法国某地，恬淡闲散的气氛肆意弥漫。在位于路边的一家咖啡馆内，衣着考究、态度傲慢的绅士正悠闲地看着报纸。期间一名乞丐走入咖啡馆行乞，绅士用报纸挡住面孔，毫不理睬。反倒是隔壁的老妇人慷慨解囊，给了乞丐一张大面额的纸币。当绅士准备付账走人时，却发现身无分文。出于面子和尊严的考虑，绅士只能故作镇静，点了一杯又一杯咖啡，指望碰到熟人出手相助。眼看咖啡杯高高摞起，账单越来越长，绅士却依然想不出任何办法。被逼无奈，他决定铤而走险，从隔壁老妇人的包里偷钱…… 　　本片荣获2009年阿根廷科尔多瓦国际动画电影节最佳动画片奖。

法国某地，恬淡闲散的气氛肆意弥漫。在位于路边的一家咖啡馆内，衣着考究、态度傲慢的绅士正悠闲地看着报纸。期间一名乞丐走入咖啡馆行乞，绅士用报纸挡住面孔，毫不理睬。反倒是隔壁的老妇人慷慨解囊，给了乞丐一张大面额的纸币。当绅士准备付账走人时，却发现身无分文。出于面子和尊严的考虑，绅士只能故作镇静，点了一杯又一杯咖啡，指望碰到熟人出手相助。眼看咖啡杯高高摞起，账单越来越长，绅士却依然想不出任何办法。被逼无奈，他决定铤而走险，从隔壁老妇人的包里偷钱…… 　　本片荣获2009年阿根廷科尔多瓦国际动画电影节最佳动画片奖。

中国股市20年可谓风起云涌，但活跃在一线的绝大部分是平凡岗位的中小散户，他们的喜怒哀乐，构建了中国股市的靓丽风景，情景喜剧《跌停板，涨停板》正是由此孕育而生。该剧以股民为主要关注对象，同时面对的又是在飞速发展的社会中、在海量信息的冲击下，努力经营生活、实现梦想的人们——特别是年轻人。

中国股市20年可谓风起云涌，但活跃在一线的绝大部分是平凡岗位的中小散户，他们的喜怒哀乐，构建了中国股市的靓丽风景，情景喜剧《跌停板，涨停板》正是由此孕育而生。该剧以股民为主要关注对象，同时面对的又是在飞速发展的社会中、在海量信息的冲击下，努力经营生活、实现梦想的人们——特别是年轻人。

中国股市20年可谓风起云涌，但活跃在一线的绝大部分是平凡岗位的中小散户，他们的喜怒哀乐，构建了中国股市的靓丽风景，情景喜剧《跌停板，涨停板》正是由此孕育而生。该剧以股民为主要关注对象，同时面对的又是在飞速发展的社会中、在海量信息的冲击下，努力经营生活、实现梦想的人们——特别是年轻人。

The medieval church cannot be understood without recognising that death was at its heart. Richard Taylor shows how churches were design ed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. 　　He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted in the decoration of windows, floors and walls at such remarkable sites as Malvern Priory in Worcestershire. 　　Taylor explains the medieval obsession with purgatory and how this again transformed our churches with the building of elaborate chantry chapels, where Masses could be said to ease the journey of departed souls into heaven. 　　Information 　　Author Richard Taylor examines how the imagery, symbols and architecture of English parish churches have inspired, moved and enraged people down the centuries. 　　Part 1: Dark Beginnings 　　Presenter Richard Taylor explains how churches were originally simple buildings intended to protect the altar and the most important Christian rite of all, the Eucharist. He visits Britain's finest early medieval churches to untangle the mystery of why the Anglo-Saxons and Normans seem to have been unwilling to shake off their pre-Christian past and to have continued to fill their sacred buildings with mysterious pagan images. An ancient book in an Oxford library helps Richard find an answer. 　　Part 2: Medieval Life 　　Richard Taylor uncovers evidence that shows how and why our parish churches came to play such a crucial role in the everyday life of the Middle Ages. He looks at how humorous wall paintings and intricate carvings were used to teach moral lessons and how carved angels in such churches as Blythburgh were used to create a heaven on earth. He finds out how rites such as baptism and the largely forgotten ritual known as the 'churching of women' offered people protection from the cradle to the grave. 　　Part 3: Medieval Death 　　Richard Taylor shows how churches were designed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted on the windows, floors and walls of sites like Malvern Priory. Taylor explains how the medieval obsession with purgatory transformed churches with the building of chantry chapels. 　　Part 4: Reformation - Chaos and Creation 　　With the help of art historian Sister Wendy Beckett and a stained-glass window, Richard Taylor tries to understand the intense medieval devotion to the Virgin Mary and how this fuelled the anger of the Reformation that followed. Richard 'reads' a ruined church and explains how it was not Henry VIII but his boy-king successor, Edward VI, who was responsible for the greatest changes in the Reformation. He also traces how the Book of Common Prayer and the translation of the Bible into English transformed the way that the English worshipped and the appearance of their churches. 　　Part 5: Restoration and Reason 　　Church life in the 18th century is often thought to have been genteel and dull, but Richard Taylor finds that churches in this Age of Enlightenment reflect the intellectual excitement, the vigour and the potential for conflict of a turbulent time. He shows how the symbols in the everyday parish church reveal the ever-closer identification between church and state and he tries out the triple-decker pulpit at St Mary's in Whitby, and he discovers how the London churches of Christopher Wren and Nicholas Hawksmoor reflect the latest scientific insights and archaeological discoveries of the age. 　　Part 6: The Victorians and after 　　Richard Taylor discovers how, during the industrial revolution, medieval imagery and ritual make a surprise return to Victorian places of worship and plunge the Anglican Church into conflict. Richard retraces the controversy surrounding this Oxford Movement of Anglo-Catholics and explores their finest churches. He sees how the impact of war in the 20th century is reflected on imagery in our churches and how the First World War brought a return to another medieval practice - the commemoration of the dead.

