A portrait of one of the greatest English-language poets of his generation, this joyful and penetrating documentary was made with the late Seamus Heaney's unprecedented collaboration. The film explores the key personal relationship in his life, that with his wife Marie, and follows him to Harvard, New York and London, to readings, signings and public interviews. Offering compelling insights into the working life of a major writer, it digs deep into the rich store of Heaney's poetry to reveal a man who lived his life fully; used his gifts to give expression to the great themes in all our lives of love, loss and longing; and managed, as a man and as a writer, to combine the simplicity of a farmer's son from County Derry with the sophistication of a major artist. Produced in 2009 by Ice Box Films for RTE.

刚满16岁的男孩汤摩，从小在孤儿院长大。马克是波兰移民。他们又急需逃离不属于他们的地方，巧妙相遇在伦敦近郊的一座小镇，也让两个离家的孩子为了生活开始工作赚钱，也因此变成相知相惜的同伴。 　　离家过程，遇上一个美丽女孩玛莉亚，两个还不懂爱情的男孩，心中都起了微妙的情愫。但是玛莉亚突然返回巴黎断了连系，两个男孩为了此事几乎要抓狂。马克却在此时被父亲抓回家，汤摩一下子失去了好友、失去了喜欢的女孩、也几乎失去了一切一切…

来自诺丁汉的男孩托莫（Thomas Turgoose 饰）只身来到英国伦敦，却遭到抢劫。无家可归的托莫偶然结识年纪相仿热爱照相的波兰移民马尔克（Piotr Jagiello 饰），他总算找到暂时的落脚之处。马尔克的爸爸白天工作，这段时间两个好朋友四处游荡，或帮助托莫偷衣服，或者与马尔克心仪的咖啡馆女郎玛丽亚（Ireneusz Czop 饰）聊天玩笑，或从好心的杂货店老板格莱姆（Perry Benson 饰）那里赚点小钱。生活无聊，却又无忧无虑。当然这一切马尔克的父亲全不知情，直到他某天他回家撞见两个朋友打闹的场面…… 　　本片荣获2009年伦敦影评人奖英国年度最佳青年演员奖（Thomas Turgoose）。

Docummentary about director Jean-Luc Godard and Anna Karina 　　In 1960, Jean-Luc Godard films for the first time Anna Karina and falls in love. His cinema is transformed by it forever. Spanned from "Little Soldier" to "Crazy Pete" through "A Woman is a Woman", "My Life to Live" andd "Alphaville", this documentary tells how, during five years , Godard and Karina consciously mixed cinema and private life, with constant will to film "as in true life" and to live "as in film"

香港五十年代獨一無二的黑幫片。在幫會長大的刀疤項成（王豪），從義父手上繼承了幫會。但是義父的遺孀及親子，卻受到來自城市、愛慕虛榮的女子所誘惑，只重物慾，勾結日本人，把幫會的道義傳統破壞淨盡。項成最後只有以血來清洗。《傳統》將取材自西方的黑幫片結構，加上中國的俠義精神，創出一個傳統道義與腐蝕人心的城市物慾對抗的寓言，成為香港黑幫片一個基本模式。唐煌拍來神完氣足，王豪飾演的刀疤項成，充滿男兒氣概，是五十年代難得一見的「大佬」形象。

《诗歌之王》冲刺总决赛特别节目是记录选手们在最后冲刺阶段的特别节目。

四川卫视打造的原创诗歌文化类节目《诗歌之王》就为博大精深的诗歌文化重回大众视野提供了重要渠道，将从2015年12月12日起每周六晚20：30在四川卫视准时开播。

孙逊的作品是以单一色调为主导的、手绘的动画电影。他的作品深入探究了历史的构建和讲述。《诗歌工厂》是孙逊在荷兰参加艺术家驻留项目时创作的作品，其创作灵感更多来源于对于荷兰社会的观察。 　　《诗歌工厂》缘于真实中的一个岛屿，岛上生活着一群诗人，这是一个完全理想化的小社会，也是我们一直追寻的一个梦想，是一个岛托邦化的现实，但仅存于艺术追寻的生活之中。而作品的英文名字（<Clown’s Revolution>）则更像我们追寻的过程，充满了荒谬与轮回。作品曾在2010年荷兰动画节上展出。这次在画廊里展出的作品除了动画之外，还有大量的相关手稿。 　　孙逊于1980年出生于辽宁。2005年毕业于中国美术学院版画系，并于2006年创建π格动画工作室。2010年， 孙逊完成了动画电影《21克》，并在第67届威尼斯国际电影节上的新单元“地平线”里进行了全球首映。这是第一部在威尼斯国际电影节上进行首映的中国动画电影。在过去的一年里，孙逊获得了诸如CCAA中国当代艺术奖 (最佳年轻艺术家)，台湾当代艺术连线 (新潮奖)，等众多杰出奖项。 　　《诗歌工厂》从3月18日开始在画廊开幕，由于各种原因，3月开幕时，只展出了动画作品和部分为此次展览而绘制的水墨；4月13日画廊将举办第二次开幕活动，届时除了动画继续播放之外，还将展出与动画相关的手稿。展览将延期至5月15日结束。

夫妻档设计师Charles (1907-1978) 及 Ray Eames (1912-1988)是20世纪最有影响力的设计师，是建筑、家具和工业设计等现代设计领域的先锋设计师。 　　卓越的设计涵盖了家具、建筑、影像与平面设计。他们从二次世界大战中美国海军的实验计画中学习经验并发展可谓是现今工业中使用模铸胶合版的先锋，这对设计界的超级夫妇档自1940年参与了由MOMA举办的有机家具设计大赛，自今已有近百件他们的作品被各大博物馆所永久典藏。 　　The husband and wife team of Charles and Ray Eames were among the finest and most influential American designers of the 20th Century. They are best known for their groundbreaking contributions to architecture, furniture design (the Eames Chair), industrial design and manufacturing, and the photographic arts. In the early 1950s, the Eameses extended their interest and skill in photography into filmmaking. 　　Between 1950 and 1982 they created over one hundred short films, ranging from 1-30 minutes in length, that reflect the breadth and depth of their interests and the integrity of their vision. They also created slide shows and multiscreen presentations. The subjects of the films are diverse: from spinning tops to the world of Franklin and Jefferson, from simple sea creatures to the explanation of advanced mathematical and scientific concepts; such as the workings of the computer. Toccata for Toy Trains and Powers of Ten are two brilliant examples of the Eames' skill, creativity and far-reaching interests. The scores for both those films, and some thirty others, were written by their friend and collaborator, Elmer Bernstein. 　　Their work is playful, complex and insightful. The films all share a flavour of using the found object or showing some everyday aspect of life in a new way - what Charles referred to as "The uncommon beauty of common things". Animation and macro-photography are often used, to great effect. From a film about washing an asphalt playground to a wondrous montage of toy trains, they often convey the excitement of the old compared to the new and also the sheer elegance born of an innate understanding of design and its power to communicate.