“Series of Actions” focuses on the origins of the idea of film archiving in Thailand that is linked to the complex web of socio-political. Through exploring the body of work of Dome Sukvong, the founder of Thai Film Archive, including his essays, books, letters, memoirs, and reports. 　　Chaikitiporn brings back Sukvong's archival materials to be re-reading by the voices of Thai Film Archive staff. Combined with the oldest moving images in Thailand from Topical Film Service of Royal State Railways, the national film production centre during the absolute monarchy era, which Sukvong discovered in 1981, and led to the labour for the dream of establishing a Film Archive in Thailand.

At the Laberint d’Horta in Barcelona, the film charts several journeys into the garden in search of its centre, where a statue of Eros waits. As the film navigates the maze’s false pathways, its recursive structure begins to crack, and a mysterious underworld floods its gates. 　　源自：https://www.cinemadureel.org/en/films/laberint-sequences-2/

以照片作為媒材，透過膠卷播放的平行捲動、機械式的 　　聲響，呈現香港這座城市中獨特的密集住宅建築風貌。 　　Serial Parallels approaches Hong Kong's built environment 　　from the conceptual perspective of celluloid film, 　　by applying the technique of film animation to the 　　photographic image. Its signature architecture is 　　reimagined as parallel rows of film strips.

At the Laberint d’Horta in Barcelona, the film charts several journeys into the garden in search of its centre, where a statue of Eros waits. As the film navigates the maze’s false pathways, its recursive structure begins to crack, and a mysterious underworld floods its gates. 　　源自：https://www.cinemadureel.org/en/films/laberint-sequences-2/

Within the human struggle to live and work on a changing planet, questions of value, extraction, and adaptation echo across seemingly disparate worlds. A Common Sequence examines shifts of life and labor through a critically-endangered salamander and plant patents in the apple industry. Weaving the stories of Dominican nuns running a conservation lab, a group of fishermen attempting to live off of a depleting lake, engineers developing AI-driven harvesting machines, and an indigenous biomedical researcher resisting the commodification of human DNA, the film becomes a meditation on the shifting border between the natural and unnatural world, and the dynamics of power at play. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1269/14984

以照片作為媒材，透過膠卷播放的平行捲動、機械式的 　　聲響，呈現香港這座城市中獨特的密集住宅建築風貌。 　　Serial Parallels approaches Hong Kong's built environment 　　from the conceptual perspective of celluloid film, 　　by applying the technique of film animation to the 　　photographic image. Its signature architecture is 　　reimagined as parallel rows of film strips.

如果世界上有一个规则需要遵守，我一定不希望是我现在正在经历的这个奇怪的规则，当所有人都陷阱这样的奇怪规则之后，世界好像都变得奇怪起来，我到底应该怎么样才能破除这样的局面，看起来似乎真的很困难，而我却无能为力。

下班回家，电梯里挤满了人，照理说，晚上的电梯不应该有这么多，而今天却特别的奇怪，似乎冥冥之中暗示着我什么，而我却什么也说不出来。没想到，刚刚还在乱想的我，结果真的遭遇到了奇怪的事情，这到底是怎么回事呢？

如果世界上有一个规则需要遵守，我一定不希望是我现在正在经历的这个奇怪的规则，当所有人都陷阱这样的奇怪规则之后，世界好像都变得奇怪起来，我到底应该怎么样才能破除这样的局面，看起来似乎真的很困难，而我却无能为力。

一个小社区正发生大量令人发指的罪行，路易斯侦探感觉这些行为仿佛都是某人或者某种存在在针对她。路易斯和女儿关系不好，更无法找卧病在床的丈夫求助，于是转向基督教报刊《基督卫报》的记者梅根修女求援。 　　梅根修女也有着糟糕的过去，曾见过人性至恶的一面。一方面她依旧坚信人性好的一面，另一方面又担心世界被邪恶污染。 　　随着调查推进，两人发现自己掉入了一张邪恶的大网，这里产生的问题远多于给出的答案。