The story of a news generation with a goal – to take down capitalism and have revenge. In this pursuit, the boundaries of ethics and morality will be stretched. It’s a story of the power of an underdog, but also the dangers of seeking powerful revenge.

Amanda is a corporate highflier who needs a slacker so she can have a baby and keep her career.

The medieval church cannot be understood without recognising that death was at its heart. Richard Taylor shows how churches were design ed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. 　　He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted in the decoration of windows, floors and walls at such remarkable sites as Malvern Priory in Worcestershire. 　　Taylor explains the medieval obsession with purgatory and how this again transformed our churches with the building of elaborate chantry chapels, where Masses could be said to ease the journey of departed souls into heaven. 　　Information 　　Author Richard Taylor examines how the imagery, symbols and architecture of English parish churches have inspired, moved and enraged people down the centuries. 　　Part 1: Dark Beginnings 　　Presenter Richard Taylor explains how churches were originally simple buildings intended to protect the altar and the most important Christian rite of all, the Eucharist. He visits Britain's finest early medieval churches to untangle the mystery of why the Anglo-Saxons and Normans seem to have been unwilling to shake off their pre-Christian past and to have continued to fill their sacred buildings with mysterious pagan images. An ancient book in an Oxford library helps Richard find an answer. 　　Part 2: Medieval Life 　　Richard Taylor uncovers evidence that shows how and why our parish churches came to play such a crucial role in the everyday life of the Middle Ages. He looks at how humorous wall paintings and intricate carvings were used to teach moral lessons and how carved angels in such churches as Blythburgh were used to create a heaven on earth. He finds out how rites such as baptism and the largely forgotten ritual known as the 'churching of women' offered people protection from the cradle to the grave. 　　Part 3: Medieval Death 　　Richard Taylor shows how churches were designed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted on the windows, floors and walls of sites like Malvern Priory. Taylor explains how the medieval obsession with purgatory transformed churches with the building of chantry chapels. 　　Part 4: Reformation - Chaos and Creation 　　With the help of art historian Sister Wendy Beckett and a stained-glass window, Richard Taylor tries to understand the intense medieval devotion to the Virgin Mary and how this fuelled the anger of the Reformation that followed. Richard 'reads' a ruined church and explains how it was not Henry VIII but his boy-king successor, Edward VI, who was responsible for the greatest changes in the Reformation. He also traces how the Book of Common Prayer and the translation of the Bible into English transformed the way that the English worshipped and the appearance of their churches. 　　Part 5: Restoration and Reason 　　Church life in the 18th century is often thought to have been genteel and dull, but Richard Taylor finds that churches in this Age of Enlightenment reflect the intellectual excitement, the vigour and the potential for conflict of a turbulent time. He shows how the symbols in the everyday parish church reveal the ever-closer identification between church and state and he tries out the triple-decker pulpit at St Mary's in Whitby, and he discovers how the London churches of Christopher Wren and Nicholas Hawksmoor reflect the latest scientific insights and archaeological discoveries of the age. 　　Part 6: The Victorians and after 　　Richard Taylor discovers how, during the industrial revolution, medieval imagery and ritual make a surprise return to Victorian places of worship and plunge the Anglican Church into conflict. Richard retraces the controversy surrounding this Oxford Movement of Anglo-Catholics and explores their finest churches. He sees how the impact of war in the 20th century is reflected on imagery in our churches and how the First World War brought a return to another medieval practice - the commemoration of the dead.

The medieval church cannot be understood without recognising that death was at its heart. Richard Taylor shows how churches were design ed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. 　　He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted in the decoration of windows, floors and walls at such remarkable sites as Malvern Priory in Worcestershire. 　　Taylor explains the medieval obsession with purgatory and how this again transformed our churches with the building of elaborate chantry chapels, where Masses could be said to ease the journey of departed souls into heaven. 　　Information 　　Author Richard Taylor examines how the imagery, symbols and architecture of English parish churches have inspired, moved and enraged people down the centuries. 　　Part 1: Dark Beginnings 　　Presenter Richard Taylor explains how churches were originally simple buildings intended to protect the altar and the most important Christian rite of all, the Eucharist. He visits Britain's finest early medieval churches to untangle the mystery of why the Anglo-Saxons and Normans seem to have been unwilling to shake off their pre-Christian past and to have continued to fill their sacred buildings with mysterious pagan images. An ancient book in an Oxford library helps Richard find an answer. 　　Part 2: Medieval Life 　　Richard Taylor uncovers evidence that shows how and why our parish churches came to play such a crucial role in the everyday life of the Middle Ages. He looks at how humorous wall paintings and intricate carvings were used to teach moral lessons and how carved angels in such churches as Blythburgh were used to create a heaven on earth. He finds out how rites such as baptism and the largely forgotten ritual known as the 'churching of women' offered people protection from the cradle to the grave. 　　Part 3: Medieval Death 　　Richard Taylor shows how churches were designed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted on the windows, floors and walls of sites like Malvern Priory. Taylor explains how the medieval obsession with purgatory transformed churches with the building of chantry chapels. 　　Part 4: Reformation - Chaos and Creation 　　With the help of art historian Sister Wendy Beckett and a stained-glass window, Richard Taylor tries to understand the intense medieval devotion to the Virgin Mary and how this fuelled the anger of the Reformation that followed. Richard 'reads' a ruined church and explains how it was not Henry VIII but his boy-king successor, Edward VI, who was responsible for the greatest changes in the Reformation. He also traces how the Book of Common Prayer and the translation of the Bible into English transformed the way that the English worshipped and the appearance of their churches. 　　Part 5: Restoration and Reason 　　Church life in the 18th century is often thought to have been genteel and dull, but Richard Taylor finds that churches in this Age of Enlightenment reflect the intellectual excitement, the vigour and the potential for conflict of a turbulent time. He shows how the symbols in the everyday parish church reveal the ever-closer identification between church and state and he tries out the triple-decker pulpit at St Mary's in Whitby, and he discovers how the London churches of Christopher Wren and Nicholas Hawksmoor reflect the latest scientific insights and archaeological discoveries of the age. 　　Part 6: The Victorians and after 　　Richard Taylor discovers how, during the industrial revolution, medieval imagery and ritual make a surprise return to Victorian places of worship and plunge the Anglican Church into conflict. Richard retraces the controversy surrounding this Oxford Movement of Anglo-Catholics and explores their finest churches. He sees how the impact of war in the 20th century is reflected on imagery in our churches and how the First World War brought a return to another medieval practice - the commemoration of the dead.

