A man takes himself to a woodland cottage to escape the pain and confusion of an impending divorce. Whilst enlisting the owner to fix the broken water he begins to uncover and embrace his hidden desires - a journey of self-discovery and healing.

一个是巡回演出独幕剧的女演员，一个是害羞潦倒的流浪汉，一次不经意的舞台互动让他们俩结下了情缘，男人抛下了一切，跟着她一站又一站的演绎爱情，直到现实如浪潮来袭。全片于法国北部拍摄，秋日萧瑟的乡村、海边，以截然不同的温柔细腻，捕捉了恬淡宁静之下的情感波涛。女主角友兰达·梦露这回身兼导演，以剧中剧呼应外遇情感的内心挣扎，真挚动人。

A man takes himself to a woodland cottage to escape the pain and confusion of an impending divorce. Whilst enlisting the owner to fix the broken water he begins to uncover and embrace his hidden desires - a journey of self-discovery and healing.

A fast-moving automobile fails to make a sharp turn of the highway from Malibu to Los Angeles. It overturns and its occupants, Tim Slade, Newspaper man turned private investigator, and Hugh Fresney, managing editor of the Los Angeles Currier, are pinned underneath. Both are seriously injured and are unable to move. As they wait for the tide to come in and cover them, Fresney recounts that his boss, Clint VAughn has been killed, presumably by gangsters in the pay of Nick Dyke, who Fresney has fought against through his newspaper columns. Slade had been hired to avenge Fresney if Dyke's gang killed him in retaliation, Slade, one-time sweetheart of Vaughn's dipsomaniac wife Julie Vaughn, believed she still loved him, but he had fallen for Dana Jons, Vaughn's beautiful secretary. Police Detective O'Haffey investigated Vaughn's death and unearthed several suspects, including Slade, Julie, Dykes and Dana, but Slade was not satisfied and looked elsewhere

A deranged writer murders a maid after she resists his advances. The writer engages his brother's help in hiding the body, and then watches as the brother becomes the prime suspect.

By the sea, a contract binds two strangers: Han Jaehun, a cold heir hiding pain, and Kim Haejun, a bright art student burdened by life.

2006年6月在Annecy国际动画电影节上评选出的“动画的世纪·100部作品”第100名。

Liquidity Inc. is a multilayered portrait of Jacob Wood, a financial analyst who lost his job in the economic crash of 2008 and became a career mixed-martial-arts fighter. 　　Wood’s story unfolds through real and virtual worlds that are made to overlap, combining conventions of documentary film with Internet syntax—hashtags, GIFs, and memes. 　　With its computer-generated waves and news footage of hurricanes and tsunamis, the work uses water and extreme weather as metaphors for the fluidity of financial assets and digital information, and for a collective sense of instability. 　　Conflating terms from meteorology, geopolitics, and digital culture, masked forecasters wryly suggest that weather patterns are determined by our own emotional states. You are invited to sit on the architectural structure, lined with judo mats, which the artist has compared to a raft wrecked by a raging storm.

铃木光司《乐园》改编动画，1991年8月以VHS/LD形式发行

这是我们的第一个作品，关于家乡兰州，这片我们想长大又急于离开的地方。我们亲近老公交人这一群体，想透过他们观察过城市千百遍的眼睛，去看看半个世纪前这里本来的样子，看看这有血有肉而非教科书式的变迁里，还有红火平凡的生命故事。