帕特里克-德瓦尔是60年代末巴黎实验电影小组ZANZIBAR的创始成员，《朦胧的赫拉克利特》是他唯一存世的两部影片之一。如今提及法国电影史几乎很少有人会说到ZANZIBAR这个组织，毕竟它只是一个特殊时代的产物，仅仅存在了3年多时间就解散了，但他们残存下来的部分影片却成为难得一见的珍品，他们的影像中能看到当时处在变革中的法国青年电影人的天才和自由精神。影片在突尼斯取景，参与者还有德瓦尔的女友Jackie Raynal，是ZANZIBAR中为数不多的在异国拍摄的作品。

帕特里克-德瓦尔是60年代末巴黎实验电影小组ZANZIBAR的创始成员，《朦胧的赫拉克利特》是他唯一存世的两部影片之一。如今提及法国电影史几乎很少有人会说到ZANZIBAR这个组织，毕竟它只是一个特殊时代的产物，仅仅存在了3年多时间就解散了，但他们残存下来的部分影片却成为难得一见的珍品，他们的影像中能看到当时处在变革中的法国青年电影人的天才和自由精神。影片在突尼斯取景，参与者还有德瓦尔的女友Jackie Raynal，是ZANZIBAR中为数不多的在异国拍摄的作品。

阿运和小怀是一对年轻的恋人，两人分别住在边海江的两岸，分隔两岸并没有影响到两人的爱情，感情很深厚的他们憧憬着有一天能幸福地生活在一起。但是他们万万没想到在举行婚礼的当天，因为1954年日内瓦协议的军事条款，边海江成了越南北部与南部的临时分界线，两岸的人民被边海江分开了，国家一夜之间变成了两个。南越政府在美国的指使下，封锁了江口，禁止两岸人民往来，阿运和小怀也因此被阻隔，他们都忍受着不能相见的痛苦，为了能到北越与阿运在一起，小怀必须克服种种困难，但幸运的是她得到了乡亲的帮助，最终阿运和小怀这对恋人团聚了。

阿运和小怀是一对年轻的恋人，两人分别住在边海江的两岸，分隔两岸并没有影响到两人的爱情，感情很深厚的他们憧憬着有一天能幸福地生活在一起。但是他们万万没想到在举行婚礼的当天，因为1954年日内瓦协议的军事条款，边海江成了越南北部与南部的临时分界线，两岸的人民被边海江分开了，国家一夜之间变成了两个。南越政府在美国的指使下，封锁了江口，禁止两岸人民往来，阿运和小怀也因此被阻隔，他们都忍受着不能相见的痛苦，为了能到北越与阿运在一起，小怀必须克服种种困难，但幸运的是她得到了乡亲的帮助，最终阿运和小怀这对恋人团聚了。

高雄甲仙，在这个饱受八八风灾摧残的山中小镇，灾区硬体重建容易，居民心理重建才难，面临巨大灾变还有人走不出阴霾。孩子们努力为拔河队争取荣誉，试图唤回被摧折后的信心与勇气；妈妈们则用一道道异国美食，凝聚留在故乡打拚的坚实力量。　　被台风冲垮的甲仙大桥，不到一年时间就修复成亮丽新景；但甲仙人心中的痛，却不知何时才能真正抚平。这部新作不仅记录了他们努力奋起的心路历程，也拍下这些新娘妈妈们生命中第一次的婚纱照片…

高雄甲仙，在这个饱受八八风灾摧残的山中小镇，灾区硬体重建容易，居民心理重建才难，面临巨大灾变还有人走不出阴霾。孩子们努力为拔河队争取荣誉，试图唤回被摧折后的信心与勇气；妈妈们则用一道道异国美食，凝聚留在故乡打拚的坚实力量。　　被台风冲垮的甲仙大桥，不到一年时间就修复成亮丽新景；但甲仙人心中的痛，却不知何时才能真正抚平。这部新作不仅记录了他们努力奋起的心路历程，也拍下这些新娘妈妈们生命中第一次的婚纱照片…

Diego is 17 and is full of life, yet fragile. His best friend Antonio knows and indulges his weaknesses, but he would also like to see him strong and masculine. One night they meet Maria, a breezy natural beauty. To show that he is a "real man", Diego, is ready to do anything, even to force himself to do things he would never have wanted to do. Written by The Open Reel

Diego is 17 and is full of life, yet fragile. His best friend Antonio knows and indulges his weaknesses, but he would also like to see him strong and masculine. One night they meet Maria, a breezy natural beauty. To show that he is a "real man", Diego, is ready to do anything, even to force himself to do things he would never have wanted to do. Written by The Open Reel

While Jackie Raynal is best known as the former programmer of two of New York’s premiere art cinemas—the Carnegie Hall and the Bleecker Street—she began her career in film nearly forty years ago in Paris, where by 1964 she was the youngest film editor in France. Challenged by Zanzibar patroness Boissonnas to stop editing other people’s films and make her own, Raynal traveled to Barcelona, where she completed Deux Fois in a single week. One of the most enigmatic of the Zanzibar films, it is composed of a series of unconnected episodes, some of which are repeated. The film begins with a prologue in which Raynal (carefully made-up and fashionably dressed) is seated, head lowered and hands joined in prayer, before both her dinner and her film. While Deux Fois lays claim to the Surrealist legacy of Buñuel and Cocteau, it gained critical recognition as a pioneering work within the burgeoning feminist cinema.

While Jackie Raynal is best known as the former programmer of two of New York’s premiere art cinemas—the Carnegie Hall and the Bleecker Street—she began her career in film nearly forty years ago in Paris, where by 1964 she was the youngest film editor in France. Challenged by Zanzibar patroness Boissonnas to stop editing other people’s films and make her own, Raynal traveled to Barcelona, where she completed Deux Fois in a single week. One of the most enigmatic of the Zanzibar films, it is composed of a series of unconnected episodes, some of which are repeated. The film begins with a prologue in which Raynal (carefully made-up and fashionably dressed) is seated, head lowered and hands joined in prayer, before both her dinner and her film. While Deux Fois lays claim to the Surrealist legacy of Buñuel and Cocteau, it gained critical recognition as a pioneering work within the burgeoning feminist cinema.