笹野阳介（役所广司）被公司裁员裁掉后又被妻子抛弃，只得流浪街头，通过一位流浪老人之口，他来到遥远偏僻的能登半岛一幢位于河边赤桥下的房子，想找寻老人所说的藏有金佛的盒子，但没能如愿以偿，只遇见体质相当特殊的佐惠子（清水美砂）。 　　佐惠子的特殊在于，当她与男性交合时，体内会分泌出神奇的“暖水”，该“暖水”能令过季的花儿盛开、能把大海的鱼群召到河里。而更重要的，是沐浴在佐惠子“暖水”下的男人，会重拾失去的信心和活力。如此，笹野阳介与佐惠子开始了一次次的交合。

笹野阳介中年失业，妻子离开他回了娘家。他前去拜访自己视之为人生之师的流浪老人太郎，不料太郎已经去世。阳介想起太郎生前曾经提起他偷了一尊金佛藏在位于能登半岛的一座红桥下的屋中，于是便出发前往能登寻找。在那里，阳介遇到了一个名叫佐惠子女子。佐惠子的体质相当特殊，如果不与男性交合，体内的水就会凝结。阳介被她所吸引留在当地打鱼，一旦接到佐惠子的召唤就去找她与之交欢。一日，阳介看到佐惠子与另一个男人亲密交谈，在得知两人的关系后，阳介夺回了佐惠子，与她和一次又一次地深深结合……

讲述发生在一个私人医院内的情感纠葛。导演增村保造曾留学意大利，是日本电影战后派的新生力量。值得一提的是，在1966年松竹导演野村芳太郎的翻拍版本中，山田洋次出任了编剧一职。

引自“艾麗絲謝影話隨筆交匯處”：http://agnestse.blogspirit.com/archive/2006/05/10/%E6%B7%BA%E8%AB%87%E5%A2%9E%E6%9D%91%E4%BF%9D%E9%80%A0.html 　　《暖流》講述三位年青人的愛情關係. 年輕醫生日匹祐三 (舊版: 佐分利信/ 新版: 根上淳) 是醫院院長的繼任人選. 日匹受到老院長的賞識的同時, 院長女兒志摩啟子 (舊版: 高峰三枝子/ 新版: 野添曈) 也非常傾慕他. 但日匹正面臨為了前途而犧牲個人意願的抉擇. 此時, 日匹遇上一位善解人意的護士石渡吟 (舊版: 水戶光子/ 新版: 左幸子) , 彼此有著共同進退的信念. 而阿吟正是啟子的小學同學. 兩位女性代表著主角對未來的取向: 是飛黃騰達, 但不由自主? 還是從頭做起, 但歷盡艱辛? 戰前《暖流》大受女性觀眾的歡迎. 觀眾為主角的選擇, 分成"時代女性/志摩啟子" 和"傳統女性/ 石渡吟"兩派, 作出熱烈的討論.

讲述发生在一个私人医院内的情感纠葛。导演增村保造曾留学意大利，是日本电影战后派的新生力量。值得一提的是，在1966年松竹导演野村芳太郎的翻拍版本中，山田洋次出任了编剧一职。

引自“艾麗絲謝影話隨筆交匯處”：http://agnestse.blogspirit.com/archive/2006/05/10/%E6%B7%BA%E8%AB%87%E5%A2%9E%E6%9D%91%E4%BF%9D%E9%80%A0.html 　　《暖流》講述三位年青人的愛情關係. 年輕醫生日匹祐三 (舊版: 佐分利信/ 新版: 根上淳) 是醫院院長的繼任人選. 日匹受到老院長的賞識的同時, 院長女兒志摩啟子 (舊版: 高峰三枝子/ 新版: 野添曈) 也非常傾慕他. 但日匹正面臨為了前途而犧牲個人意願的抉擇. 此時, 日匹遇上一位善解人意的護士石渡吟 (舊版: 水戶光子/ 新版: 左幸子) , 彼此有著共同進退的信念. 而阿吟正是啟子的小學同學. 兩位女性代表著主角對未來的取向: 是飛黃騰達, 但不由自主? 還是從頭做起, 但歷盡艱辛? 戰前《暖流》大受女性觀眾的歡迎. 觀眾為主角的選擇, 分成"時代女性/志摩啟子" 和"傳統女性/ 石渡吟"兩派, 作出熱烈的討論.

Hendrik and Willi are the owners and crew of a canal barge. They travel up and down the Havel River, have girlfriends here and there, and dream of a “solid” life. One evening they observe a young girl, Anna, who is apparently about to jump off a bridge. They both run to save her, but are “disappointed” to find out that she only threw a ten mark note into the river in hopes of ridding herself of a bad memory. Anna is persuaded to travel back to Berlin as a “passenger” with them, and the two friends soon fall in love with her. After an insulting comment from Willi, Anna leaves the boat, and the two men make an agreement with one another: whoever wins Anna back must forfeit his claim to the barge. Feeling sure of himself, Willi goes on land and looks after her. However, he soon realizes that she is in love with Hendrik, and is honest enough to confess this realization to his friend. But his friendship with Hendrik is more important to him than their agreement, and so the three start a new life on board the barge, all together.

陈望德突然在春节前夕的晚上死在家中，此时只剩他的妻子梅清在家中。而陈望德疫情期间必须被火葬，不能办葬礼。甚至连自己的儿子陈伟近在咫尺的距离都无法回来。梅清面临这样重重的现实压力，还是最终还是想通过埋葬让他死得体面些，于是便完成了一场特殊的“葬礼”。

Johan Knut Harju (1910-1976) was a self-taught writer and historian, but also a homeless alcoholic. Harju had a unique talent to document his and his peers’ lives with a personal voice that invites the person in and see the world from his point of view. Harju collected his stories for you, a future person, so that the people living under the bridges would not be forgotten. The virtual reality experience combines the Helsinki City Museum photo archives, recordings of Harju’s voice, 360 degrees footage inside a historical tram with animation that is inspired by Harju’s drawing style, into an experience that allows the audience to have a moment with Harju in 1960’s Helsinki. 　　DIRECTOR’S STATEMENT 　　What happens to the stories of people living in the shadows of history? Harju preserved a different perspective to the history of my own hometown. This virtual reality experience gives Harju a space to tell his story and lets the audience have a moment inside his memories. We are given access to a subjective viewpoint, which hopes to question what is considered worthy of historical annals.