农夫在粮仓，讲述种子、庄稼和果实的故事。

农夫在粮仓，讲述种子、庄稼和果实的故事。

1943年6月的亚东，雪域西藏那巍然莽莽的山顶还覆盖着一层厚厚的积雪，积雪在穿透低矮厚重云层的阳光下，折射着刺眼的光芒。远处，抽穗的青稞在依稀刺骨的寒风中自由摇曳，在青稞和金黄的油菜夹杂的一条小路上，一个叫戴维•奥斯丁的英国老人在忖然前行。看着眼前这并不陌生的土地，抚摸着见证四十前一段荒谬、残酷战争的土城墙，奥斯丁的思绪回到了四十年前的1902年。 　　1902年，在印度加德满都一条熙熙攘攘的大街上，从江孜来印度求学的康拉少爷阿旺顿珠结识了戴维•奥斯丁。奥斯丁来自遥远的苏格兰。作为一个学识渊博的东方文化学者，得知阿旺顿珠来自美丽的雪域西藏后，奥斯丁和阿旺顿珠结为好友。不久，阿旺顿珠完成学业，准备起程回西藏。临行前，奥斯丁和阿旺顿珠互换礼物，并撞额而别。一年后，英军发动第二次侵藏战争，回到加尔各达的奥斯丁被英国驻印度总督寇松阁下征召为翻译，随全权特使荣赫鹏和麦克唐纳将军开赴西藏。 　　1903年12月1日，荣赫鹏率领的英军抵达则利拉山口，逼近江孜时，阿旺顿珠刚刚踏上故乡的土地。因为有十六前隆吐山战役的惨败教训，荣赫鹏每前行一步都受到了藏军将军查布代本的坚决阻拦。为了能顺利进军江孜，尽早打通通往拉萨的交通要道，荣赫鹏请求与查布将军谈判。让奥斯丁和阿旺顿珠都没有想到的是，谈判席上，加德满都结识的撞额好友如今分别站在对立的两个阵营，为即将开始的战争担任翻译。 　　查布代本和藏族俗僧的强烈反对，让荣赫鹏采取卑鄙的手段，在曲梅仙廓给失去警觉的查布军队以残酷的打击。曲梅仙廓几尽全军覆没的惨剧膨胀着荣赫鹏进军江孜的野心，也震撼着拉萨噶厦政府、北京晚清朝廷。然而，面对荣赫鹏在强势武力支持下的大肆进犯，朝廷派驻西藏的大臣有泰大人不仅称病不出，而且还撤回了驻江孜的五百守兵。朝廷的软弱和英军的貌似强大，并没有吓退主持噶厦政府的达赖佛爷和查布率领的上万藏军俗僧。 　　曲梅仙廓的战功给荣赫鹏换回了来自寇松总督和英国国会的褒奖。这期间，驻扎康拉庄园的荣赫鹏虽然遭到藏族民众和查布将军的袭击，荣赫鹏在麦克唐纳坚持回撤的情况下也曾险些送命，但休整后的荣赫鹏已经把炮口对准了孤军奋战的江孜、对准了查布将军率领的藏军俗僧。 　　1904年7月5日，荣赫鹏和麦克唐纳率军淌过年楚河，将密集的炮火倾泻在江孜城上。守城的查布将军付出了惨痛的代价。在荣赫鹏轰开江孜城堡的山门，对江孜城进行屠杀般的洗劫时，阿旺顿珠拼尽全力，带着查布的妹妹拉姆姑娘逃出了被荣赫鹏的炮火烧得残垣断壁、堆尸成山的江孜…… 　　四十年过去了。追循当年进犯江孜的路线，搜寻当年战争的遗迹，奥斯丁把对战争的反思和忏悔写在一封封寄给阿旺顿珠的信件里，希望得到阿旺顿珠的原谅。一个细雨淫霏的早晨，奥斯丁带着忏悔战争、重续旧情的诚意出现在静默十年的阿旺顿珠的门前。两个结识四十年的异域好友，终于在友谊的召唤下，把两个爬满岁月皱纹的额头再次碰在了一起。

