皮埃尔是一位30 岁的奶农，他的生活中，只有自己接管的家庭农场、奶牛，以及当兽医的姐姐和他的父母。法国突然出现的“疯牛病”病例打破了皮埃尔的平静生活。在新闻报道疫情正在蔓延，也可能会在他的奶牛中蔓延开来时，皮埃尔不惜采取一切措施来隐瞒疫情，避免他的农场和生活整体大崩盘。最后，在姐姐的帮助下，皮埃尔找回了理智，寻找方法来解决问题。

皮埃尔是一位30 岁的奶农，他的生活中，只有自己接管的家庭农场、奶牛，以及当兽医的姐姐和他的父母。法国突然出现的“疯牛病”病例打破了皮埃尔的平静生活。在新闻报道疫情正在蔓延，也可能会在他的奶牛中蔓延开来时，皮埃尔不惜采取一切措施来隐瞒疫情，避免他的农场和生活整体大崩盘。最后，在姐姐的帮助下，皮埃尔找回了理智，寻找方法来解决问题。

乔未然一个雷厉风行的女总裁，不省心的赘婿老爹却一门心思想要吞并乔氏集团陷害自己的女儿 。在一次恰谈项目合作的时候，乔未然得罪了一家有问题的公司，被人蓄意报复，而后路遇一位身手不凡的乞丐救下自己，由此展开了一段爱情故事。

王来旺生前嗜赌，死后决心改过，劝人戒毒行善，这晚，孙得喜来到他的墓前拜供求发财，为了帮孙得喜改过，他决定现身说法。 　　喜鬼来旺陪孙得喜到赌场，才发现人间赌弊比以前还猖狂，又见赌徒曹女输钱用肉体抵债，孙得喜大赢得意忘形，根本不知道太太已经红杏出墙，此时喜鬼看上沈女，忘了得喜，得喜大输不满回去狠踢来旺墓碑，仍在赌场的喜鬼如同身受攻击而昏倒，沈女加以照顾。 　　孙得喜因而中了邪，请道士来驱邪，喜鬼因犯了色戒也受到阴间处罚。孙得喜邪除心正，他猛然憬悟决心戒赌，孙太太亦回心关爱丈夫，再拜谢喜鬼，人鬼两者均上了最宝贵的一课相对完成，传为乡里间聊笑谈。

由于疫情，原来只是约个炮罢了，在被断绝期间可否成为我的男朋友

由于疫情，原来只是约个炮罢了，在被断绝期间可否成为我的男朋友

王来旺生前嗜赌，死后决心改过，劝人戒毒行善，这晚，孙得喜来到他的墓前拜供求发财，为了帮孙得喜改过，他决定现身说法。 　　喜鬼来旺陪孙得喜到赌场，才发现人间赌弊比以前还猖狂，又见赌徒曹女输钱用肉体抵债，孙得喜大赢得意忘形，根本不知道太太已经红杏出墙，此时喜鬼看上沈女，忘了得喜，得喜大输不满回去狠踢来旺墓碑，仍在赌场的喜鬼如同身受攻击而昏倒，沈女加以照顾。 　　孙得喜因而中了邪，请道士来驱邪，喜鬼因犯了色戒也受到阴间处罚。孙得喜邪除心正，他猛然憬悟决心戒赌，孙太太亦回心关爱丈夫，再拜谢喜鬼，人鬼两者均上了最宝贵的一课相对完成，传为乡里间聊笑谈。

该剧以绵阳市涪城区新农村建设为背景，通过基层干部带领农民脱贫致富的故事，展现农村发展进程，剧中人物原型取材于当地干部群众。

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.