“镜子后面”拍自著名的克罗地亚导演Vinko Bresan，它有三个领衔主演，给我们讲述了一个不幸的人生的故事。尼古拉和马雅耶伦之间的婚姻因为爱的缺失和尼古拉的不贞而破裂。尼古拉的工作是个建筑师，他瞒着妻子和安娜来往着。从这里我们明白三角案情必然以破碎告终，因为每个人都要索取。马雅想要她的老公和孩子们的爸爸回来但是却不能原谅他的背叛（尽管她的妈妈和妹妹也有同样的问题），这就使得她成为全剧中最浓郁的角色。另一方面尼古拉是个懦弱的人，即便他单方面已经爱情不再却不能了断婚姻；同时他无法和他爱的女人私奔但是却和她(安娜)在谎言中生活了6年多。安娜左右为难，因为她爱着尼古拉，但是从心里知道那不是她的男人。这就是为什么会有悲惨结局（就像《巴别塔》的开局里，皮特的老婆那样），在这种结局里，尼古拉失去了一切，没有必要怜悯他因为有火你就不能假装用纸包住。

Olja is a high school history teacher, married to a painter whose latest exhibition provoked violent reactions from Serbian nationalists. One night, a group of masked hooligans attacks her. They film the attack and upload the clip to YouTube. The next day Olja discovers that some of her students were responsible. She takes away their mobile phones, and in the heat of the moment decides to lock them in the school building, also disconnecting the school phones and the internet. In order to solve the problem together, and with inability to leave the school, students begin to communicate. During that night, a generation that was written off before they were ever given a chance will learn more than they ever expected about themselves and their classmates.

What was at first a simple pursuit to regain stolen money becomes the chance for a dysfunctional family to finally reconcile.

What was at first a simple pursuit to regain stolen money becomes the chance for a dysfunctional family to finally reconcile.

Olja is a high school history teacher, married to a painter whose latest exhibition provoked violent reactions from Serbian nationalists. One night, a group of masked hooligans attacks her. They film the attack and upload the clip to YouTube. The next day Olja discovers that some of her students were responsible. She takes away their mobile phones, and in the heat of the moment decides to lock them in the school building, also disconnecting the school phones and the internet. In order to solve the problem together, and with inability to leave the school, students begin to communicate. During that night, a generation that was written off before they were ever given a chance will learn more than they ever expected about themselves and their classmates.

一个年轻的女人讲述自己的流产故事，正如很多女人所经历的。她深知，这关乎生死。但也关乎自由和自主权。关键在于做出选择。影片带我们走近了一种并非所有人都曾经历、且难以归类的生命体验。一部轻声细语但冲击力巨大的电影。

电影学院的摄影棚里，学生们正在拍摄实习片《兰姐》，这是一个描写某纺织厂团委书记挽救失足青年的故事。由于对兰姐的真实性问题产生着很大的分歧，院领导决定让同学们深入实地体验生活，寻找人物原型。于是，导演周毅、主演陆小宇等人来到了外省某纺织厂，找到了“兰姐”的原型——纺织厂团委书记林晓岚。经过长时间的接触，同学们终于对林晓岚的事迹有了深入的理解。拍摄也顺利的再次开始了。同学们更是通过段生活实践，提高了对生活的认识。

中华机械厂厂长兼党委书记李江川为完成生产人物不得不派运输科长郝宝生拉关系、走后门，而与此同时省委接到关于李江川违纪的举报信，派邵彦率省纪律检查委员会调查组进驻中华机械厂进行调查。省纪委调查组进驻厂里后，有的人为李江川担心，并悄悄为他打掩护，甚至出面承揽责任将他解脱出来。但也有某些人和某些单位想利用这一时机趁火打劫。李江川在送邵彦的路上看到厂里的汽车司机风冒雨运煤两人遂参与到抬煤的队伍中。李江川与邵彦在雨中交谈，检讨自己的错误，表白了改正的决心。而在邵彦率调查组返回省城的火车上中华机械厂的吕科长告诉邵彦写举报信的其实是李江川自己。李江川这种引火烧身的举动使邵彦深感震动，他带着全部调查材料和对老战友的信赖与同情以及对未来的希望和信心，走进了省纪委的办公室。

慈母手中线，游子身上衣，艾查的两名儿子却是离家出走，加入极端圣战组织，她日夜期盼找到他们下落。她与丈夫及最小的儿子居于突尼斯北部农村，有天其中一名儿子悄悄回来，还带着穿长袍面纱、一言不发的怀孕妻子。艾查一心保护儿子，将他们匿藏起来，村里却接连有人离奇失踪，恐惧开始笼罩整个村落。玛丽安祖柏首部长片，延续其奥斯卡提名短片《亲情庇护》主题及摄影风格，揭示母爱的极限，以心灵感应残酷真相。入选柏林影展主竞赛单元。

慈母手中线，游子身上衣，艾查的两名儿子却是离家出走，加入极端圣战组织，她日夜期盼找到他们下落。她与丈夫及最小的儿子居于突尼斯北部农村，有天其中一名儿子悄悄回来，还带着穿长袍面纱、一言不发的怀孕妻子。艾查一心保护儿子，将他们匿藏起来，村里却接连有人离奇失踪，恐惧开始笼罩整个村落。玛丽安祖柏首部长片，延续其奥斯卡提名短片《亲情庇护》主题及摄影风格，揭示母爱的极限，以心灵感应残酷真相。入选柏林影展主竞赛单元。