一块神秘玉佩，引发一场人性与亲情的终极较量。普通村民小亮因父亲临终留下的玉佩，意外卷入生死迷局。家中频发诡异事件：鸡死、馒头变黑、寿鞋惊现，恐惧笼罩全家。为揭开玉佩之谜，小亮追查发现，这玉佩竟曾救过父亲挚友的命，暗藏逆天玄机。

小亮父亲离奇身亡，留下一块神秘玉佩。自此家中怪事频发：死鸡、黑馒头、深夜敲门、诡异脚印……妻子行为反常，商人虎视眈眈。当真相揭开，一场围绕“诡玉”的阴谋与背叛浮出水面。是诅咒？还是人为？悬疑惊悚，步步惊心！

Middle-aged lesbian Manok closes down ‘Rainbow’, the queer bar she’s run for years, and returns to her hometown, Iban-ri, following the death of her mother. But home feels as stifling and unfamiliar as ever. The village, where her ex-husband now serves as headman, greets her return with suspicion, and deep-rooted prejudice and exclusion still linger. Yet Manok refuses to back down. To break down the walls between past and present, village and self, she boldly runs for village chief. It’s a declaration—not of rejection, but of affirmation: to live without denying who she is, and to once again take her place at the center, on her own terms. In Iban-ri, Manok finds new beginnings and reconnects with severed ties. Among them are Guem-ja, an old flame, and Jae-yeon, a high school student hiding his true self in the suffocating atmosphere of the countryside. Manok, who lives openly and without apology, becomes a beacon for Jae-yeon, and he, in turn, finds the courage to finally come out to the world. Even far from the days of Rainbow, Manok is still surrounded by strong, loving women who stand by her side. Manok is a warm and spirited portrait of courage, survival, and community. It gently but powerfully captures how women like Manok challenge societal norms and build new forms of belonging. This isn’t a story of simply 'returning' home—it’s one of boldly beginning again. (Kani KIM)

该片以关注留守儿童的健康成长为切入点，讲述了牛角沟村的留守儿童一静、小宝、铁军、志豪、秀秀和他们的小伙伴们，在党和政府以及社会各界对“留守儿童”的关爱下，团结互助、自强自立、努力学习、快乐生活，为实现各自的愿望的精彩故事。

一位对于“白玉杯”有特殊情结的女博物馆讲解员，在压抑与焦虑下逐渐衍生出第二人格， 对白玉杯实施盗窃，走上一条犯罪与自我背叛的道路。影片以挖掘人内心的自厌情结为主旨，完成对于亲密关系的悲观表达。影片灵感来源于刘柯依小说《白玉杯》。

中年女性玉萍一边照顾卧病在床的继父，一边又要处理自己的家庭变故。身心俱疲的玉萍如陀螺般被生活抽打，但她明白，只有自己才能握紧这命运的鞭子。

Middle-aged lesbian Manok closes down ‘Rainbow’, the queer bar she’s run for years, and returns to her hometown, Iban-ri, following the death of her mother. But home feels as stifling and unfamiliar as ever. The village, where her ex-husband now serves as headman, greets her return with suspicion, and deep-rooted prejudice and exclusion still linger. Yet Manok refuses to back down. To break down the walls between past and present, village and self, she boldly runs for village chief. It’s a declaration—not of rejection, but of affirmation: to live without denying who she is, and to once again take her place at the center, on her own terms. In Iban-ri, Manok finds new beginnings and reconnects with severed ties. Among them are Guem-ja, an old flame, and Jae-yeon, a high school student hiding his true self in the suffocating atmosphere of the countryside. Manok, who lives openly and without apology, becomes a beacon for Jae-yeon, and he, in turn, finds the courage to finally come out to the world. Even far from the days of Rainbow, Manok is still surrounded by strong, loving women who stand by her side. Manok is a warm and spirited portrait of courage, survival, and community. It gently but powerfully captures how women like Manok challenge societal norms and build new forms of belonging. This isn’t a story of simply 'returning' home—it’s one of boldly beginning again. (Kani KIM)

以厚重的历史事件为背景，以明英宗和历史上鲜得好评的锦衣卫指挥史袁彬为主人公，讲述大时代下君臣情谊的历史钜制。