2020年8月4日，黎巴嫩贝鲁特港口发生硝酸铵大爆炸。纪录片以这场灾难为背景，聚焦逃难少女、抗争画家、丧子家庭、绝望接线员、理想主义者这五组幸存者的三年生活轨迹。以港口阴燃三年的“幽灵之火”为线索，串联起个体与集体记忆的交织。导演拒绝使用旁白与访谈，仅以跟拍、环境音与手写日记字卡构建叙事，让观众直面“活着即历史”的震撼。影片的两位导演在维也纳电影学院求学期间相识，12年前他们首次来到黎巴嫩，创作了聚焦于贝鲁特电力危机的纪录短片《没有电》，在多个电影节上获奖，获得国际关注。而这部耗费三年而成的电影本身已成一场抗争——它证明了影像能比火焰更持久地灼烧谎言。

In the aftermath of the 1967 defeat, four young Lebanese try to figure out their places in a society whose rules seem to have changed. It proved to be an extraordinary anticipation of the civil war that would engulf the country while the film was being edited.

该片讲述了贝鲁特大屠杀事件，1972年美国一外交官(乔恩·哈姆饰)家中突遭变故，妻子被残忍杀害，而他不得不撤离黎巴嫩。十年后他在中央情报局特工(裴淳华…

青年导演扎卡利亚·加布尔对于自己生长的贝鲁特充满感情，希望通过记录的方式让更多人理解这座复杂的城市。通过这部纪录片，你可以近距离感受在过去的几年里经历了革命、战争、港口爆炸事故、抗议示威活动后的贝鲁特弥漫着怎样的情绪。在拍摄城市变迁的同时，屡次下定决心离开的扎卡利亚也将自己的不舍和纠结留在了影像之中。

故事环绕捕杀伊迈德·穆格尼耶的行动。穆格尼耶被指为1980至90年代发生的两宗美国驻贝鲁特大使馆爆炸案的主谋，后在2008年2月12日在大马士革被汽车炸弹暗杀。

故事环绕捕杀伊迈德·穆格尼耶的行动。穆格尼耶被指为1980至90年代发生的两宗美国驻贝鲁特大使馆爆炸案的主谋，后在2008年2月12日在大马士革被汽车炸弹暗杀。

In April, 1975, civil war breaks out; Beirut is partitioned along a Moslem-Christian line. Tarek is in high school, making Super 8 movies with his friend, Omar. At first the war is a lark: school has closed, the violence is fascinating, getting from West to East is a game. His mother wants to leave; his father refuses. Tarek spends time with May, a Christian, orphaned and living in his building. By accident, Tarek goes to an infamous brothel in the war-torn Olive Quarter, meeting its legendary madam, Oum Walid. He then takes Omar and May there using her underwear as a white flag for safe passage. Family tensions rise. As he comes of age, the war moves inexorably from adventure to tragedy.

40岁的齐科是一名刚刚出狱的赌徒。他和他的发小们来自贝鲁特的中下层阶级，为获得更好的生活而艰辛奋斗。对他们而言，在一个处于战争和破产边缘的国家中，生存本身就仿佛是一场赌博，而日常生活同俄罗斯轮盘赌般无常。

In the midst of the civil war, a Shiite man from West Beirut and a Christian woman from the east of the city try to see each other one last time before she emigrates to the US. Newly restored, a film that has lost nothing of its topicality.

Full of ghosts and memories, Ghassan Salhab’s debut feature film is set in the late 1980s, towards the end of Lebanon’s Civil War. Protagonist Khalil returns to Beirut under a new identity, and to a confrontation with those he left behind following his apparent death a decade earlier. Featuring documentary elements and interviews with the lead actors, Phantom Beirut is a haunting exploration of the official silences and collective amnesias that stalk the lives of those who live through conflict.