临近年关，远嫁多年未归家的方晴初，和丈夫许莫霖商量回娘家过年。许莫霖因接手重要项目面露难色，无法陪同，两人爆发争吵，方晴初的远嫁委屈尽数爆发。许莫霖妹妹许姿得知后，耐心开导方晴初，又劝说哥哥体谅妻子的思乡之情，点明她独自返乡会遭人非议。许莫霖幡然醒悟，主动道歉，最终两人约定年后忙完工作，一同回方晴初家。

在婚礼上她的丈夫逼死了她的父亲，男主的干女儿也把她逼的跳下了楼，她被男主救下，可公司却被她的前夫夺走。男主的干女儿和她的前夫结了婚，他们以为她已经死了，却没想到和男主结了婚。她后来也凭自己的实力夺回了公司，与男主相爱相守。

在婚礼上她的丈夫逼死了她的父亲，男主的干女儿也把她逼的跳下了楼，她被男主救下，可公司却被她的前夫夺走。男主的干女儿和她的前夫结了婚，他们以为她已经死了，却没想到和男主结了婚。她后来也凭自己的实力夺回了公司，与男主相爱相守。

Leila偶然发现了隐藏在她最喜爱的虚拟现实游戏Azana中的「红色药丸」—— 一个绝密的天堂。母亲去世后，Leila陷入了深深的孤独感。所幸她为自己创造了一个数字身份「影疾」，可以在游戏世界中暂时忘掉烦恼。每当登入虚拟现实游戏Azana之后，她才感觉自己真正活着。在这个令 人惊叹的虚拟之地，Leila遇到了神秘的游戏角色Mania，她拥有Leila所没有的一切：快乐主义、任性、永不知足。当Leila发现秘密天堂「红色药丸」之后，「红色药丸」的领袖Adrian声称她不可以不请自来，然后将她的数字角色「影疾」赶出了游戏。第二天，Mania——或者说Mania的现实生活身份Tess——竟然出现在Leila工作的地方，从此进入Leila的现实生活，Leila的世界永远被改变了。Leila很快意识到，所谓的虚拟天堂不是神秘庇护所，也不是Adrian所声称的美好之地。但她更想知道Tess/Mania究竟是怎么回事……

Leila偶然发现了隐藏在她最喜爱的虚拟现实游戏Azana中的「红色药丸」—— 一个绝密的天堂。母亲去世后，Leila陷入了深深的孤独感。所幸她为自己创造了一个数字身份「影疾」，可以在游戏世界中暂时忘掉烦恼。每当登入虚拟现实游戏Azana之后，她才感觉自己真正活着。在这个令 人惊叹的虚拟之地，Leila遇到了神秘的游戏角色Mania，她拥有Leila所没有的一切：快乐主义、任性、永不知足。当Leila发现秘密天堂「红色药丸」之后，「红色药丸」的领袖Adrian声称她不可以不请自来，然后将她的数字角色「影疾」赶出了游戏。第二天，Mania——或者说Mania的现实生活身份Tess——竟然出现在Leila工作的地方，从此进入Leila的现实生活，Leila的世界永远被改变了。Leila很快意识到，所谓的虚拟天堂不是神秘庇护所，也不是Adrian所声称的美好之地。但她更想知道Tess/Mania究竟是怎么回事……

阿根廷新浪潮电影运动的早期作，64年嘎钠影展金棕榈提名。 　　A charming racecar driver is visited by his 20-year-old son who is nothing like his father. Solemn and introverted, the boy is shown the ways of sensual pleasure by his father's mistress, but he falls in love with another young woman. Intending to marry the girl, the young man takes the relationship very seriously. His father, however, believes the boy should have a more carefree lifestyle and decides to intervene by seducing his own son's fiance. This action proves to be a tremendous mistake. This film was one of the many collaborative efforts of producer Hector Olivera and director Fernando Ayala, though they often switched roles between screenwriter, director and producer of each project (No Exit, Funny, Dirty Little War). 　　http://en.wikipedia.org/wiki/Fernando_Ayala 　　Fernando Ayala (2 July 1920, Gualeguay, Entre Rios - 11 September 1997 in Buenos Aires) was an Argentine film producer, film director, screenwriter and film producer of the classic era. He is widely considered one of the most important Argentine film directors and producers in the history of the Cinema of Argentina. 　　Demicheli initially began as a trainee assistant director in 1942 in El Viaje and within two years he had become an assistant director. By 1949 he had developed into a main film director beginning his role as a film producer in the films he directed and some others in 1958. Between 1950 and 1987 he was involved in the direcotrship and production of well over 40 films, directing and producing films such as Ayer fue primavera (1955) and Argentinísima and Argentinísima II in 1972 and 1973 respectively.

