江美琪因流产离婚遭村人歧视，孙翠芬、张天成借 “姑获鸟偷孩” 传说，伪造证据污蔑她是偷孩恶灵，还煽动丢孩的刘玉指证。江美琪发现阴谋欲自证，反被二人用谎言加深敌意，被迫逃亡。她意外撞见孙、张与买家交易，才知二人是人贩子，遂找刘玉血誓证清白，彼时刘玉也遭污蔑，二人联手设局。借村民对姑获鸟的敬畏制造混乱，江美琪暗中报警，张天成毒瘾发作自爆罪行，警方找到刘玉儿子尸首，孙、张被判死刑，被拐儿童获救，村民致歉。

影片是古天乐跟叶伟信，继五年前《杀破狼・贪狼》后再次合作，五年前的合作为古天乐带来香港电影金像奖影帝宝座，这次再合作绝对叫人期待！古天乐表示：“事隔五年再次同叶伟信合作，不一样的题材，一样的默契。《谁变走了大佛》的剧本，可算是我从影而来，其中一部最叫我感动的，拍摄已经完成，自己非常期待。” 叶伟信则表示：“三十年前，我曾看过魔术师变走自由神像的表演。后来就觉得，如果我们要拍一部电影，要将什么变走，会有像征意义？我们想到了大佛，不知能否由大佛开始，想到一个故事？“魔术”效果中，其中的一种原理，就是出现和消失，将东西变出来，将东西变走。就好像人和事一样，也是不停地出现和消失，就好像你遇上了一些很坏的事，它总有一天会消失的；或者你现在很快乐，过得很好，但这快乐也许有一天都会消失。当快乐消失时，你是否只能选择痛苦地面对？《谁变走了大佛》，它整个故事就是关于怎样去释怀，放下，一如佛学里说的“应无所住而生其心”，不为一个念头执著，紧抓着不放。”

影片是古天乐跟叶伟信，继五年前《杀破狼・贪狼》后再次合作，五年前的合作为古天乐带来香港电影金像奖影帝宝座，这次再合作绝对叫人期待！古天乐表示：“事隔五年再次同叶伟信合作，不一样的题材，一样的默契。《谁变走了大佛》的剧本，可算是我从影而来，其中一部最叫我感动的，拍摄已经完成，自己非常期待。” 叶伟信则表示：“三十年前，我曾看过魔术师变走自由神像的表演。后来就觉得，如果我们要拍一部电影，要将什么变走，会有像征意义？我们想到了大佛，不知能否由大佛开始，想到一个故事？“魔术”效果中，其中的一种原理，就是出现和消失，将东西变出来，将东西变走。就好像人和事一样，也是不停地出现和消失，就好像你遇上了一些很坏的事，它总有一天会消失的；或者你现在很快乐，过得很好，但这快乐也许有一天都会消失。当快乐消失时，你是否只能选择痛苦地面对？《谁变走了大佛》，它整个故事就是关于怎样去释怀，放下，一如佛学里说的“应无所住而生其心”，不为一个念头执著，紧抓着不放。”

艺考学霸林挽星自律刻苦，生母离世后，她好心教偷看自己跳舞的继妹林晚月舞技，却引狼入室。校考选拔前夕，她莫名体重暴涨、胃部受损，竹马陈北哲还对她 PUA 嫌弃，反观林晚月胡吃海喝却纤瘦依旧。比赛当天，林挽星在嘲讽中登台，最终胃部爆裂惨死，临死前撞破林晚月是父亲私生女，还惨遭父亲斥责。带着恨意重生回赛前一周，她誓要揭穿阴谋，夺回名额，圆梦顶尖艺校。

他偷走了我的人生：青山市一场突如其来的地震导致青山市第一小学塌方，众多学生和家长的命运因此改变。王凤在废墟中寻找自己的女儿王若瑶，而刘芳也在寻找自己的儿子徐嘉瑞。在混乱的救援中，两个孩子被错换，王若瑶被刘芳救出，而徐嘉瑞则被王凤救走。 十年后，王若瑶（现名徐瑶）和徐嘉瑞（现名王嘉）各自在错误的家庭中长大。徐瑶在刘芳的抚养下，虽然身患残疾，生活贫困但生活中充满爱，她学业优异，是学校的骄傲。而王嘉则在王凤的溺爱下变得任性妄为，常常欺负同学。 一次校园冲突中，王嘉欺负了徐瑶和刘芳，导致徐瑶哮喘病发。事件升级，王凤误以为徐瑶偷了王若瑶的玉佩，而王嘉则在学校中对徐瑶进行了无情的羞辱。在王嘉的生日会上，徐瑶被逼到绝境，但最终在刘芳的帮助下逃脱。 随着剧情的发展，王凤开始怀疑徐瑶的真实身份，并通过调查发现徐瑶其实是她失散多年的女儿。同时，刘芳也意识到王嘉是她的儿子。在一系列的误会和冲突后，两个家庭最终在医院中相认，王嘉和徐瑶接受了彼此的真实身份，王凤和刘芳也原谅了对方的过去。最后两家人幸福的生活在一起。

本片是教小学生如何使用颜色的教学片，赤橙黄绿青蓝紫都是可视物体发出的颜色。

本片是教小学生如何使用颜色的教学片，赤橙黄绿青蓝紫都是可视物体发出的颜色。

Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space". 　　brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels. 　　Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'

Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space". 　　brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels. 　　Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'

Young Natalie tries to help her mysteriously ill best friend.