The family preparing for their grandfather’s ancestral offering, forget to buy bean sprouts. Like Abbas Kiarostami’s Where Is My Friend’s House, a girl gets lost on her way to market. She ends up in a house of an old man in a straw hat. That night on the ancestral offering table, she puts a sunflower she got from the old man.

The family preparing for their grandfather’s ancestral offering, forget to buy bean sprouts. Like Abbas Kiarostami’s Where Is My Friend’s House, a girl gets lost on her way to market. She ends up in a house of an old man in a straw hat. That night on the ancestral offering table, she puts a sunflower she got from the old man.

某教会女子中学三年级学生，由老师带领，往实验室上课，途中，很多女生乘机溜走。结果，只剩下三人进实验室。 　　修女获悉此事，严厉警告逃课的同学，声言再犯便要赶出校。同时修女又宣布复活节假期安排舞会庆祝，有人提议邀白赖恩神父男校的学生参加。原来该校有一位英俊男生叫朗奴，为众女生倾慕，并千方百计与之接近。 　　舞会当日，除仙蒂外，众女生刻意打扮，而且还抽签决定谁是朗奴的舞伴，结果凯蒂抽中。但可惜朗奴没有出席，众人大表失望。 　　众女生到男校查得朗奴的电话，于是致电其家，得悉他将会到长洲参加训练营度暑假。众女生于是纷纷报名入营。在训练营操场上，众女生包括仙蒂在内终于遇上朗奴，并各自展开了她们溢满少女情怀的初恋梦。 　　《豆芽梦》是翁静晶、露云娜、周秀兰、陈复生等人在1981年演出的TVB青春剧，当时这出剧是为了对抗亚视的《IQ成熟时》。翁静晶、露云娜的清纯学生造型迷倒了不观众，而她们纯真而没有丁点矫揉造作的演出，亦掀起了一片青春剧的热潮。

喻指婚前的女人行情像是红玫瑰，婚后却像实用的黄豆芽，女主角崔真实以当时仍是红玫瑰的身份深生动地诠释黄豆芽的媳妇心情，受到相当大的回响，收视率高达40%。于1999年在韩国MBC电视台首播。

喻指婚前的女人行情像是红玫瑰，婚后却像实用的黄豆芽，女主角崔真实以当时仍是红玫瑰的身份深生动地诠释黄豆芽的媳妇心情，受到相当大的回响，收视率高达40%。于1999年在韩国MBC电视台首播。

This title Jean-Luc Godard chose for his final film, which was literally completed the day before his self-death. Scénarios is twofold: DNA, fundamental elements, and MRI, Odyssey. Between these two polarities, which evoke genesis and decline in a strictly materialistic way, a story unfolds, made up of a jumble of notes and images, condensed into 18'. It is a narrative haunted by death, as this film is also a farewell. The second segment ends on a self-portrait of JLG sitting on his bed, bare-chested and putting the finishing touches to his film - his last images.

This title Jean-Luc Godard chose for his final film, which was literally completed the day before his self-death. Scénarios is twofold: DNA, fundamental elements, and MRI, Odyssey. Between these two polarities, which evoke genesis and decline in a strictly materialistic way, a story unfolds, made up of a jumble of notes and images, condensed into 18'. It is a narrative haunted by death, as this film is also a farewell. The second segment ends on a self-portrait of JLG sitting on his bed, bare-chested and putting the finishing touches to his film - his last images.

处于创作瓶颈期的知名作家，将一份他不知该如何继续的脚本委托了出去。

因调查失误而被停职的Burcu Türkoğlu，被上级紧急召回——她的前夫Yiğit Dağlı成了多起命案的关键嫌疑人。Yiğit即将出版的新书中所描述的谋杀情节，和近期发生的几起案件惊人地相符，而且他本人拒绝和除Burcu之外的任何调查人员对话。同意复职后，Burcu开始组建一支精英团队，专门处理这类备受关注的案件，并且擅长剖析嫌疑人的心理。随着调查的推进，Yiğit不得不面对自己精心设计的迷局所产生的反噬，承担过往错误带来的沉重代价，最终为了他深爱的女人，决定孤注一掷。

因调查失误而被停职的Burcu Türkoğlu，被上级紧急召回——她的前夫Yiğit Dağlı成了多起命案的关键嫌疑人。Yiğit即将出版的新书中所描述的谋杀情节，和近期发生的几起案件惊人地相符，而且他本人拒绝和除Burcu之外的任何调查人员对话。同意复职后，Burcu开始组建一支精英团队，专门处理这类备受关注的案件，并且擅长剖析嫌疑人的心理。随着调查的推进，Yiğit不得不面对自己精心设计的迷局所产生的反噬，承担过往错误带来的沉重代价，最终为了他深爱的女人，决定孤注一掷。