大型电视纪录片《旅顺记忆1904—1905》严格按照国际发行标准制作，耗时两年精心筹备，分别以“奇袭”“闭塞”“攻坚”“决战”作为四集纪录片的主题内容。“一个旅顺口，半部近代史”,该片以日俄战争为背景，以时间为轴线，贯穿日俄两帝国争抢旅顺等地事件始末，为观众重现了20世纪初文明世界的滔天巨浪和“第零次世界大战”惨烈的战争画面。经过对浩如烟海的历史资料进行整理、提炼，本片在千头万绪的线索中生动、写实地还原了这场帝国主义国家间的豪赌，细腻刻画出交战双方每一主要人物的性格特点和思想动态。整部片子恢弘大气，客观真实，拥有厚重的历史积淀。同时，这也是第一次以电视艺术手段、以国际化视角、全景式完整展示了日俄战争全过程，具有很高的历史参考和学术研究价值，是大连广播电视台多年不断加强电视精品创作产生的又一具有标志性意义的力作。

大型电视纪录片《旅顺记忆1904—1905》严格按照国际发行标准制作，耗时两年精心筹备，分别以“奇袭”“闭塞”“攻坚”“决战”作为四集纪录片的主题内容。“一个旅顺口，半部近代史”,该片以日俄战争为背景，以时间为轴线，贯穿日俄两帝国争抢旅顺等地事件始末，为观众重现了20世纪初文明世界的滔天巨浪和“第零次世界大战”惨烈的战争画面。经过对浩如烟海的历史资料进行整理、提炼，本片在千头万绪的线索中生动、写实地还原了这场帝国主义国家间的豪赌，细腻刻画出交战双方每一主要人物的性格特点和思想动态。整部片子恢弘大气，客观真实，拥有厚重的历史积淀。同时，这也是第一次以电视艺术手段、以国际化视角、全景式完整展示了日俄战争全过程，具有很高的历史参考和学术研究价值，是大连广播电视台多年不断加强电视精品创作产生的又一具有标志性意义的力作。

Iván (15) had been presumed dead after getting lost mysteriously a couple of years ago. Now he’s back after having been found in the Amazonian jungle by Meshia (18). She is a Matsigenka girl with a broken heart who seizes the opportunity to go to Quillabamba to follow her city dreams. Iván is catatonic, has some strange nightmares, mental blackouts and can’t seem to go back to being himself again. Among dark delusions and crossed memories, his new realities live under a lurking shadow. 　　源自：https://www.mardelplatafilmfest.com/37/en/pelicula/punku

Iván (15) had been presumed dead after getting lost mysteriously a couple of years ago. Now he’s back after having been found in the Amazonian jungle by Meshia (18). She is a Matsigenka girl with a broken heart who seizes the opportunity to go to Quillabamba to follow her city dreams. Iván is catatonic, has some strange nightmares, mental blackouts and can’t seem to go back to being himself again. Among dark delusions and crossed memories, his new realities live under a lurking shadow. 　　源自：https://www.mardelplatafilmfest.com/37/en/pelicula/punku

这部改编自1961年经典动画的真人电影由《五十度灰》(Fifty Shades of Grey)的凯利·马塞尔(Kelly Marcel)执笔，导演人选尚未确定。《怪诞星期五》(Freak…

南头古城，遥远的星火和现在的尘烟幽默碰撞。 　　城中村小诊所里，一个焦虑的男人和一个忧伤的男人在打点滴，从陌生人的简单关切中，建立起临时的友谊。 　　焦虑男人还要输一整瓶，忧伤男人的吊水即将结束。突然，焦虑男人遇到紧急的事要去处理，古城里，两个人举着吊瓶游走……

"A PhD Candidate" is a film about a Chinese PhD student living in America. He is sponsored by Chinese government. The government pays him some money every month for living expenses. In exchange he has to return to China right after graduation. After coming here, he found he still lives in a small circle of Chinese people isolated from the American society. His professor and peers are also from China. The environment makes him doesn’t have many chances to communicate with American people. And most importantly, he doesn’t think it is necessary to get integrated with the American social life. Since he knows he will not stay in here. He feels it is more comfortable to live in a closed environment. 　　The above is what interested me at the beginning. I intended to make this film of his life to see how this unusual identity influenced him. Along with the process of filming, I realized I was involving in a new form of transnational academic life. In American academia today there are many Chinese PhDs . The full scholarship or funding provided by Chinese government covered their tuition and living expenses. A PhD for them is more like a job, rather than studying. Also their relation with professors is similar to a kind of employment. So the film is not only about the identity of a foreigner, but also about a kind of academic labor outsourcing. Through watching the film the audience may find how it is like in the lower level of the academic pyramid.