Four subjects—a student, a writer, a professor and a dancer—each immersed in the act of reading. Not party to the targets of their attention, a viewer is invited to partake in an alternate act of reading: one of the film’s protagonists themselves, their unspoken languages of presentation, posture and movement.

童年，成长经历，家庭背景，社会关系，创伤…… 我们不断追溯与求索犯罪者的动机，探寻其中最幽微的喜怒哀乐，不是为了设身处地地同情、乃至于原谅他们，不是为了给罪行以开脱的理由，不是为了跪服于所谓人性的复杂，不是为了反思社会矛盾，更不是为了把自己也异化成怪物——我们只是在给自己、给仍然对这个世界抱有期望的人——寻找一个公正的交待而已。

童年，成长经历，家庭背景，社会关系，创伤…… 我们不断追溯与求索犯罪者的动机，探寻其中最幽微的喜怒哀乐，不是为了设身处地地同情、乃至于原谅他们，不是为了给罪行以开脱的理由，不是为了跪服于所谓人性的复杂，不是为了反思社会矛盾，更不是为了把自己也异化成怪物——我们只是在给自己、给仍然对这个世界抱有期望的人——寻找一个公正的交待而已。

童年，成长经历，家庭背景，社会关系，创伤…… 　　我们不断追溯与求索犯罪者的动机，探寻其中最幽微的喜怒哀乐，不是为了设身处地地同情、乃至于原谅他们，不是为了给罪行以开脱的理由，不是为了跪服于所谓人性的复杂，不是为了反思社会矛盾，更不是为了把自己也异化成怪物—— 　　我们只是在给自己、给仍然对这个世界抱有期望的人——寻找一个公正的交待而已

年轻的莉亚担任知名作家安娜的助理，两人从公私分明到逐渐暧昧不清。当过往与现今发生擦撞，莉亚开始对这段关係感到溷乱，甚至无法洞悉一切…

年轻的莉亚担任知名作家安娜的助理，两人从公私分明到逐渐暧昧不清。当过往与现今发生擦撞，莉亚开始对这段关係感到溷乱，甚至无法洞悉一切…

童年，成长经历，家庭背景，社会关系，创伤…… 　　我们不断追溯与求索犯罪者的动机，探寻其中最幽微的喜怒哀乐，不是为了设身处地地同情、乃至于原谅他们，不是为了给罪行以开脱的理由，不是为了跪服于所谓人性的复杂，不是为了反思社会矛盾，更不是为了把自己也异化成怪物—— 　　我们只是在给自己、给仍然对这个世界抱有期望的人——寻找一个公正的交待而已

Three women whose lives turn upside down when Hanna's son, Jacob, is involved in a serious car accident and claims that he remembers his earlier life as a pilot of a lost passenger plane.

Three women whose lives turn upside down when Hanna's son, Jacob, is involved in a serious car accident and claims that he remembers his earlier life as a pilot of a lost passenger plane.

In separate sketches, Thunska Pansittivorakul shows the homosexual love between a teacher and pupil more explicitly than ever. Several cryptic scenes refer to the oppressive Thai political situation. A clear reaction to the new law that subjected his previous film, This Area Is Under Quarantine (2009), to censorship. 　　Reincarnate starts with a text: ‘Thailand has since August 2009 banned the screening of sexual acts and genitals in films and anything that damages the interests of the country or causes disharmony in the people’. Thunska Pansittivorakul’s first film, This Area Is Under Quarantine (2009), which was only screened at this festival last year, was the first victim. Images of a violent conflict between the government and Muslim demonstrators did not get past the censor. How can any film maker still show what is happening in his country? In view of the fact that anything can fall under this law, in Reincarnate he shows for the first time flowing sperm. In his previous films, homosexual love was always prominently, but not explicitly present. Alongside separate sketches of the relationship between pupil and teacher, the film is made up of several cryptic scenes that comment on the oppressive political situation, in which all parties only defend their own interests. –IFFR