科幻短片《诞辰》全片在LED虚拟影棚内拍摄，现场仅使用3样道具、4天时间即完成全部镜头摄制，是虚拟制片技术的一次完全应用。影片在北美首映后即在业内引起巨大反响，被评价为“实时影视生产的最新技术突破”。

"What do you want to convey in this film?" "Uh, I don't know. It is a very difficult question. I make films to express myself, to show myself, to show other people perhaps something more than myself. Perhaps, it is the sun in the valley. Perhaps, it is the sun in the valley."

距离地球600光年的无氧星球上，人类只剩下最后一对母女。为了人类种族的延续，母女二人相爱相杀……

桑迪亚是个好斗的年轻人，他的行为让家人和社会既担忧又恐惧，大家都觉得他没什么出息。然而，附近发生的一起谋杀案，却让他的身份面临严峻挑战。

在距离地球600光年的无氧星球上，人类仅剩下最后的一对母女。为了让人类种族得以延续，母女之间展开了相爱又相杀的纠葛。

In a provincial factory town in Guangdong, China, the sprawling chicken processing plant dominates everything – the economy, the rhythm of the days, the shape of futures. Thirteen-year-old Li Yan lives with her ageing grandmother who is determined to secure her granddaughter a job at the plant through a family connection with the manager, Wang. Li Yan resists in the only way available to her: small, cryptic acts of disruption. At the morning market, she practices a peculiar ritual: swapping items between stalls, rearranging the order of things for no reason except that she can. After a visit to the slaughterhouse, Li Yan becomes fixated on a question to which no one will provide a proper answer: Where does life begin? She watches chickens being moved silently on overhead conveyors to be stunned, plucked and disemboweled. Twenty-one days to hatch, thirty-two to mature, then slaughter. Her grandmother dismisses her questions about eggs and fertilisation with irritation and recourse to folklore, but Li Yan cannot let it go.

In a provincial factory town in Guangdong, China, the sprawling chicken processing plant dominates everything – the economy, the rhythm of the days, the shape of futures. Thirteen-year-old Li Yan lives with her ageing grandmother who is determined to secure her granddaughter a job at the plant through a family connection with the manager, Wang. Li Yan resists in the only way available to her: small, cryptic acts of disruption. At the morning market, she practices a peculiar ritual: swapping items between stalls, rearranging the order of things for no reason except that she can. After a visit to the slaughterhouse, Li Yan becomes fixated on a question to which no one will provide a proper answer: Where does life begin? She watches chickens being moved silently on overhead conveyors to be stunned, plucked and disemboweled. Twenty-one days to hatch, thirty-two to mature, then slaughter. Her grandmother dismisses her questions about eggs and fertilisation with irritation and recourse to folklore, but Li Yan cannot let it go.

某座住宅区，负责公寓内各项维修事务的菲恩（Matt O'Leary 饰）和约瑟（George Finn 饰）是一对穷的叮当响的好基友。某天菲恩的女友凯莉（Danielle Panabaker 饰）来到他们的住处，当得知住在隔壁的贝先生已经很长时间没走出房门时，凯莉自告奋勇上门查看，结果却一脸错愕地回到二人面前。原来贝先生早已不见踪影，房间内一面墙贴满了以三个人为对象的拍立得照片，窗口则有一台奇怪的机器正对着菲恩和约瑟的房间。不久后他们发现，那台机器竟是可以拍摄到未来情景的照相机。他们发现了贝先生的尸体，然而因为照相机的原因秘藏了此事。

妍熙（Yeonhi）被诊断患有胃癌，时日无多。她决定记录下自己生命中的一切：她与身为电脑维修技术员的男友相识的过程，他们一同去过的地方，以及男友向她求婚的瞬间。一位怀揣导演梦的朋友帮忙拍摄了他们的爱情故事。