Salvatore and Romolo are two young and poor young men that are neighbours and friends. They live with their parents in Piazza Navona, Rome. They are poor but handsome, and both fall in love with Giovanna.

Romolo and Salvatore look for jobs to impress their girlfriends, but things get complicated when their old flame Giovanna reappears.

Continuing drama combining romance and intrigue set against the glittering backdrop of Beverly Hills and the American fashion industry.

已经连续播出二十年了，整整两代人见证的肥皂剧B&B，现在还在播出。 　　sonychen 注 　　The seductive story of Brooke Logan Forrester, the ex-wife of three of the Forrester Men- Eric, Ridge, and Thorne. Taking over the Forrester's fashion house and giving birth to two Forrester children made her Stephanie Forrester's enemy. From her dreamhome that Ridge gave her when they first married to Forrester Creations, Brooke has proven to the Forresters that she will raise above all problems. Written by Jeff Grice {[email protected]}

已经连续播出二十年了，整整两代人见证的肥皂剧B&B，现在还在播出。 　　sonychen 注 　　The seductive story of Brooke Logan Forrester, the ex-wife of three of the Forrester Men- Eric, Ridge, and Thorne. Taking over the Forrester's fashion house and giving birth to two Forrester children made her Stephanie Forrester's enemy. From her dreamhome that Ridge gave her when they first married to Forrester Creations, Brooke has proven to the Forresters that she will raise above all problems. Written by Jeff Grice {[email protected]}

夏阑是电台的主持人，她在即将结婚的前夕，发现男朋友席鹏有了外遇。于天雷是个孤儿，从小与比他大的"姐姐"卓越相依为命，天雷一直爱着卓越，但卓越却不告而别，从此失去音讯。夏阑与天雷偶然走到了一起，两颗受伤的心灵彼此深深吸引，但两个人又都害怕再次面对感情，害怕再次受伤害。夏阑被从前的男朋友不停纠缠，时不时会产生动摇。天雷将对卓越的感情深埋心底，而随着卓越的贵来，天雷又再次面临感情的抉择。

夏阑是电台的主持人，她在即将结婚的前夕，发现男朋友席鹏有了外遇。于天雷是个孤儿，从小与比他大的"姐姐"卓越相依为命，天雷一直爱着卓越，但卓越却不告而别，从此失去音讯。夏阑与天雷偶然走到了一起，两颗受伤的心灵彼此深深吸引，但两个人又都害怕再次面对感情，害怕再次受伤害。夏阑被从前的男朋友不停纠缠，时不时会产生动摇。天雷将对卓越的感情深埋心底，而随着卓越的贵来，天雷又再次面临感情的抉择。

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers. 　　There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by. 　　They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation. 　　Until you realize what’s really going on. 　　http://viewoncanadianart.com/2009/05/07/loved-renzo-martens-enjoy-poverty/