查理和另一个人争夺房东太太的好感。争斗的两人来到了公园里，每个人都遇到了不同的女孩。失败的查理想要自杀，被警察劝阻。查理为了报复对手便假装两人是同性恋吓走了所有的女孩。

查理和一个小混子都爱上了一个姑娘，于是两人都想方设法让对方在姑娘面前出丑；两人一会儿笑里藏刀的装做好朋友，一会儿又大打出手，惹得旁人哈哈大笑。一番争斗之后，结果却出乎所有人的意料。

The Renaissance is the remarkable story of the age in which the techniques and inspirations which had been lost since the classical era were rediscovered and reintroduced into the world of art. This episode features the work of Leonardo da Vinci, Raphael, Holbein and Michaelangelo.

The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael. Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism. As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions. The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.

At the end of the 15th Century, Rome is ruled ruthlessly by power mad and sex hungry Cesare Borgia, the eldest son of Pope Alexander VI. Following the advice of his chief adviser Niccolo Macchiavelli, Cesare Borgia decides to attempt to unify the country in order to become even more powerful. To this end he needs his sister Lucrezia. Presently, the beautiful creature is married to the Count of Pesaro but she would be more useful if she was the wife of Alphonse of Aragon. Never mind, let the Count join his ancestors! And when the Duke of Aragon becomes useless, Cesare easily finds his replacement. Used as a pawn by her brother, Lucrezia eventually renounces happiness and becomes patron of the arts and the letters/ Written by Guy Bellinger

文艺复兴时期充满了动荡不安、背叛、流血和政治变革。然而，这也是一个创造力空前繁盛的时代。本纪录片以或许是那个时代最伟大的艺术家——米开朗琪罗为引导，展现他如何在那个充满暴力的现实世界中求生，以及他的生命轨迹如何与同时代的两位天才——达·芬奇和拉斐尔交汇。节目融合专家访谈、戏剧化重现以及对非凡艺术作品的沉浸式体验，带领观众踏上一场生动鲜活的旅程，探索人类最高的艺术成就，同时揭示最深的阴谋与动荡。

探讨西方世界的一些最伟大的艺术作品是如何诞生于暴力、强权政治和竞争的时代，查尔斯·丹斯将饰演米开朗基罗·博那罗蒂。BBC称，此剧集将“揭示文艺复兴不为人知的一面”，其中还将展出列奥纳多·达·芬奇、拉斐尔以及他们16世纪意大利赞助人的作品。

The intellectual forces at work in the Tudor era ensured it was a pivotal period for children's education. Historian Dr Helen Castor reveals how the life and education of Margaret More, daughter of Thomas More, tell a story of the transforming power of knowledge. As a child in Tudor England, and educated to an exceptionally high level, Margaret embodies the intellectual spirit of the age - an era which embraced Humanism, the birth of the Church of England and the English Renaissance. This film reveals what a revolutionary intellectual spirit Margaret More was and how the ideas that shaped her education helped change the cultural life of England forever.