《小人书》是一部系列短篇惊悚动画。以传统“小人书”为形式框架，制作简洁，风格古朴，力求通过声光影电的有机结合重拾童年听故事的纯真感受。本作名日“小人书”，实为“书小人”。《小人书》，表达独立，风格独具，居家旅行，不二良品。

《小人书》是一部系列短篇惊悚动画。以传统“小人书”为形式框架，制作简洁，风格古朴，力求通过声光影电的有机结合重拾童年听故事的纯真感受。本作名日“小人书”，实为“书小人”。《小人书》，表达独立，风格独具，居家旅行，不二良品。

大学生沈令仪和社会青年赵齐临相爱三年，怎料求婚前夕赵齐临却突然要被抓去坐牢，为了不影响沈令仪前途，赵齐临谎称自己爱上别的女人，将沈令仪赶出家门，沈令仪自此恨了他十五年。十五年后，赵齐临已经成为令人敬畏的商界人物，而沈令仪却生活窘迫，还要照顾瘫痪的母亲。一次意外，沈令仪救下重伤的赵齐临，二人重逢。可一个自称赵齐临妻子的女人却处处针对沈令仪，不仅掀翻沈令仪的烧烤摊，还将女孩打成重伤。

故事发生在距今千百万年前的原始社会，皓月当空，月朗星稀。原始丛林的某个角落，山洞内闪耀着乳黄色的火光。镜头拉近，我们看见一个身穿兽皮、胡子拉碴的原始人正用手在岩壁上涂涂画画。他正在画一个体型丰满到极度变形的女子，女子裸露全身，线条曼妙流畅。而且壁画不止一副，而是画了很多女子一字排开。当最后一幅完成之后，我们的原始人艺术家开始以极其超前的方式欣赏着他的旷世杰作…… 　　本片为2002年法国昂西动画节开幕动画短片。

Included in Jonathan Rosenbaum’s list of 1000 essential films, Parviz Kimiavi’s The Mongols (1973) is a leftfield satire and sharp commentary on the expanding presence of cinema and television in Iran. The story follows a filmmaker, played by Kimiavi himself and also named Parviz, as he struggles with both his own film and a looming assignment to oversee the installation of a television relay station in the remote province of Zahedan. Imbued by his wife’s thesis work on the Mongol invasion of Iran, Parviz’s anxieties coalesce and materialize in the form of surreal visions in which the origins of cinema are acted out by the Turkomans he hired to play Mongols in his own film. Together with Parviz, we watch as the would-be gang of Mongols wander the desert in search of their director and the answers to their pressing questions about the nature of cinema, all while the forthcoming introduction of television consumes the local village and its inhabitants. Kimiavi fashions a fantastical cinematic space rife with bizarre metaphoric imagery and Godardian references to film-making in order to draw a sarcastic parallel between the Mongol invasion and the hyper-accelerated modernization of 1970s Iran. 　　A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province, near the Afghanistan border. He has already hired Turkoman tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diagetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.

ボクシングの夢に挫折した駿一は、目標も定まらないまま大学へ進学する。そこで書道に出会った駿一は、書道部の仲間たちと全国大学書道大会に向けて特訓の日々を送っていた。一方、駿一の幼なじみの健太郎は、ボクシングのプロテスト合格を目指しトレーニングを続けていた。主演はD-BOYSの柳下大、共演に古原靖久、古川雄大、三浦涼介、河合龍之介ら若手人気俳優が揃う。

本片以深入浅出的剧情见证数百万年前人类始祖的生活，带您深入了解不可思议的人类演化历史。本系列描述的是一个物种，看他们如何结合各种特征并形成强势的本能，逐渐演化最后征服世界的故事，这个物种，没错，就是我们：现代人。这是一趟寻根之旅，藉由特效与先进的人工修补技术，并以科学化的方法，将人类始祖精确地重现在我们的眼前；此外片中也透过计算机绘图与创新的数字科技，完整的仿真他们的生活环境。 　　此外，本片也提供一个机会让我们得以探寻史前人类生活行为、并且揭露猿人始祖的特性是如何的留传给现代人，甚至进而了解到经由那些关键的特征，才会演化出今天现代人两足运动的模样，也看看他们如何打开使用各项惊奇新技能的大门。同时也探讨为何一个食腐的物种能比深思熟虑的物种具有更强的求生本能？经由这些的见证，让我们开始对观察其它人的思维与感觉产生兴趣。最后我们将揭开人类成为成功独特物种的主要关键在于：想象力。 　　 　　第一集：潜力无穷（The Potential） 阿法南猿 　　 　　第二集：不适应者（The Misfits） 鲍氏傍人 　　 　　第三集：读心物种（The Mindreaders） 匠人（即非洲的直立人） 　　 　　第四集：幸存者（The Survivors） 海德堡人，中国和印度的巨猿也将登场 　　 　　我们的祖先如何从爬行到直立行走，从用手势到发明语言，然后慢慢的发展工具来为了更好的生活，直到产生各种各样艺术类的东西，这一切你都了解么，如果你想知道的更详细，本片将告诉你……

南头古城，遥远的星火和现在的尘烟幽默碰撞。 　　城中村小诊所里，一个焦虑的男人和一个忧伤的男人在打点滴，从陌生人的简单关切中，建立起临时的友谊。 　　焦虑男人还要输一整瓶，忧伤男人的吊水即将结束。突然，焦虑男人遇到紧急的事要去处理，古城里，两个人举着吊瓶游走……

"A PhD Candidate" is a film about a Chinese PhD student living in America. He is sponsored by Chinese government. The government pays him some money every month for living expenses. In exchange he has to return to China right after graduation. After coming here, he found he still lives in a small circle of Chinese people isolated from the American society. His professor and peers are also from China. The environment makes him doesn’t have many chances to communicate with American people. And most importantly, he doesn’t think it is necessary to get integrated with the American social life. Since he knows he will not stay in here. He feels it is more comfortable to live in a closed environment. 　　The above is what interested me at the beginning. I intended to make this film of his life to see how this unusual identity influenced him. Along with the process of filming, I realized I was involving in a new form of transnational academic life. In American academia today there are many Chinese PhDs . The full scholarship or funding provided by Chinese government covered their tuition and living expenses. A PhD for them is more like a job, rather than studying. Also their relation with professors is similar to a kind of employment. So the film is not only about the identity of a foreigner, but also about a kind of academic labor outsourcing. Through watching the film the audience may find how it is like in the lower level of the academic pyramid.

“天下第一智”罗霄与“富贵世子爷”严安承携手闯荡江湖，寻找传说中“紫溟天阶”的线索，过程中，破获诸多离奇案件，逐渐摸索出一个鲜为人知的阴谋....