年轻俊朗的出租车司机（野仲功 饰）过着压抑无聊的单身生活，他的性格孤僻偏执，经常在车中播放喧闹的音乐，与乘客和同事的关系都很紧张。在极端的压力下，他只能通过变态的手段获得释放。他会将搭载的女性迷倒，然后施以侮辱，并在这一过程中录像保存。这些女性只能含羞吞下这枚苦果，然而有一个女子与众不同。她（小川美那子 饰）是一个家庭主妇，与丈夫和妹妹美咲（竹田直子 饰）住在一起。一向贤良温淑的她在遭受出租车司机侮辱后，竟然对性事变得异常感兴趣，并且渐渐偏向极端。她经常在夜间背着丈夫外出寻欢，偏偏司机又对这个主妇刹那间的妖娆无法忘怀。 　　两个畸零之人再次相遇，却注定是一段悲剧的开始……

一个14岁的少年试图摆脱他不喜欢的、沉闷的日常生活，他感到无力和怯懦。他在幻想的世界中高贵、慷慨、无所畏惧。他离家出走之后被送进了一个严苛的少年感化院，在那里梦想和现实变成了一体……

动画片《声音收集者》2024年5月入围第29届白玉兰奖“最佳动画片/最佳动画剧本”。

此片以在民间广为流传的民国“鬼新娘”故事为背景，讲述了都市青年林青衣和梁晓光感人至深的爱情故事。

亚历克斯·帕蒂弗([关键第四号])、迈克·沃格尔(《穹顶之下》)将主演新片[收集](Collection，暂译)，卡司还包括雅克·考利蒙(《奇异镇》)、布瑞达·伍尔(《梅赛德斯先生》)、夏奇拉·巴雷拉(《南方女王》)。玛莉安娜·帕卡([好家伙])执导，Todd Friedman操刀剧本。故事讲述充斥着高风险债务的破旧世界中，一位悲痛的父亲试图摆脱自己过往的悲剧命运。该片将于下月在阿拉巴马州开拍。

少年陈雨生入职一家地处偏僻的殡仪馆，本以为觅得了一个高薪又舒坦的如意岗位，谁知先有五条规矩暗藏杀机，后又卷入尔虞我诈的斗争，当他触犯规矩，一桩百年前的惊天惨案也随之揭开。

Luigi, the top playboy in the university, meets Susie, a sexy, beautiful, smart student. When Luigi finally feels that he has fallen in love with Susie, he learns that Susie is his friend's girlfriend.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。