veryone who had any reaction to the incidents that took place Sept. 11, 2001 owes it to themselves to watch this film. It is a non biased reflection and presentation of newscasts, interviews, physical evidence or lack thereof that the American mass media didn't seem fit to force feed its viewers as was done with the images that were literally burned into the minds of horrified viewers. The material contained in this film is shocking, the fact that this information has not brought more media attention is just plain mind numbing. 　　The events that took place are tragic enough as they were, that so very many questions have gone unanswered and blatantly ignored compounds the situation exponentially. See the movie, listen to the information and decide for yourself, then most importantly...SPREAD THE WORD.

veryone who had any reaction to the incidents that took place Sept. 11, 2001 owes it to themselves to watch this film. It is a non biased reflection and presentation of newscasts, interviews, physical evidence or lack thereof that the American mass media didn't seem fit to force feed its viewers as was done with the images that were literally burned into the minds of horrified viewers. The material contained in this film is shocking, the fact that this information has not brought more media attention is just plain mind numbing. 　　The events that took place are tragic enough as they were, that so very many questions have gone unanswered and blatantly ignored compounds the situation exponentially. See the movie, listen to the information and decide for yourself, then most importantly...SPREAD THE WORD.

刘雨佳的短片将纪实素材、文学、民族志、民俗学和游记编织在一起，形成具身性、情动式的体验。她以亚洲的自然景观作为创作的主题和背景，其抒情风格打破了纯纪实与叙事故事之间的界限。她的作品表现出沉思性和象征性，通常关注其他生命形式，从而将人类降格为次要的角色。 　　《市场》拍摄于抚松县人参交易市场。长白山的跑山人至今仍遵循与这种草药相关的传统仪式，而人参在全球的日益流行则催化人们将其作为一种经济作物种植。透过这个市场，我们可以看到人类与自然界纠缠交错且往往相互冲突的关系。

刘雨佳的短片将纪实素材、文学、民族志、民俗学和游记编织在一起，形成具身性、情动式的体验。她以亚洲的自然景观作为创作的主题和背景，其抒情风格打破了纯纪实与叙事故事之间的界限。她的作品表现出沉思性和象征性，通常关注其他生命形式，从而将人类降格为次要的角色。 　　《市场》拍摄于抚松县人参交易市场。长白山的跑山人至今仍遵循与这种草药相关的传统仪式，而人参在全球的日益流行则催化人们将其作为一种经济作物种植。透过这个市场，我们可以看到人类与自然界纠缠交错且往往相互冲突的关系。

All images were filmed on Market Street, one of the main streets in San Francisco. I studied Sketch Film #1 and Sketch Film #2 as reference to make the structure of this film. The visual was carefully composed frame by frame, while shooting on the street. This project was commissioned by Exploratorium and San Francisco Arts Commission for the outdoor screening event, A Trip Down Market Street 1905/2005: An Outdoor Centennial Celebration.

1962年3月、国産初のピンク映画「肉体の市場」公開。当時で制作費800万円興行収入1億円の大ヒット。

All images were filmed on Market Street, one of the main streets in San Francisco. I studied Sketch Film #1 and Sketch Film #2 as reference to make the structure of this film. The visual was carefully composed frame by frame, while shooting on the street. This project was commissioned by Exploratorium and San Francisco Arts Commission for the outdoor screening event, A Trip Down Market Street 1905/2005: An Outdoor Centennial Celebration.

1962年3月、国産初のピンク映画「肉体の市場」公開。当時で制作費800万円興行収入1億円の大ヒット。

故事讲述女主角樱井香菜（堀田茜 饰）与渣男男友分手后参加了一个相亲聚会，在聚会中邂逅了10名优秀的男士，这其中只有1位是她的真命天子，剩下的9位全都是骗子。香菜不得不逐个戳穿谎言并找到真爱。

影片展現了人迹罕見的阿根廷彭巴（The Pampa）草原上一位孤獨伐木工的生活，人物對白極少，幾乎就是一部紀錄片。影片采用倒叙（亦可理解爲環形結構），伐木工米薩爾（Misael）在雷聲中進食，火光映紅他帶有印第安人特征的面孔。随後影片開始叙述他在過去一日中的一系列行爲：伐木，去枝削皮，午休，等朋友開 ... 車接送木材，半途朋友下車，他開車，賣木頭給收購人，讨價還價，到小賣店買煙，和店主閑聊，将車子交還...