每集100秒的时间，从10个特殊角度讲述1个朝代，将大量信息压缩到 10个幽默风趣的知识点。 　　每1集10个知识点，1季共100个知 识点，将涵盖1个朝代的方方面面，为 1个朝代做3D式梳理。 　　第1季将推出——《世界性的帝 国·唐》之后还会陆续推出《宋》《元》 《明 》《清》《秦》《汉》《先秦》 《三国》《两晋》等10个朝代，构筑1整套中国史。

通过三十六计兵法和文明的脚步，讲述历史那些事！

宋朝是一个前所未有的政治开明、科技先进的时代,是一个社会富庶、商业 繁华、开启近代化的“商业宋”,一个别开生面、活色生香、艺术气息浓厚的“风 雅宋”。没有一个朝代,比宋朝更懂生活、更懂美。

立志打造视频版“中国通史”的《梅毅说中国史》自2019年启动，走过秦汉、魏晋南北朝、隋唐，宋元辽金、明、清、元到今天已播出7季，以英雄人物为主线串起史实，又融合了历史演义小说的结构、风格，刻画和描绘场景、细节、感受，让人仿佛置身于历史现场；不是神化的帝王将相，也不是冰冷的数据，你能在节目中看到历史人物有情的一面：从渺小到伟大，从得意到失意，乱世挣扎中的反省、坚忍和抉择，直到炼成英雄。五代十国，是我们中国历史上一段大分裂时期。在这一时期，朝代与国家之间更迭的速度之快，皇帝非正常死亡之多，世所罕见。短短50多年的时间里，骄兵悍将们为所欲为，称王称帝。中原一带，相继或者平行，出现了后梁、后唐、后晋、后汉、后周五个政权，南方地区陆续还有以吴国、南唐、吴越、闽、南汉、前蜀、后蜀、南楚、荆南九个小国，北方有北汉，总共大约有十个地方割据政权。细细推究，五代各朝各国，内外混战不止，演变错综复杂，触目惊心，故事性很浓，血腥气更浓，确实让我们后人感到无限叹惋。

揭开神话背后之人的面纱。500年前，米开朗基罗创作了世界上三件最伟大的艺术作品：大卫雕像、梵蒂冈的西斯廷教堂天顶画、罗马的圣彼得大教堂。本纪录片用戏剧的方式，追寻米开朗基罗从一个愤怒的青年人，成长为罗马骄傲的奋斗历程。他的天赋异禀，让人们谈起他时，更多地认他是神，而不是凡人。本片邀请当代专家重新创造他作品的某些部分，来发现他天才造诣的高度。本片还将审视他的个人生活。我们很多人都相信，这颗前无古人的艺术巨星，是一个穷困潦倒、饱受折磨、孤独寂寞的局外人。然而，真实的他莫非是一个狡辩老手，熟练地塑造了自身的形象？

名列「文艺复兴三杰」之首的米开朗基罗，从小展现对艺术的极高天分，更受到当时最具权势的麦迪奇家族拔擢。不料命运多舛，提拔他的知己罗伦佐竟突然辞世，顿失依靠的他，回到修道院后改学解剖，竟意外开启人像雕塑的崭新境界…。以壁画《创世纪》、《最后的审判》及雕塑《大卫像》奠定了他在艺术史上破天荒的地位。这些强烈的艺术风格，甚至影响数个世纪的艺术家们，迄今仍无人能超越其成就。

Film about the drawings of Michelangelo and the way that they illuminate this life, his artistic development, his religion and his inner torments. The film is presented Neil MacGregor Director of the British Museum and is filmed on location in Florence and in the Sistine Chapel. Michelangelo's drawings are some of the greatest of all time. 　　Fragile survivals from over 500 years ago, they can be studied and admired as things of great technical skill and enormous beauty, but they show us something else as well: they show us Michelangelo thinking. Michelangelo would have felt exposed seeing us look at his drawings. And that's what makes them exciting: they give us a thrilling insight into how this genius sculptor, architect and painter worked: they bring us closer to the master.From pen studies made when he was in his early twenties to the visionary crucifixion scenes carried out six decades later, shortly before his death, this film illuminates the high points of Michelangelo's career. 　　The film observes a life class at the Prince's Drawing School and uses the male sitter they are drawing to see how precisely Michelangelo studied his great obsession: the human body. From the sketch of God giving life to Adam for the Sistine Ceiling, to drawings in preparation for the Last Judgement and the great last works on the crucifixion, the film traces the remarkable evolution of some of the world's most celebrated artworks. 　　DVD Extras: A gallery of 25 drawings of Michelangelo from the superb collections of the British Museum and the Ashmolean Museum in Oxford

Quote: 　　By the time Michelangelo Antonioni released Michelangelo Eye to EyeBeyond the Clouds in 1995, his keen sense of patient, intimate observation had seemed to give way to a kind of leering, gratuitous voyeurism in the film's repeated, over-lingering shots of the female form. It is, however, precisely this painstaking attention to the voluptuousness of form and tactileness of surfaces that makes his subsequent short film, Michelangelo Eye to Eye particularly sensual and textural in its execution. Prefaced with a text description of the filmmaker's recent health problems (in particular, a debilitating stroke that left him partially paralyzed), the film opens with a shot of a frail Antonioni emerging from the shadows as he walks in slow, awkward gait into an unpopulated hall where Michelangelo Buonarotti's marble statue of Moses - a scaled down version of an ambitiously conceived wall tomb for Pope Julius II - is once again in display after a period of meticulous restoration. Composed of a series of detailed observations of the sculpture's composition from several camera angles and vantage points, Antonioni continually refocuses to the shot of Moses' opaque gaze - an image that is sublimely matched by the filmmaker's own occluded, returned gaze as he examines the object of his attention through limpid, watery eyes. In addition to creating a thorough, meticulous, and deliberative objective study of the Renaissance sculpture's robust physical form and timeless, universal beauty, Antonioni's juxtaposition of his own weakened, aging frame against the larger-than-life sculpture of Moses creates an indelible, thoughtful, and poignant image on human frailty, transience, creative compromise, and the enduring legacy of - and mortal transcendence through - enlightened art. 　　filmref.com

《国史演义》将首推“物流文化史”系列，主持人梁宏达将讲述中国古代物流文化的起源与发展。聆听国史传奇，演绎华夏文明。跟随主讲人开始追寻之旅，探寻鲜为人知的历史活化石，感受博大精深的中华文明史。这里包罗万象，不仅有帝王将相、文人骚客，也有市井百姓、各行各业。