1年前に殺し屋を引退したエリカ(卯水咲流)は、恋人の日浦(斉藤一登)と共にささやかだが幸せな生活を送っていた。多くのターゲットを消してきたエリカの心は感情を失っていたが、日浦の優しさと愛がエリカの心の傷を癒していく。そんなある日、エリカは日浦が殺されたことをテレビのニュースで知る。日浦を失ったエリカは喪失感に苛まれ、生きる気力さえ失ってしまう。そんな彼女にある疑問が浮かぶ。いったい誰が。エリカが突き止めた犯人は、殺し屋時代の依頼人、西園寺是麿(下元史郎)の息子、清麿(樫根慶太)だった。エリカに異常なまでの恋心を抱いていた清麿は、恋人の存在を知り、嫉妬のうちに日浦を消したのであった。日浦の敵を討つと自分に誓ったエリカは、1年前に葬り去ったはずの殺し屋の心を再び目覚めさせることになる。

《小画手EndayMの治愈双手绘》是一档以双手绘画的形式演绎网友故事、动漫手书、暖心情话、热集周边等内容的原创节目。让你找到内心的治愈和共鸣！

Lost in remotest part of Eastern Europe, on the edges of a mythical forest, Sam, is a foreigner, far from home, searching for his biological father Lagzdins. When a minor road accident leads to a chance meeting with a pig-farmer’s daughter – Kirke, Sam’s priorities must change if he wants to survive. Her kind hospitality is a smoke screen to capturing him and making him a slave on the farm. Alone, unable to speak the language and chained up 24/7 with the pigs, he learns to adapt and starts gaining the confidence that might lead to freedom and true love.

一个从小热爱画画的女孩长大后却失去了对绘画的热情，在她准备放弃的时候，她撕毁的画里钻出了巨蛇，此时一个神秘的小女孩出现将她救走……在经历一系列冒险之后，女孩终于又拿起了画笔，找回了绘画的乐趣。

新加坡海岸线上的填海工地，工人王必成失踪了。两名警探闻风而至，在工地周围四处探询王必成的踪影。躁郁的氛围、失眠的夜晚，警探在梦里见到王必成身影，而令人不安的真相，也将在虚实难辨的湿热幻境中揭开。 在虚实难辨的故事结构中，揭开新加坡沿海无证移工的生存困境。黑色电影的基底下，萨克斯风音乐、霓虹光线交错，切换视角的叙事方法，打造如梦似幻的空间感。故事背景极度写实，影像风格却忧郁抽离，带领观众远离对新加坡的刻板想象，在破碎消散的时间感中，探向当代新加坡的真实焦虑。

《幻土》属惊悚题材，剧情讲述两位警察追踪一名在本地填海工地工作的外藉劳工时，忽然失联。宏荣扮演前CID探员，在查案及寻找失踪客工的过程中，由于太投…

Hilarion Zabala, a former master sergeant, is tormented by a strange smell. The diagnosis is phantosmia, i.e. olfactory hallucinations, where he perceives smells that do not actually exist. His doctor attributes this to past trauma and recommends that he confront and recall his dark military service period as a solution. Zabala, willing to take on any task, voluntarily visits a military base and is eventually assigned to a remote island penal colony. However, another horrific reality awaits him there. 　　From religious bloodshed to human rights abuses against women, the various forms of violence created by humans are still structurally and routinely pervasive. How can justice and salvation be achieved in an age of violence? Can violence used to prevent violence ever be justified? Deep anguish is reflected through the contemplative black-and-white imagery. (BOO Kyunghwan)

Hilarion Zabala, a former master sergeant, is tormented by a strange smell. The diagnosis is phantosmia, i.e. olfactory hallucinations, where he perceives smells that do not actually exist. His doctor attributes this to past trauma and recommends that he confront and recall his dark military service period as a solution. Zabala, willing to take on any task, voluntarily visits a military base and is eventually assigned to a remote island penal colony. However, another horrific reality awaits him there. 　　From religious bloodshed to human rights abuses against women, the various forms of violence created by humans are still structurally and routinely pervasive. How can justice and salvation be achieved in an age of violence? Can violence used to prevent violence ever be justified? Deep anguish is reflected through the contemplative black-and-white imagery. (BOO Kyunghwan)

Shot in stunning black and white, with scenes that could be outtakes from some surreal haute-couture photo shoot, Phantom Love might just be the most beautiful film of the year. Looks aren't everything, however, and this is no hollow aesthetic exercise. As we follow alienated protagonist Lulu (Marina Shoif) on an impromptu trip into the darkest reaches of her own psyche - seemingly undertaken as a distraction while an unsatisfactory lover labours away on top of her - writer/director Nina Menkes creates a dreamscape of epic imaginative reach. There are shades of Alain Resnais and David Lynch here, but this film's lush mysteries are all its own - and the road that Lulu travels makes Mulholland Drive look like a layby. 　　(source: http://www.edfilmfest.org.uk/films/phantom-love/)