“伊卡罗斯”是龙格尔所扮演的杀手的代号，只有部分人知道伊卡洛斯这个代号，而其他人只知道他是个已经离婚的单身父亲，工作在一家投资公司。大多数人都没有看到伊卡罗斯的阴暗面，他总是在杀人时表现最佳。多年来他以潜伏特工的秘密电影身份工作在美国，但当其苏维埃祖国解体后，他感到孤立无援。他试图摆脱过去，但有些人不能放过他。伊卡罗斯只好为了家庭妻儿，开始搏杀。 　　There were those who called him Icarus. Everyone else knew him as a divorced father working for an investment company. But they didn't know his other side-his dark side. Because Icarus was at his best when he was killing people. For years, he'd worked as a sleeper agent in America-but when the Soviet Empire collapsed, he found himself in a foreign country with no one to trust. Determined to break from his dark past, he started over with a new identity. But you can only escape your past for so long. When a sudden mishap in Hong Kong blows Icarus' identity, past and present collide - and the assassin realizes he is now the target. The people that want him dead will stop at nothing to get to him. And that means going after what he cares about most-his wife and daughter. Fighting for his life, Icarus is forced to face the demons of his past to protect the loved ones in his present. He must fight to save the only thing he's ever done right in his life. He needs to uncover who is after him and protect his family - before it's too late.

“伊卡罗斯”是龙格尔所扮演的杀手的代号，只有部分人知道伊卡洛斯这个代号，而其他人只知道他是个已经离婚的单身父亲，工作在一家投资公司。大多数人都没有看到伊卡罗斯的阴暗面，他总是在杀人时表现最佳。多年来他以潜伏特工的秘密电影身份工作在美国，但当其苏维埃祖国解体后，他感到孤立无援。他试图摆脱过去，但有些人不能放过他。伊卡罗斯只好为了家庭妻儿，开始搏杀。 　　There were those who called him Icarus. Everyone else knew him as a divorced father working for an investment company. But they didn't know his other side-his dark side. Because Icarus was at his best when he was killing people. For years, he'd worked as a sleeper agent in America-but when the Soviet Empire collapsed, he found himself in a foreign country with no one to trust. Determined to break from his dark past, he started over with a new identity. But you can only escape your past for so long. When a sudden mishap in Hong Kong blows Icarus' identity, past and present collide - and the assassin realizes he is now the target. The people that want him dead will stop at nothing to get to him. And that means going after what he cares about most-his wife and daughter. Fighting for his life, Icarus is forced to face the demons of his past to protect the loved ones in his present. He must fight to save the only thing he's ever done right in his life. He needs to uncover who is after him and protect his family - before it's too late.

学生时代的江曼笙一直暗恋着陆祈臣，但由于陆祈臣不记得她的名字，且江曼笙性格胆小，始终未能向他表白。毕业后，江曼笙以为两人再无交集，却意外发现家人安排他们相亲。江曼笙果断答应与陆祈臣结婚，但婚后两人分房居住，陆祈臣对她只有责任感。江曼笙将暗恋心事深埋心底，然而在日复一日的相处中，陆祈臣逐渐对江曼笙产生了真挚的感情。

学生时代的江曼笙一直暗恋着陆祈臣，但由于陆祈臣不记得她的名字，且江曼笙性格胆小，始终未能向他表白。毕业后，江曼笙以为两人再无交集，却意外发现家人安排他们相亲。江曼笙果断答应与陆祈臣结婚，但婚后两人分房居住，陆祈臣对她只有责任感。江曼笙将暗恋心事深埋心底，然而在日复一日的相处中，陆祈臣逐渐对江曼笙产生了真挚的感情。