秀茂坪旧式屋村，一开始就发生命案，童党们分工合作毁尸灭迹。按照刑法要判终身监禁，但主犯之一的阿必只判了七年，原来阿必转换角色做了污点证人。阿必从小父母离婚，他就独立自主，在群体中有智多星的信誉。另一个主犯大王也是父母离异，斗狠要强，进行爆炸偷窃，获得大王的美称。然后追述其结党、沟女、打斗，欺负有点弱智的垃圾佬“三叔”霸占其地盘为大本营。同情三叔的小党友，被当作判徒，被党童群殴致死。警方调查三叔被打，却发现惊天命案。

秀茂坪旧式屋村，一开始就发生命案，童党们分工合作毁尸灭迹。按照刑法要判终身监禁，但主犯之一的阿必只判了七年，原来阿必转换角色做了污点证人。阿必从小父母离婚，他就独立自主，在群体中有智多星的信誉。另一个主犯大王也是父母离异，斗狠要强，进行爆炸偷窃，获得大王的美称。然后追述其结党、沟女、打斗，欺负有点弱智的垃圾佬“三叔”霸占其地盘为大本营。同情三叔的小党友，被当作判徒，被党童群殴致死。警方调查三叔被打，却发现惊天命案。

《陈三五娘》是1996年的中国台湾拍摄的一部电视歌仔戏。讲述了泉州才子陈(叶青饰)送嫂赴广南，途经潮州，在元宵灯会上巧遇潮州第一美人黄府千金五娘（林美照饰），不惜扮成磨镜师，计破宝镜卖身入府，以追求美娇娘。在林大鼻欲娶五娘，六娘意爱陈三的情节铺陈中，导致陈三协同五娘私奔下策，幸得兄嫂协助，陈三终於名正言顺娶得五娘。 绩效或特色：以台语四句联押韵演出，表现台语文字与声调之美。

《陈三五娘》是1996年的中国台湾拍摄的一部电视歌仔戏。讲述了泉州才子陈(叶青饰)送嫂赴广南，途经潮州，在元宵灯会上巧遇潮州第一美人黄府千金五娘（林美照饰），不惜扮成磨镜师，计破宝镜卖身入府，以追求美娇娘。在林大鼻欲娶五娘，六娘意爱陈三的情节铺陈中，导致陈三协同五娘私奔下策，幸得兄嫂协助，陈三终於名正言顺娶得五娘。 绩效或特色：以台语四句联押韵演出，表现台语文字与声调之美。

西北乡村小学五年级学生王浩的母亲出去打工后不回来了，小王浩对母亲的认识也发生了巨大的转变。本片记录了王浩敏感的心事愁绪，刻画了乡村留守儿童的教育状况和家庭环境。

元宵佳节，广东潮州街上，张灯结彩，人流不息，一幅人间好景色。书生陈三，送哥嫂到广南上任，路过潮洲。陈三与黄家五娘相遇，相见之下种下情苗。富豪之子林大，也中意于五娘，托媒送聘。五娘之父黄九郎贪财应许，五娘坚持不从。六月，王娘与婢女益春在绣楼赏夏尝荔，正逢陈三骑马寻访五娘，五娘将荔枝手帕投落，以寄深情。 陈三拾得手帕喜出望外。数日后，陈三化装磨镜匠进入黄府，并故意将宝镜打破。黄九郎闻知大怒，陈三求情，愿卖身为佣，以赔宝镜。五娘料得陈三来意，又喜又怕。陈三卖身黄府，但与五娘咫尺天涯，却难得相见。

本片是导演杰拉·巴布鲁阿尼重拍自己2005年执导的法语黑白片《百万杀人游戏》，主人公塞巴斯蒂安整日的工作就是替别人家修补房顶。有一天房主收到一封信，却因吸毒过量而死。风把信吹到了塞巴斯蒂安劳作的工具上，他还在房顶上意外偷听到这封信能够带来巨大财富的秘密。于是，按照信封中的火车票和路线，塞巴斯蒂安拿到了13号标签，赌命游戏也随之拉开了序幕……

