MACH DIE MUSIK LEISER portrays a group of teenagers in Essen, an industrial town in the Ruhr region in the Western part of Germany. It's the summer of 1993. School's over for most of the adolescents, who are mainly played by non-actors. The individuals’ decisions on the future are not determined yet. Bored uncertainty, shy and somewhat helpless passivity dominate the sparse actions and day to day activities – modest quarrels with parents, attending a concert (hardcore stalwarts "Biohazard"), watching pictures in the nearby drive-in-theatre (Cameron’s "Terminator") or on video (Raimi’s "Evil Dead"), meeting with friends in coffeeshops, pubs, along footways and park benches. At first glance nothing specific or dramatic is going on. But as the movie evolves the viewer gets more acquainted with some of the characters’ in- and exterior changes during their rites de passage. 　　MACH DIE MUSIK LEISER is Arslan’s first feature film, his graduation movie from Berlin film school. It already has him following a style of contained observational accuracy. A style connecting documentary and fiction, resting upon the means of spatiotemporal representation, not upon dramatic suspense.

MACH DIE MUSIK LEISER portrays a group of teenagers in Essen, an industrial town in the Ruhr region in the Western part of Germany. It's the summer of 1993. School's over for most of the adolescents, who are mainly played by non-actors. The individuals’ decisions on the future are not determined yet. Bored uncertainty, shy and somewhat helpless passivity dominate the sparse actions and day to day activities – modest quarrels with parents, attending a concert (hardcore stalwarts "Biohazard"), watching pictures in the nearby drive-in-theatre (Cameron’s "Terminator") or on video (Raimi’s "Evil Dead"), meeting with friends in coffeeshops, pubs, along footways and park benches. At first glance nothing specific or dramatic is going on. But as the movie evolves the viewer gets more acquainted with some of the characters’ in- and exterior changes during their rites de passage. 　　MACH DIE MUSIK LEISER is Arslan’s first feature film, his graduation movie from Berlin film school. It already has him following a style of contained observational accuracy. A style connecting documentary and fiction, resting upon the means of spatiotemporal representation, not upon dramatic suspense.

姐姐与弟弟睡前喜欢天马行空地聊天，却总是被爸爸打断。于是，他们想出来一个主意。 　　本片为中国美术学院影视与动画艺术学院13级学生毕业作品。

该剧是献给纽约多元音乐的情书，围绕寻找自己真实的声音和使用它的勇气展开，讲述才华横溢的歌手贝丝·金在遭遇拒绝、爱情和复杂的家庭问题的同时，努力实现自己的梦想的故事。

清水村长大的苏瑶瑶，被叫回城里替嫁。苏瑶瑶为了找到景耀总裁，解决清水村面临被景耀集团拆迁的麻烦，答应替嫁，却阴差阳错和隐瞒身份的景耀总裁闪婚了。 苏瑶瑶和傅斯年两个欢喜冤家闪婚后，傅斯年在相处中被苏瑶瑶的真诚善良吸引，几次要说出自己的身份时都被误会打断。最终，傅斯年帮助苏瑶瑶解决清水村的危机，并且爱上苏瑶瑶，恳请苏瑶瑶的原谅，两个人携手一起搭建清水村。

故事讲述了“千年将军”陆炎（任嘉伦 饰）和“仗义女寨主”于登登（李沁 饰）之间令人啼笑皆非的爱情故事。剧中有着神秘力量的陆炎阴差阳错结识了青泉寨…

故事讲述了“千年将军”陆炎（任嘉伦 饰）和“仗义女寨主”于登登（李沁 饰）之间令人啼笑皆非的爱情故事。剧中有着神秘力量的陆炎阴差阳错结识了青泉寨大当家于登登，这段有着千年因缘的爱情由此展开。