子文 饰）自幼被母亲遗弃，由小姨抚养长大，戴春 （ 尹昉 饰）年少时遭受父亲的家暴，也历经了与母亲的悲痛分别，原生家庭带来的创伤让两人变得脆弱又敏感，承受着常人无法想象的心理负担。在觉晓人生最艰难的低潮点，戴春的出现像一抹阳光冲破了黑暗。封闭的环境里，两人从相识到相爱，用爱情编织幸福的可能，也将对方从沉重的迷雾中拯救出来。随着美好生活的继续，现实的考验也向他们的爱情暗袭而来，他们需要相互抚慰，一起成为彼此眼中最好的那个人 。

在觉晓人生最艰难的低潮点，戴春的出现像一抹阳光冲破了黑暗。封闭的环境里，两人从相识到相爱，用爱情编织幸福的可能，也将对方从沉重的迷雾中拯救出来。随着美好生活的继续，现实的考验也向他们的爱情暗袭而来，他们还能成为彼此眼中最好的那个人吗？