When one of the most prolific art forgers in US history is finally exposed, he must confront the legacy of his 30-year con.

When one of the most prolific art forgers in US history is finally exposed, he must confront the legacy of his 30-year con.

厌倦了逃亡生涯的匈牙利赝品画家艾米尔•德霍瑞（Elmyr de Hory）于1969年回到西班牙伊维萨岛，成为岛上名人，并结识了美国作家克利福德•艾尔文（Clifford Irving）。导演奥逊•威尔斯在介绍艾米尔•德霍瑞的同时穿插讲述了曾轰动一时的克利福德•艾尔文造假美国飞行业大亨霍华德•休斯自传案，随后又杜撰了女友欧嘉•蔻达（Oja Kodar）与毕加索之间的一段奇事。真假穿插中，奥逊•威尔斯提出了“艺术是什么”与作品归属权的问题。 　　本片是美国导演奥逊•威尔斯的最后一部完整的电影作品，大部分镜头素材来自由艾尔文•克利福德编剧，法国导演弗朗索瓦•莱兴巴赫（Francois Reichenbach）导演的关于匈牙利赝品画家艾米尔•德霍瑞的BBC纪录片。

厌倦了逃亡生涯的匈牙利赝品画家艾米尔•德霍瑞（Elmyr de Hory）于1969年回到西班牙伊维萨岛，成为岛上名人，并结识了美国作家克利福德•艾尔文（Clifford Irving）。导演奥逊•威尔斯在介绍艾米尔•德霍瑞的同时穿插讲述了曾轰动一时的克利福德•艾尔文造假美国飞行业大亨霍华德•休斯自传案，随后又杜撰了女友欧嘉•蔻达（Oja Kodar）与毕加索之间的一段奇事。真假穿插中，奥逊•威尔斯提出了“艺术是什么”与作品归属权的问题。 　　本片是美国导演奥逊•威尔斯的最后一部完整的电影作品，大部分镜头素材来自由艾尔文•克利福德编剧，法国导演弗朗索瓦•莱兴巴赫（Francois Reichenbach）导演的关于匈牙利赝品画家艾米尔•德霍瑞的BBC纪录片。

“圣杯战争”是由魔术师（御主）和英灵（从者），围绕着能够实现一切愿望的许愿机“圣杯”进行的战斗。 日本的第五次圣杯战争结束之后，又过去了数年。 在美国西部的城市“雪原市”，观测到了新圣杯的征兆。 于是，魔术师（御主）和英灵（从者）集结到了一起。 欠缺的职阶。 本不可能被选中的从者。 暗中活动的国家机构。 为战争而打造的城市。 ——各种例外和违规，让圣杯战争陷入混乱，变得越发扭曲。 在虚假圣杯的舞台上，人类与英灵（从者）的狂宴就此拉开序幕……

Andrew Graham-Dixon investigates the story of the 20th century’s greatest art forger, Dutch artist Han van Meegeren, who made millions during World War II selling fake Vermeers in Nazi-occupied Holland. 　　Following a trail of evidence across Europe, Graham-Dixon pieces together how van Meegeren fooled the art establishment - and even swindled Hermann Göring, selling him what was then one of the most expensive paintings in the world. 　　Looking at this tale of intrigue and double-dealing against the backdrop of Europe’s darkest hour, Graham-Dixon tries to uncover the motives of the master forger. Was he a Dutch folk hero, outwitting the Nazi occupiers? A cynical opportunist? Or even ruthless collaborator? 　　As Andrew Graham-Dixon discovers, this is a tale about much more than simply art forgery: a twisted, timely morality tale about the blurred lines between truth and fiction that poses uncomfortable questions about deception - and collusion. About what happens when we want to believe something a little too much, even when the evidence of fakery is before our eyes.

Andrew Graham-Dixon investigates the story of the 20th century’s greatest art forger, Dutch artist Han van Meegeren, who made millions during World War II selling fake Vermeers in Nazi-occupied Holland. 　　Following a trail of evidence across Europe, Graham-Dixon pieces together how van Meegeren fooled the art establishment - and even swindled Hermann Göring, selling him what was then one of the most expensive paintings in the world. 　　Looking at this tale of intrigue and double-dealing against the backdrop of Europe’s darkest hour, Graham-Dixon tries to uncover the motives of the master forger. Was he a Dutch folk hero, outwitting the Nazi occupiers? A cynical opportunist? Or even ruthless collaborator? 　　As Andrew Graham-Dixon discovers, this is a tale about much more than simply art forgery: a twisted, timely morality tale about the blurred lines between truth and fiction that poses uncomfortable questions about deception - and collusion. About what happens when we want to believe something a little too much, even when the evidence of fakery is before our eyes.