此片以在民间广为流传的民国“鬼新娘”故事为背景，讲述了都市青年林青衣和梁晓光感人至深的爱情故事。

本片呈现了16个真实的故事，是由幸存者自己讲述的，这些故事通常来自他们实际生存情况的关键时刻。摄制组将去到世界上最极端的气候环境——丛林、沙漠、被雪覆盖的高原和茂密的森林等地方去讲述他们的故事。 生存专家克里克·斯图尔特(Creek Stewart)和他的团队在每个地点着陆，等待脱水、饥饿、失血、冷冻和败血症休克的时刻到来。他们将向观众展示在这些极端情况下需要哪些关键的生存技巧，以及如何计算从死亡中逃生。

悬疑作者陈朝每次被平台拒签，就会选择烂尾重开新书，扑街百本新书之后，陈朝再次将书稿丢进了垃圾桶，却引来了曾经烂尾的书中角色入侵现实报复，并且他们在书中的能力也全部具现到了现实世界。陈朝被迫在笔下角色的追杀之下开始寻找夺命求生之路。

二十世纪80至90年代，艾滋如瘟疫般肆虐蔓延，夺走超过四千万人的生命。一群年轻勇敢的男女同性恋，他们用强大的信念和行动争取自己的权利。通过走上街头示威，冲击政府机构、渗透科学研究和参与临床实验，他们付出了自己的青春甚至生命，成功扭转了社会的价值认知，寻找到有效的药物和治疗方法，让新世代的艾滋患者免于被宣判死刑的命运。 　　本片几乎全部采用当年的历史影像剪辑而成，是导演戴维·弗朗斯的第一部电影作品。《瘟疫求生指南》获得2012年哥谭奖最佳纪录片，并入围第85届奥斯卡最佳纪录片单元。

苏迌亲眼目睹家人被害，家产被家中养女联合律师霸占。苏迌侥幸逃生后，花费数年时间，计划了一场精妙绝伦的复仇计划。在重返老宅后，她一边巧妙布局，一边以二叔的私生女这个假身份生存。这时，心思缜密的准妹夫意外介入了苏迌的复仇计划，他时而暗中帮助，时而阻挠计划进行，但这依旧抵挡不住苏迌的脚步。最终，苏迌成功复仇。

恋爱脑后宫求生指南：苏潇潇，一次意外让她跨越时空的界限，摇身一变成为宫廷剧中饱受误解的“恶毒女配”——如妃。然而，真相远比表面复杂，她的“恶名”实则是皇后出于嫉妒之心，刻意编造的谎言。深知剧情脉络的苏潇潇，意识到自己若不采取行动，不仅个人将难逃天牢厄运，家族亦将因此蒙受不白之冤，走向覆灭。 为了挣脱既定命运的枷锁，苏潇潇历经重重困难与挑战，决心改写自己的故事。她巧妙地接近并说服了剧中最终幸存并深受宠爱的宋琉璃，两人结成联盟，誓要揭露皇后的真面目，共同对抗这场无形的宫廷风暴。然而，命运多舛，正当她们密谋反击之际，宋琉璃却不幸遭遇皇后派来的刺客暗算，这一变故彻底打乱了所有计划

恋爱脑后宫求生指南：苏潇潇，一次意外让她跨越时空的界限，摇身一变成为宫廷剧中饱受误解的“恶毒女配”——如妃。然而，真相远比表面复杂，她的“恶名”实则是皇后出于嫉妒之心，刻意编造的谎言。深知剧情脉络的苏潇潇，意识到自己若不采取行动，不仅个人将难逃天牢厄运，家族亦将因此蒙受不白之冤，走向覆灭。 为了挣脱既定命运的枷锁，苏潇潇历经重重困难与挑战，决心改写自己的故事。她巧妙地接近并说服了剧中最终幸存并深受宠爱的宋琉璃，两人结成联盟，誓要揭露皇后的真面目，共同对抗这场无形的宫廷风暴。然而，命运多舛，正当她们密谋反击之际，宋琉璃却不幸遭遇皇后派来的刺客暗算，这一变故彻底打乱了所有计划

彦老师意外穿成玛丽苏小说中的恶毒女配沐可，为改变自己书中的悲惨结局，她屡次对女主付新月出手相助，随着剧情的发展，两人的关系也悄然改变。

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.