在这个卢森堡村庄里，人人都有秘密。坏脾气督察路克·卡皮塔尼必须调查一名15岁女孩的可疑死因。

在这个卢森堡村庄里，人人都有秘密。坏脾气督察路克·卡皮塔尼必须调查一名15岁女孩的可疑死因。

Four years after the events in Manscheid, Luc Capitani is working as a handyman in the station district of Luxembourg City. Until Bianca, a prostitute, hires him to investigate the disappearance of her friend Andrea. The search is cut short when Capitani locates her body in a forest, and the hunt for her killer begins. Meanwhile, Lucky Onu arrives in Luxembourg from Nigeria, to look for his sister.

Four years after the events in Manscheid, Luc Capitani is working as a handyman in the station district of Luxembourg City. Until Bianca, a prostitute, hires him to investigate the disappearance of her friend Andrea. The search is cut short when Capitani locates her body in a forest, and the hunt for her killer begins. Meanwhile, Lucky Onu arrives in Luxembourg from Nigeria, to look for his sister.

広津里香によるベストセラー書籍「死が美しいなんてだれが言った」を、中島良がアニメーション映画化した本作。ゾンビウイルスが蔓延する日本を舞台に、生きることへの渇望が描かれる。

JJ首次动作喜剧演出，与大嘴巴男主唱怀秋、新锐导演David Barker疾走街头 　　逗趣紧张悬疑情节，不到最后不见真相 　　一场跑酷追逐的猎人游戏，一场谎言与真实的逆转秀 　　不怀好意的黑衣人究竟是谁？JJ与怀秋究竟惹上了甚麼麻烦？ 　　从餐厅到高楼的追赶跑跳，从大街人群到夜市小巷的跑酷疾走 　　JJ与怀秋哥俩好大展身手动作派演出 　　究竟是为何追逐、为谁追逐，这场猎人游戏就是一切的答案！

JJ首次动作喜剧演出，与大嘴巴男主唱怀秋、新锐导演David Barker疾走街头 　　逗趣紧张悬疑情节，不到最后不见真相 　　一场跑酷追逐的猎人游戏，一场谎言与真实的逆转秀 　　不怀好意的黑衣人究竟是谁？JJ与怀秋究竟惹上了甚麼麻烦？ 　　从餐厅到高楼的追赶跑跳，从大街人群到夜市小巷的跑酷疾走 　　JJ与怀秋哥俩好大展身手动作派演出 　　究竟是为何追逐、为谁追逐，这场猎人游戏就是一切的答案！

『シェフは名探偵』/《主厨是名侦探》的衍生剧。主人公是侍酒师金子，时间线为高筑进入Bistro Pas Mal担任侍者之前。

『シェフは名探偵』/《主厨是名侦探》的衍生剧。主人公是侍酒师金子，时间线为高筑进入Bistro Pas Mal担任侍者之前。

《独眼林》是一部手工冲印的16毫米胶片电影，拍摄于美国犹他州中南部占地106英亩的潘多（Pando）古白杨林。乍看之下，它由约47000株独立树木组成，然而它们却共享同一套相互连接的根系系统，因而被称为“一体之森”（a forest of one）。据估计，这片树林已有16000至18000年历史，是地球上已知最大且最重的单一生命体。影片以潘多那看不见的根系为核心隐喻，既指向人类与非人类生命之间的相互依存，也呼应诸多精神传统所描述的“合一”（oneness）概念。影像在家中厨房以环保的咖啡显影液手工冲洗而成，胶片表面留下了不可预知的痕迹与纹理，时而形成抽象斑驳的视觉效果。作者将这种以物质为核心的电影实践视为一种虔敬的仪式，亦是重新审视生态纠缠关系的契机。 　　One Big Eye is a hand-processed 16mm film shot at Pando, an ancient aspen grove that extends across 106 acres in south-central Utah. Seemingly 47,000 individual trees, it is unified by a single, interconnected root system, making it a ‘forest of one.’ Believed to be between 16,000 and 80,000 years old, it is the largest and heaviest known organism on land. Pando’s invisible root system is a guiding metaphor that emphasizes the interconnectedness between humans and non-human beings, as well as the notion of oneness described by many spiritual traditions. The footage was processed at home in the kitchen with an eco-friendly, coffee-based developer that leaves unpredictable inscriptions and traces on the film surface, at times creating visually abstract and speckled images. The filmmakers see this materially focused film practice as a form of devotion, and an opportunity to rethink ecological entanglements.