Author Henry Hitchings explores the lives and works of Britain's radical and pioneering 18th-century novelists who, in just 80 years, established all the literary genres we recognise today. It was a golden age of creativity led by Daniel Defoe, Jonathan Swift, Henry Fielding, Laurence Sterne, Fanny Burney and William Godwin, amongst others. Robinson Crusoe, Moll Flanders, Gulliver's Travels, Tom Jones and Tristram Shandy are novels that still sparkle with audacity and innovation. 　　On his journey through 18th-century fiction, Hitchings reveals how the novel was more than mere entertainment, it was also a subversive hand-grenade that would change British society for the better. He travels from the homes of Britain's great and good to its lowliest prisons, meeting contemporary writers like Martin Amis, Will Self, Tom McCarthy and Jenny Uglow on the way. 　　Although 18th-century novels are woefully neglected today compared to those of the following two centuries, Hitchings shows how the best of them can offer as much pleasure to the reader as any modern classic

一个男人在进行祭祀屠杀一只危险的雌性美洲豹时渐渐爱上这只凶猛的野兽，同时他也不得不面对自己可怕的往事……

http://zhaoliangstudio.com/work/narrative-landscape?lang=zh-CN

“Essay, a term from written literature: unity of science and art; unity of social and individual knowledge,” Harun Farocki wrote in a first draft of the project Erzählen. The film follows two people (played by Engström and Farocki) investigating their respective subjects: one is tracing the involvement of the German heavy industry in the rise of Nazi-Germany, the other is interested in the fate of Larissa Reissner, a young Soviet writer and revolutionary. Both of them struggle with the question of how to organize their research and find a narrative structure. Their paths cross, and the film turns into an essayistic interrogation of structuralist narratology.

A montage of still and moving images, mixing and alternating black people and white people, fantasy and reality, a presidential suite and a mother’s kitchen: a sensitive, poetic evocation in the manner of the film-maker’s Remembrance. Brilliantly colored and nostalgic, it comprises a magical transformation of painterly collage and still photographic sensibility into filmic time and space.

孙淳在里面演罗逸民，是申花制衣厂的厂长，毕业于杭大，史兰芽演他的妻子，叫雷真，是申花厂上面集团公司老总的女儿。高曙光演的宋忆宁和李颖演的叶玲与罗逸民是同学，以前叶玲与罗逸民是情侣，叶玲和罗逸民家境都不好，后来因为富家小姐雷真的介入关系破裂了，而高曙光演的宋忆宁一直都喜欢叶玲。毕业后叶玲和宋忆宁在一家日资企业樱花公司工作，宋忆宁是总经理，叶玲是副总，他们公司也是制作衬衣的，与申花厂竞争很激烈。里面还反映了国企工人下岗的情况。还有一些私营企业主做非法生意，雷真与罗逸民也经常吵架，最后一时鬼迷心窍，做了违法的事，虽然站出来自首了，也难逃法律制裁，雷真最后坐牢了，而罗逸民与叶玲最终也没能在一起，他等着雷真出狱，叶玲最后终于接受了等候自己多年的宋忆宁。

节目选取全世界多个国家的“旅外”大熊猫，生动还原它们的海外生活经历，讲述中国与世界各国以熊猫为媒开展科研合作与情感交流的故事。

拍摄学生作业的小李和小郑带着炸药上了地铁，目的地：地坛。荒诞的一切正在形成对比：万事落空又好像没有落空，宛如地上泄气的塑料烂气球。

孙淳在里面演罗逸民，是申花制衣厂的厂长，毕业于杭大，史兰芽演他的妻子，叫雷真，是申花厂上面集团公司老总的女儿。高曙光演的宋忆宁和李颖演的叶玲与罗逸民是同学，以前叶玲与罗逸民是情侣，叶玲和罗逸民家境都不好，后来因为富家小姐雷真的介入关系破裂了，而高曙光演的宋忆宁一直都喜欢叶玲。毕业后叶玲和宋忆宁在一家日资企业樱花公司工作，宋忆宁是总经理，叶玲是副总，他们公司也是制作衬衣的，与申花厂竞争很激烈。里面还反映了国企工人下岗的情况。还有一些私营企业主做非法生意，雷真与罗逸民也经常吵架，最后一时鬼迷心窍，做了违法的事，虽然站出来自首了，也难逃法律制裁，雷真最后坐牢了，而罗逸民与叶玲最终也没能在一起，他等着雷真出狱，叶玲最后终于接受了等候自己多年的宋忆宁。

在繁华都市中，海市豪门千金谭皓月一直过着养尊处优的生活。然而，一场突如其来的风暴打破了她原本平静的生活。所谓的未婚夫救命恩人的遗孤白浅浅，心怀不轨，处心积虑地陷害谭皓月。在白浅浅的精心设计下，谭皓月身败名裂，丑闻像病毒一样在城市中蔓延开来，众人对她指指点点，各种难听的话语不绝于耳。