农夫在粮仓，讲述种子、庄稼和果实的故事。

农夫在粮仓，讲述种子、庄稼和果实的故事。

監督 　　山根成之 ヤマネシゲユキ 　　プロデューサー 　　武縄源太郎 　　市川捷護 　　井上明 イノウエアキラ 　　大井明人 　　脚本 　　篠崎好 　　作画監督 　　宮本貞雄 ミヤモトサダオ 　　アニメキャラクター・デザイン 　　天野喜孝 　　アニメーション監督 　　九里一平 クリイッペイ 　　音楽 　　小笠原寛 オガサワラヒロシ 　　美術 　　中村光毅 ナカムラコウキ 　　ナレーション 　　仲村秀正

監督 　　山根成之 ヤマネシゲユキ 　　プロデューサー 　　武縄源太郎 　　市川捷護 　　井上明 イノウエアキラ 　　大井明人 　　脚本 　　篠崎好 　　作画監督 　　宮本貞雄 ミヤモトサダオ 　　アニメキャラクター・デザイン 　　天野喜孝 　　アニメーション監督 　　九里一平 クリイッペイ 　　音楽 　　小笠原寛 オガサワラヒロシ 　　美術 　　中村光毅 ナカムラコウキ 　　ナレーション 　　仲村秀正

Iván (15) had been presumed dead after getting lost mysteriously a couple of years ago. Now he’s back after having been found in the Amazonian jungle by Meshia (18). She is a Matsigenka girl with a broken heart who seizes the opportunity to go to Quillabamba to follow her city dreams. Iván is catatonic, has some strange nightmares, mental blackouts and can’t seem to go back to being himself again. Among dark delusions and crossed memories, his new realities live under a lurking shadow. 　　源自：https://www.mardelplatafilmfest.com/37/en/pelicula/punku

Iván (15) had been presumed dead after getting lost mysteriously a couple of years ago. Now he’s back after having been found in the Amazonian jungle by Meshia (18). She is a Matsigenka girl with a broken heart who seizes the opportunity to go to Quillabamba to follow her city dreams. Iván is catatonic, has some strange nightmares, mental blackouts and can’t seem to go back to being himself again. Among dark delusions and crossed memories, his new realities live under a lurking shadow. 　　源自：https://www.mardelplatafilmfest.com/37/en/pelicula/punku

这部改编自1961年经典动画的真人电影由《五十度灰》(Fifty Shades of Grey)的凯利·马塞尔(Kelly Marcel)执笔，导演人选尚未确定。《怪诞星期五》(Freak…

央视 八集电视纪录片《绍兴：一座名城的2500年》以史为据,借助现代科技手段,融史料拍摄、动画制作、情景再现、专家学者采访于一体,从理性的角度诠释一段段封尘的历史,解读了历史文化名城绍兴别样的多元文化。该片获2010年度浙江省广播电视新闻奖一等奖。

央视 八集电视纪录片《绍兴：一座名城的2500年》以史为据,借助现代科技手段,融史料拍摄、动画制作、情景再现、专家学者采访于一体,从理性的角度诠释一段段封尘的历史,解读了历史文化名城绍兴别样的多元文化。该片获2010年度浙江省广播电视新闻奖一等奖。

"A PhD Candidate" is a film about a Chinese PhD student living in America. He is sponsored by Chinese government. The government pays him some money every month for living expenses. In exchange he has to return to China right after graduation. After coming here, he found he still lives in a small circle of Chinese people isolated from the American society. His professor and peers are also from China. The environment makes him doesn’t have many chances to communicate with American people. And most importantly, he doesn’t think it is necessary to get integrated with the American social life. Since he knows he will not stay in here. He feels it is more comfortable to live in a closed environment. 　　The above is what interested me at the beginning. I intended to make this film of his life to see how this unusual identity influenced him. Along with the process of filming, I realized I was involving in a new form of transnational academic life. In American academia today there are many Chinese PhDs . The full scholarship or funding provided by Chinese government covered their tuition and living expenses. A PhD for them is more like a job, rather than studying. Also their relation with professors is similar to a kind of employment. So the film is not only about the identity of a foreigner, but also about a kind of academic labor outsourcing. Through watching the film the audience may find how it is like in the lower level of the academic pyramid.