商社マンの祐馬は仕事が忙しく婚約者の容子とすれ違う日々だった。幼馴染みでもあり祐馬を兄と慕う職場の後輩・敦はゲイで、夏祭りの夜に祐馬を誘い肉体に手を伸ばすが、祐馬は動揺して帰った。 　　翌日、敦が祐馬に昨日のことを詫びていると、突然雷が鳴り、なんと二人の体が入れ替わった。戻る術もなく、二人は暫くそのままで生活するはめになる。敦は祐馬のマンションに行き、憧れの体を鏡に映しオナニーをはじめた。 　　一方、敦のアパートに来た祐馬は部屋にある派手な下着やゲイ雑誌を見て驚く。そこへオネエ言葉を喋る和也が訪ねてきた。敦が彼とゲイクラブに行く約束をしていたからだ。祐馬は強引にクラブへ連れていかれる。 　　別の日、敦は容子とデートに出かけるが、女心がわかる敦にとって彼女の機嫌をとることは簡単だった。祐馬は仕事人間の自分を反省し、敦を見直した。

乔雨芯刚跟墨衍承诺永不分开，但是乔雨芯第二天就偷偷离开出国了，只留下一条短信：等我一年，回来就嫁给你，墨衍也一直在默默等待乔雨芯回来，可是一年 两年过去了乔雨芯还是没有回来，从此他就得了厌女症，而乔雨芯却在他相亲时回国了。

表面看来，大岛志乃（南沙良 饰）是一个非常可爱的普通女生，但是一开口，严重的口吃就会暴露出她的缺陷。因为口吃的毛病，志乃从小到大经常受到同学的欺负，常年生活在嘲笑和歧视之中，甚至就连老师有时候也会在无意之中伤害到她脆弱的心灵。 　　一次偶然中，志乃结识了名叫加代（莳田彩珠 饰）的女生，加代是一个非常热爱唱歌的孩子，虽然五音不全，但这并不能泯灭她对于音乐的热情，在听过了志乃的歌声后，加代邀请志乃和她一起组成团体参加学校举办的比赛。志乃虽然说话断断续续，但歌声却异常的美妙，利用歌声，志乃开始渐渐改变了周围同学们对自己的偏见。

表面看来，大岛志乃（南沙良 饰）是一个非常可爱的普通女生，但是一开口，严重的口吃就会暴露出她的缺陷。因为口吃的毛病，志乃从小到大经常受到同学的欺负，常年生活在嘲笑和歧视之中，甚至就连老师有时候也会在无意之中伤害到她脆弱的心灵。 　　一次偶然中，志乃结识了名叫加代（莳田彩珠 饰）的女生，加代是一个非常热爱唱歌的孩子，虽然五音不全，但这并不能泯灭她对于音乐的热情，在听过了志乃的歌声后，加代邀请志乃和她一起组成团体参加学校举办的比赛。志乃虽然说话断断续续，但歌声却异常的美妙，利用歌声，志乃开始渐渐改变了周围同学们对自己的偏见。

基勳和敬秀在校園中遇見並情投意合，他們開始交往並去敬秀的宿舍做愛，但敬秀似乎隱藏著什麼。

基勳和敬秀在校園中遇見並情投意合，他們開始交往並去敬秀的宿舍做愛，但敬秀似乎隱藏著什麼。

A deeper connection to tradition, a link to historical roots, and the seeds freely offered by the earth (including the very identity of its people) are only but a few of the invaluable gifts a farm can provide. In Seeds, one of the most breathtaking observational documentaries of recent years, the camera lens captures the ethereal essence of the concept of legacy. Through an intimate look at the life of an Afro-American family of farmers in the rural South, Brittany Shyne’s exceptional directorial debut captures how these people bravely withstand systemic racism to maintain their hold on their land – and be maintained by it in return. Without neglecting to address the political dimensions of this issue (and by exposing the American government’s responsibility for the increasingly dwindling landed property over the years), Shyne reveals a far-reaching directorial and aesthetic vision. A visually captivating film with an almost tangible sense of melancholy.

A deeper connection to tradition, a link to historical roots, and the seeds freely offered by the earth (including the very identity of its people) are only but a few of the invaluable gifts a farm can provide. In Seeds, one of the most breathtaking observational documentaries of recent years, the camera lens captures the ethereal essence of the concept of legacy. Through an intimate look at the life of an Afro-American family of farmers in the rural South, Brittany Shyne’s exceptional directorial debut captures how these people bravely withstand systemic racism to maintain their hold on their land – and be maintained by it in return. Without neglecting to address the political dimensions of this issue (and by exposing the American government’s responsibility for the increasingly dwindling landed property over the years), Shyne reveals a far-reaching directorial and aesthetic vision. A visually captivating film with an almost tangible sense of melancholy.

수용자의 딸 가인과 혼혈 수영선수 윤건이 서로의 비밀을 들키게 되면서 함께 상처를 치유하고 더 이상 상처받지 않기 위해 세상의 차별 앞에 맞서 성장하는 이야기

수용자의 딸 가인과 혼혈 수영선수 윤건이 서로의 비밀을 들키게 되면서 함께 상처를 치유하고 더 이상 상처받지 않기 위해 세상의 차별 앞에 맞서 성장하는 이야기