大西北粗粝广袤的土地上，仪表堂堂的高加林是这片黄土地上极其惹眼而又独树一帜的存在。他是镇上的老师，虽然兢兢业业教了三年书，但大队书记的儿子高中刚毕业就顶替了他的位置，让加林愤愤不平。自古民不与官斗，在爹娘苦苦哀求之下，加林打消了告状的念头，心怀抑郁和愤懑的青年无奈回到田里耕作。在此期间，多亏了纯朴而美丽的姑娘刘巧珍给了他安慰。爱情的滋润让加林重新找到前进的方向，他打理田间地头，业余时间从事写作。而就在此时，加林却意外得到了一个可以去县里工作的机会。人生和爱情面前，青年不得不做出抉择…… 本片根据路遥的同名小说改编。

大西北粗粝广袤的土地上，仪表堂堂的高加林（周里京 饰）是这片黄土地上极其惹眼而又独树一帜的存在。他是镇上的老师，虽然兢兢业业教了三年书，但大队书记的儿子高中刚毕业就顶了他的位置，让加林愤愤不平。自古民不与官斗，在爹娘苦苦哀求之下，加林打消了告状的念头，心怀抑郁和愤懑的青年无奈回到田里耕作。在此期间，多亏了纯朴而美丽的姑娘刘巧珍（吴玉芳 饰）给了他安慰。爱情的滋润让加林重新找到前进的方向，他打理田间地头，业余时间从事写作。而就在此时，加林却意外得到了一个可以去县里工作的机会。人生和爱情面前，青年不得不做出抉择…… 　　本片根据路遥的同名小说改编。

女主角小步与好友小信约好要考上同一所高中─西高。步原本的成绩相当不好，却因为好友的鼓励成绩渐渐提升，最后考上了西高。可是成绩一直保持顶尖的小信却出了状况，梦寐以求的西高落榜。两人之间坚定的友情瞬间化为泡影，没想到小信竟然说出：“我早就厌烦你了，要是没有你就好了!”小步深深自责于自己太过依赖小信，结果导致开始有用割腕来逃避痛苦的习惯。后来上了高中，没有她想像中的美好生活，她遇到了一个复仇心强的女生，一个有着变态倾向的男生，一个总是独来独往却又不失帅劲的女生，以及与她为敌的全班同学……

时值美国禁酒令期间，雷福德（艾迪·墨菲 Eddie Murphy 饰）是一个整日里游手好闲不务正业的扒手，克劳德（马丁·劳伦斯 Martin Lawrence 饰）身为银行职员却有着嗜赌的恶习，命运让两个本是南辕北辙的男人走到了一起，替史班吉先生（Rick James 饰）运送私酒。哪知道这笔买卖却遭到了黑心警长的暗中破坏，导致雷福德和克劳德锒铛入狱，等待着两人的是终生监禁的刑罚。就这样，雷福德和克劳德，两个原本平凡的小人物，他们漫长的后半生必须在铁窗之后度过了。 　　两个倒霉蛋本来性格就相互不对付，一下子成为了朝夕相处的“室友”，矛盾和争吵在所难免。然而，随着时间的推移，坚实的友谊亦就此产生。

时值美国禁酒令期间，雷福德（艾迪·墨菲 Eddie Murphy 饰）是一个整日里游手好闲不务正业的扒手，克劳德（马丁·劳伦斯 Martin Lawrence 饰）身为银行职员却有着嗜赌的恶习，命运让两个本是南辕北辙的男人走到了一起，替史班吉先生（Rick James 饰）运送私酒。哪知道这笔买卖却遭到了黑心警长的暗中破坏，导致雷福德和克劳德锒铛入狱，等待着两人的是终生监禁的刑罚。就这样，雷福德和克劳德，两个原本平凡的小人物，他们漫长的后半生必须在铁窗之后度过了。 　　两个倒霉蛋本来性格就相互不对付，一下子成为了朝夕相处的“室友”，矛盾和争吵在所难免。然而，随着时间的推移，坚实的友谊亦就此产生。