本片是导演杰拉·巴布鲁阿尼重拍自己2005年执导的法语黑白片《百万杀人游戏》，主人公塞巴斯蒂安整日的工作就是替别人家修补房顶。有一天房主收到一封信，却因吸毒过量而死。风把信吹到了塞巴斯蒂安劳作的工具上，他还在房顶上意外偷听到这封信能够带来巨大财富的秘密。于是，按照信封中的火车票和路线，塞巴斯蒂安拿到了13号标签，赌命游戏也随之拉开了序幕……

本片由黃梅調巨星凌波反串主演，故事講述，泉州才子陳伯卿（凌波），邂逅潮州第一美人黃碧琚（方盈），心生傾慕；後伯卿得知兩人幼時曾定親，於是隱瞞身份，賣身黃府，作陪讀書僮，以接近碧琚。陝西巡撫之子林大雄（雷鳴），垂涎碧琚美色，強自下聘，欲娶之為妻；碧琚父（李影）貪財怕勢，不理家人反對，收下林家聘禮。伯卿得知碧琚已有婚配，刺激過度，一病不起……

The medieval church cannot be understood without recognising that death was at its heart. Richard Taylor shows how churches were design ed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. 　　He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted in the decoration of windows, floors and walls at such remarkable sites as Malvern Priory in Worcestershire. 　　Taylor explains the medieval obsession with purgatory and how this again transformed our churches with the building of elaborate chantry chapels, where Masses could be said to ease the journey of departed souls into heaven. 　　Information 　　Author Richard Taylor examines how the imagery, symbols and architecture of English parish churches have inspired, moved and enraged people down the centuries. 　　Part 1: Dark Beginnings 　　Presenter Richard Taylor explains how churches were originally simple buildings intended to protect the altar and the most important Christian rite of all, the Eucharist. He visits Britain's finest early medieval churches to untangle the mystery of why the Anglo-Saxons and Normans seem to have been unwilling to shake off their pre-Christian past and to have continued to fill their sacred buildings with mysterious pagan images. An ancient book in an Oxford library helps Richard find an answer. 　　Part 2: Medieval Life 　　Richard Taylor uncovers evidence that shows how and why our parish churches came to play such a crucial role in the everyday life of the Middle Ages. He looks at how humorous wall paintings and intricate carvings were used to teach moral lessons and how carved angels in such churches as Blythburgh were used to create a heaven on earth. He finds out how rites such as baptism and the largely forgotten ritual known as the 'churching of women' offered people protection from the cradle to the grave. 　　Part 3: Medieval Death 　　Richard Taylor shows how churches were designed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted on the windows, floors and walls of sites like Malvern Priory. Taylor explains how the medieval obsession with purgatory transformed churches with the building of chantry chapels. 　　Part 4: Reformation - Chaos and Creation 　　With the help of art historian Sister Wendy Beckett and a stained-glass window, Richard Taylor tries to understand the intense medieval devotion to the Virgin Mary and how this fuelled the anger of the Reformation that followed. Richard 'reads' a ruined church and explains how it was not Henry VIII but his boy-king successor, Edward VI, who was responsible for the greatest changes in the Reformation. He also traces how the Book of Common Prayer and the translation of the Bible into English transformed the way that the English worshipped and the appearance of their churches. 　　Part 5: Restoration and Reason 　　Church life in the 18th century is often thought to have been genteel and dull, but Richard Taylor finds that churches in this Age of Enlightenment reflect the intellectual excitement, the vigour and the potential for conflict of a turbulent time. He shows how the symbols in the everyday parish church reveal the ever-closer identification between church and state and he tries out the triple-decker pulpit at St Mary's in Whitby, and he discovers how the London churches of Christopher Wren and Nicholas Hawksmoor reflect the latest scientific insights and archaeological discoveries of the age. 　　Part 6: The Victorians and after 　　Richard Taylor discovers how, during the industrial revolution, medieval imagery and ritual make a surprise return to Victorian places of worship and plunge the Anglican Church into conflict. Richard retraces the controversy surrounding this Oxford Movement of Anglo-Catholics and explores their finest churches. He sees how the impact of war in the 20th century is reflected on imagery in our churches and how the First World War brought a return to another medieval practice - the commemoration of the dead.