初中生李果因为认真完成了老师布置的作业，沦为了班上的笑柄，在经历了一次次被排挤之后，她注意到了班上的另一个女生......

想要“做自己”的代价就是被群体抛弃。作为一个“普通孩子”，该如何选择？

想要“做自己”的代价就是被群体抛弃。作为一个“普通孩子”，该如何选择？

The second movie of Kiarostami, made in 1972. It calls in my mind some of the very first movies of Brakhage, especially The Way to Shadow Garden. In both cases, a minimalistic gem, nothing explained, a personage without history, without motivation, with the unique role of putting in value a disconcerting universe. 　　Is it the admirable end of Breaktime a negative stasis (like in the movie of Brakhage)? Well, it is somehow a way to the Gardens of Shadow, too, though I think it is, much more, something else: it is an end refusing to be the end (as the movie actually has no beginning, also). This fourteen minutes movie dares to eliminate the story from its structure! It is a shame that Breaktime passed unobserved, because it was marking a new age in the history of cinema.

The second movie of Kiarostami, made in 1972. It calls in my mind some of the very first movies of Brakhage, especially The Way to Shadow Garden. In both cases, a minimalistic gem, nothing explained, a personage without history, without motivation, with the unique role of putting in value a disconcerting universe. 　　Is it the admirable end of Breaktime a negative stasis (like in the movie of Brakhage)? Well, it is somehow a way to the Gardens of Shadow, too, though I think it is, much more, something else: it is an end refusing to be the end (as the movie actually has no beginning, also). This fourteen minutes movie dares to eliminate the story from its structure! It is a shame that Breaktime passed unobserved, because it was marking a new age in the history of cinema.

国庆节，初中政治老师盛利铭在宿舍里百无聊赖。他曾经的学生董劼回来拍一部关于他生活的纪录片作业。两人无意间得知董劼的初中同学李言午失踪的消息，这似乎给难熬的假期注入了一些新鲜刺激。伴随着生活和工作中种种问题的隐隐作痛，盛利铭试图找到李言午的愿望渐渐强烈，而董劼对待拍摄的态度也在发生变化......

国庆节，初中政治老师盛利铭在宿舍里百无聊赖。他曾经的学生董劼回来拍一部关于他生活的纪录片作业。两人无意间得知董劼的初中同学李言午失踪的消息，这似乎给难熬的假期注入了一些新鲜刺激。伴随着生活和工作中种种问题的隐隐作痛，盛利铭试图找到李言午的愿望渐渐强烈，而董劼对待拍摄的态度也在发生变化......

在三到六岁的幼儿园里，课间休息会是什么样的场景？大人们远观，还以为是快乐的喧闹，但是走近看孩子们玩耍的情形，却让人模糊地想起我们也曾这样：这个奴役那个，这个虐待那个。但只是为了好玩，现在都已经结束。但真的结束了吗？不尽然，孩子们的课间游戏并不那么微不足道……

通过14至19岁学生的双眼，《课间休息》（Hora do recreio）这部影片采用纪录片与虚构相结合的方式，深入探讨了巴西社会中的暴力、种族主义和毒品交易等问题。

课间休息时，王韵婵被同班同学在语言上性骚扰，好闺蜜刘晓璐决定帮她讨回公道。在几人的争吵中，事情逐渐向着不可控的方向发展......