中华医药简称中医药，是指中医和中药。另外，1998年6月1日在中央电视台国际频道正式开播《中华医药（Traditional Chinese Medicine）》栏目，每周播出，每期节目时长30分钟。2002年9月2日，《中华医药》进行了全面改版，栏目扩版为每期节目时长50分钟，栏目的品牌效应和影响力得到了进一步扩大，成为中央电视台国际频道深受海内外观众欢迎的品牌栏目之一。

菲菲是个善良、诚实的中学生，但做事浮躁、贪玩，对事情不求甚解。因此在他选择工作时，常以热情开始，以失败告终。不停地换工作，当过厨师、魔术师、花童、菜农……他不断遇到新问题，结识新伙伴。于是，一连串的生动故事就出现了。

The medieval church cannot be understood without recognising that death was at its heart. Richard Taylor shows how churches were design ed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. 　　He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted in the decoration of windows, floors and walls at such remarkable sites as Malvern Priory in Worcestershire. 　　Taylor explains the medieval obsession with purgatory and how this again transformed our churches with the building of elaborate chantry chapels, where Masses could be said to ease the journey of departed souls into heaven. 　　Information 　　Author Richard Taylor examines how the imagery, symbols and architecture of English parish churches have inspired, moved and enraged people down the centuries. 　　Part 1: Dark Beginnings 　　Presenter Richard Taylor explains how churches were originally simple buildings intended to protect the altar and the most important Christian rite of all, the Eucharist. He visits Britain's finest early medieval churches to untangle the mystery of why the Anglo-Saxons and Normans seem to have been unwilling to shake off their pre-Christian past and to have continued to fill their sacred buildings with mysterious pagan images. An ancient book in an Oxford library helps Richard find an answer. 　　Part 2: Medieval Life 　　Richard Taylor uncovers evidence that shows how and why our parish churches came to play such a crucial role in the everyday life of the Middle Ages. He looks at how humorous wall paintings and intricate carvings were used to teach moral lessons and how carved angels in such churches as Blythburgh were used to create a heaven on earth. He finds out how rites such as baptism and the largely forgotten ritual known as the 'churching of women' offered people protection from the cradle to the grave. 　　Part 3: Medieval Death 　　Richard Taylor shows how churches were designed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted on the windows, floors and walls of sites like Malvern Priory. Taylor explains how the medieval obsession with purgatory transformed churches with the building of chantry chapels. 　　Part 4: Reformation - Chaos and Creation 　　With the help of art historian Sister Wendy Beckett and a stained-glass window, Richard Taylor tries to understand the intense medieval devotion to the Virgin Mary and how this fuelled the anger of the Reformation that followed. Richard 'reads' a ruined church and explains how it was not Henry VIII but his boy-king successor, Edward VI, who was responsible for the greatest changes in the Reformation. He also traces how the Book of Common Prayer and the translation of the Bible into English transformed the way that the English worshipped and the appearance of their churches. 　　Part 5: Restoration and Reason 　　Church life in the 18th century is often thought to have been genteel and dull, but Richard Taylor finds that churches in this Age of Enlightenment reflect the intellectual excitement, the vigour and the potential for conflict of a turbulent time. He shows how the symbols in the everyday parish church reveal the ever-closer identification between church and state and he tries out the triple-decker pulpit at St Mary's in Whitby, and he discovers how the London churches of Christopher Wren and Nicholas Hawksmoor reflect the latest scientific insights and archaeological discoveries of the age. 　　Part 6: The Victorians and after 　　Richard Taylor discovers how, during the industrial revolution, medieval imagery and ritual make a surprise return to Victorian places of worship and plunge the Anglican Church into conflict. Richard retraces the controversy surrounding this Oxford Movement of Anglo-Catholics and explores their finest churches. He sees how the impact of war in the 20th century is reflected on imagery in our churches and how the First World War brought a return to another medieval practice - the commemoration of the dead.

Michael Mosley tells the story of the creation of our most useful and valuable drugs.

Michael Mosley tells the story of the creation of our most useful and valuable drugs.

Between 1971 and 1975 Joris Ivens and Marceline Loridan worked on the preparations and filming of the monumental 12 hours Yukong series, consiting of twelve parts. The series became a portret of the Chinese and their daily life with its many aspects, and the benefits of the Cultural Revolution, intended for a Western public. Little was known in the West about China, so this work was a welcome source of information and for many people a first inside view at Chinese culture and life, letting the Chinese speak themselves. Despite the restrictions Ivens and Loridan met (which often became clear only afterwards), and the regular political changes, the films remain an important document of a period in Chinese history. The filmseries was made on invitation of Zhou En-Lai, the prime minister of China.

大型季播节目《中国中医药大会》以“医人、医典、医案、医方”为切入点，通过演播室科技+艺术创新形式，解读中医药文化延绵至今仍焕发生机的奥秘。

大型季播节目《中国中医药大会》以“医人、医典、医案、医方”为切入点，通过演播室科技+艺术创新形式，解读中医药文化延绵至今仍焕发生机的奥秘。

该片纪录了2022年，在中国广州围绕快手直播网红、粉丝和从业者真实现状的表达。

《人间指南》是腾讯视频小鲜综系列首档工作体验互动真人秀。两位工作体验者R1SE张颜齐和中国Boy(王瀚哲)将进入餐饮、服务、美容、媒体、演艺等行业领域，在真实的就业场景里进行一日工作体验。每期节目揭晓当日体验工作，前辈教学工作任务、下达评估标准、结算当日工资。两位工作体验者从日常生活里充满烟火气的普通职业出发，真实尝试社会各领域、各阶层的工作，耿直阐述体验经历和工作感受。