In a provincial factory town in Guangdong, China, the sprawling chicken processing plant dominates everything – the economy, the rhythm of the days, the shape of futures. Thirteen-year-old Li Yan lives with her ageing grandmother who is determined to secure her granddaughter a job at the plant through a family connection with the manager, Wang. Li Yan resists in the only way available to her: small, cryptic acts of disruption. At the morning market, she practices a peculiar ritual: swapping items between stalls, rearranging the order of things for no reason except that she can. After a visit to the slaughterhouse, Li Yan becomes fixated on a question to which no one will provide a proper answer: Where does life begin? She watches chickens being moved silently on overhead conveyors to be stunned, plucked and disemboweled. Twenty-one days to hatch, thirty-two to mature, then slaughter. Her grandmother dismisses her questions about eggs and fertilisation with irritation and recourse to folklore, but Li Yan cannot let it go.

In a provincial factory town in Guangdong, China, the sprawling chicken processing plant dominates everything – the economy, the rhythm of the days, the shape of futures. Thirteen-year-old Li Yan lives with her ageing grandmother who is determined to secure her granddaughter a job at the plant through a family connection with the manager, Wang. Li Yan resists in the only way available to her: small, cryptic acts of disruption. At the morning market, she practices a peculiar ritual: swapping items between stalls, rearranging the order of things for no reason except that she can. After a visit to the slaughterhouse, Li Yan becomes fixated on a question to which no one will provide a proper answer: Where does life begin? She watches chickens being moved silently on overhead conveyors to be stunned, plucked and disemboweled. Twenty-one days to hatch, thirty-two to mature, then slaughter. Her grandmother dismisses her questions about eggs and fertilisation with irritation and recourse to folklore, but Li Yan cannot let it go.

距离地球600光年的无氧星球上，人类只剩下最后一对母女。为了人类种族的延续，母女二人相爱相杀……

桑迪亚是个好斗的年轻人，他的行为让家人和社会既担忧又恐惧，大家都觉得他没什么出息。然而，附近发生的一起谋杀案，却让他的身份面临严峻挑战。

在距离地球600光年的无氧星球上，人类仅剩下最后的一对母女。为了让人类种族得以延续，母女之间展开了相爱又相杀的纠葛。

男孩站在工地的窗边，看着阳光，身后的挣扎声，废墟里的风声，一切都不存在了。他跨了出去，故事从这里开始…… 时间顺着记忆倒走，男孩名叫阿梦，17 岁萌动的年纪，他发现自己喜欢上 了一个男生。父亲的暴躁，继母的辱骂，他活的极度自卑与压抑。他压制着自己 的情感，这无边无际的孤独最终吞噬了他……

科幻短片《诞辰》全片在LED虚拟影棚内拍摄，现场仅使用3样道具、4天时间即完成全部镜头摄制，是虚拟制片技术的一次完全应用。影片在北美首映后即在业内引起巨大反响，被评价为“实时影视生产的最新技术突破”。

一部关于UFO、外星人和“真相”的科幻片，被“附体”的主播，与未知的相遇充满神秘和悬疑。

取材以事故调查报告及相关新闻报道为主，以模拟演出的方式，分别以乘客、机师等不同人的视角，从一开始旅客登机、起飞，一直到事故发生、后续善后及调查为止，重现整个过程。在片中穿插对于乘客及机师的访谈（若有生还者且其愿意受访时），另外也会访问空难调查人员、目击者等。 收起

《12日》跟《12夜》一样，以12个章节，用生活细节讲述一段关系，但有别于《12夜》，《12日》是一部完全以女性角度作出发的故事，是一部十足的女性电影。经营了十年后的婚姻，权力比重会否只向一方倾斜？王尔德说，女人结婚是因为好奇，男人则因为疲倦，最后两者却都失望，婚姻对于女性来说，是人生的开始，对男性来说，却是一个段落的结束，原因各异，态度亦不同。 在女性地位已提高了不少的今天，父权社会的种种痕迹，真的已消失殆尽，还是如幽灵般，如影随形？《12日》提出这个问题，就是让观众自己去找答案的。