The medieval church cannot be understood without recognising that death was at its heart. Richard Taylor shows how churches were design ed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. 　　He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted in the decoration of windows, floors and walls at such remarkable sites as Malvern Priory in Worcestershire. 　　Taylor explains the medieval obsession with purgatory and how this again transformed our churches with the building of elaborate chantry chapels, where Masses could be said to ease the journey of departed souls into heaven. 　　Information 　　Author Richard Taylor examines how the imagery, symbols and architecture of English parish churches have inspired, moved and enraged people down the centuries. 　　Part 1: Dark Beginnings 　　Presenter Richard Taylor explains how churches were originally simple buildings intended to protect the altar and the most important Christian rite of all, the Eucharist. He visits Britain's finest early medieval churches to untangle the mystery of why the Anglo-Saxons and Normans seem to have been unwilling to shake off their pre-Christian past and to have continued to fill their sacred buildings with mysterious pagan images. An ancient book in an Oxford library helps Richard find an answer. 　　Part 2: Medieval Life 　　Richard Taylor uncovers evidence that shows how and why our parish churches came to play such a crucial role in the everyday life of the Middle Ages. He looks at how humorous wall paintings and intricate carvings were used to teach moral lessons and how carved angels in such churches as Blythburgh were used to create a heaven on earth. He finds out how rites such as baptism and the largely forgotten ritual known as the 'churching of women' offered people protection from the cradle to the grave. 　　Part 3: Medieval Death 　　Richard Taylor shows how churches were designed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted on the windows, floors and walls of sites like Malvern Priory. Taylor explains how the medieval obsession with purgatory transformed churches with the building of chantry chapels. 　　Part 4: Reformation - Chaos and Creation 　　With the help of art historian Sister Wendy Beckett and a stained-glass window, Richard Taylor tries to understand the intense medieval devotion to the Virgin Mary and how this fuelled the anger of the Reformation that followed. Richard 'reads' a ruined church and explains how it was not Henry VIII but his boy-king successor, Edward VI, who was responsible for the greatest changes in the Reformation. He also traces how the Book of Common Prayer and the translation of the Bible into English transformed the way that the English worshipped and the appearance of their churches. 　　Part 5: Restoration and Reason 　　Church life in the 18th century is often thought to have been genteel and dull, but Richard Taylor finds that churches in this Age of Enlightenment reflect the intellectual excitement, the vigour and the potential for conflict of a turbulent time. He shows how the symbols in the everyday parish church reveal the ever-closer identification between church and state and he tries out the triple-decker pulpit at St Mary's in Whitby, and he discovers how the London churches of Christopher Wren and Nicholas Hawksmoor reflect the latest scientific insights and archaeological discoveries of the age. 　　Part 6: The Victorians and after 　　Richard Taylor discovers how, during the industrial revolution, medieval imagery and ritual make a surprise return to Victorian places of worship and plunge the Anglican Church into conflict. Richard retraces the controversy surrounding this Oxford Movement of Anglo-Catholics and explores their finest churches. He sees how the impact of war in the 20th century is reflected on imagery in our churches and how the First World War brought a return to another medieval practice - the commemoration of the dead.

股神高进在演讲时遭遇意外身亡，重生到七岁男孩李云轩身上。此时，李云轩的父亲李志，正因被徒弟王明设局，亏掉客户五百万陷入绝望，欲寻短见。拥有高进记忆与操盘能力的李云轩，决心守护这个家庭，他靠精准操盘，不仅帮父亲摆脱困境，还开始了自己新人生。

全能艺人洪都拉斯带领着冲突组合开启热炒美食之旅。组合成员包括来自日本的爱纱与风田、人气网红炫晨和大军，还有接地气的潘柏希，这六位菜鸟老板凭借热炒厨艺，深入北中南，探寻百元热炒的经营模式和成功关键，解锁不同城市的热炒美食，全省跑透透。

由全能藝人洪都拉斯，帶領著衝突組合，包括來自日本的愛紗與風田及人氣網紅炫晨與大軍，再加上接地氣的潘柏希，所組成的6位菜鳥老闆。他們將帶著熱炒廚藝，引領觀眾來到北中南深入瞭解百元熱炒的經營模式、成功關鍵，以及解鎖不同城市的熱炒美食。這趟熱炒美食之旅，菜鳥老闆全省跑透透。