中年建筑师遇上人生瓶颈，在家被老婆嫌弃，公司小开兔死狗烹。失业的他在曼谷街头蓦然回首，瞥见大象Pop Aye，忆起欢快的童年时光，毅然买下大象，却发现都市生活容不下他俩，打算和老象一路向北返乡。这趟人与象的公路之旅，途中状况不断，所幸万能的象鼻领着他俩，与沿路风景相伴。

中年建筑师遇上人生瓶颈，在家被老婆嫌弃，公司小开兔死狗烹。失业的他在曼谷街头蓦然回首，瞥见大象Pop Aye，忆起欢快的童年时光，毅然买下大象，却发现都市生活容不下他俩，打算和老象一路向北返乡。这趟人与象的公路之旅，途中状况不断，所幸万能的象鼻领着他俩，与沿路风景相伴。

SOMETHING WEIRD VIDEO公司的名字来源，一部午夜电影

影片标题“SIMULACRA”来自让鲍德里亚的哲学概念“拟像”，即失去了原初的版本，人不再只是一个主体，而是沦落为一个文化、符号以及语言的客体。由一名日本艺妓的多重身份回忆启程，SIMULACRA带领观众一同去丈量梦境里的时间，同时展开对空间、权力、性别、速度、美学、人性等多重维度的二元检验。导演通过实验剧场、沉浸式电影、数码喷绘、3D Mograph（三维平面动画）、新媒体装置、联觉音乐等虚拟现实体验，呈现了一个亦真亦幻的世界。

要“羁”缚现“象”，你必须放弃对混沌的控制。在动画与思想的范式之间不断转换，《鸡象》是一部通过融入动画元素，关于讨论和对话的影片。影片一大部分由包括我的七位合作者采用交替绘画的方式即兴完成。

要“羁”缚现“象”，你必须放弃对混沌的控制。在动画与思想的范式之间不断转换，《鸡象》是一部通过融入动画元素，关于讨论和对话的影片。影片一大部分由包括我的七位合作者采用交替绘画的方式即兴完成。

美术设计王强，动画设计王强，陶欣等，绘景郭春方，作曲张力克。长春电影厂美术片分厂摄制。 　　讲述一个出国人利用一张虎皮成功的吓退了狐狸，截获了野猪。于是他就从中武断的得出一皮可以万用的理论，但最终却在与怪兽的较量中败下阵来。

影片标题“SIMULACRA”来自让鲍德里亚的哲学概念“拟像”，即失去了原初的版本，人不再只是一个主体，而是沦落为一个文化、符号以及语言的客体。由一名日本艺妓的多重身份回忆启程，SIMULACRA带领观众一同去丈量梦境里的时间，同时展开对空间、权力、性别、速度、美学、人性等多重维度的二元检验。导演通过实验剧场、沉浸式电影、数码喷绘、3D Mograph（三维平面动画）、新媒体装置、联觉音乐等虚拟现实体验，呈现了一个亦真亦幻的世界。

SYNOPSIS 　　Mrs. Yun makes a welcome trip outside her home and runs into an old friend, Young-hye. Through her, Yun meets Han Sang-ho who is a young businessman burning with ambition. A rival company of Sang-ho, Dong-il Company appears. They compete for the subway construction bidding. Managing director Heo of Dong-il, who is Yun's husband, plans to use his beautiful wife to entrap his competitors. The rivalry between Sang-ho and managing director Heo begins. Heo throws aside his wife and concentrates only on business. He begins to have doubts about his actions and goes looking for his wife. On the other hand, Sang-ho is completely crazy about Yun. Out of jealousy, his mistress stabs Sang-ho with a knife and then kills herself. 　　故事 　　云女士走了出来，在街上遇到了张嫦娥，介绍了韩相昊。韩相昊是一位年轻的商人，相继燃烧，雄心勃勃。作为韩生浩竞争对手的桑雄试图中标地铁建设。Yoon的丈夫Hyeon - moo计划用她美丽的妻子建立一个竞争对手，而韩生和Hyeon - 已经抛弃了自己的妻子，专心做生意的贤谟感到很想见她，想再次找到她。与此同时，对云的疯狂的尹相镐用刀猛击自杀，自杀身亡。

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. 　　Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. 'Extramuros' is edgy all right: a plot or scheme agreed upon between two lovers to escape their plight, but with a twist. The scheme is similar to some we've recently seen power couples of politicians, religious leader and the like, play out on the world in the last decade. But the twist this film throws in - literal and actual self-flagellation is original. 　　It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns).