This is the glorious story of the Hittites - the most powerful people in the Near East of their time. Narrated by Academy Award winner Jeremy Irons, "The Hittites" brings the fascinating history of this mighty empire to life with expert interviews, stunning cinematography, dramatic reenactments, and visual effects. Highlights include a breathtaking recreation of the controversial battle of Kadesh that decimated the armies of Egypt's Pharaoh Ramesses II. Based on the actual words of the Hittites, deciphered from ancient clay tablets excavated in the 20th century, their story unfolds as beautifully as it written almost 3500 years earlier.

北京电影学院2007届毕业联合作业。编剧：焦佼，导演：焦佼，摄影：冯轩，美术：周煜，录音：陈丹丹 制片：赵震、田默。

Thang Máy là câu chuyện kỳ bí xảy ra với những cô gái trẻ khi đi Thang Máy một mình. Mọi chuyện bắt đầu khi Jina đột nhiên mất tích sau khi livestream trong thang máy. Sự cố này gây ra nỗi sợ hãi tâm lý trong tâm trí Trang đến mức cô bị ám ảnh không thể bước vào thang máy ở bất cứ đâu. Cho đến khi người bạn thứ hai - Ngọc - cũng mất tích khi đang livestream trong chính cái thang máy của khu bệnh viện cũ kỹ.

The 10-minute film, Mad Ladders, is very much a collage itself, blending original and found imagery with a densely layered sound design, all surrounding differing notions of “revelation”. As the prophetic ramblings of an unseen narrator (pulled from her YouTube channel) recount fantastical dreams of the coming Rapture, crystalline imagery of rolling clouds gives way to heavily-processed video of moving stage sets from The American Music Awards telecasts of the 1980’s and early 1990’s.

一位满怀壮志却未获重用的教师，一心渴望成为一所名校的校长，然而她得攀爬由谎言和腐败堆砌而成的滑腻阶梯，才有可能登上权力的巅峰。

"In the delightful Snakes and Ladders, ‘a didactic fiction about cartography’ made for French television to promote a map exhibition at the Centre Pompidou in Paris – a Borgesian metaphysical fantasy whose hero progressively discovers that France is a life-size board game (devoted to Snakes and Ladders or ‘The Goose’s Game’) – one has to deal with tatty special effects of Edward D. Wood Jr calibre, along with the brilliant conceits and two separate off-screen narrators, male and female. 　　At the outset, the troubled hero (Pascal Bonitzer) – who is found to be vomiting out dice on one occasion, and shaken as dice by an enormous hand on another – discovers that ‘he is the victim of the worst kind of nightmare, the didactic nightmare.’ Some form of didacticism seems evident in every Ruiz project but, as with Borges, it is a didacticism that often parodies itself and becomes camp, yielding precisely the kind of nightmare that ensues when, through a delirium of literalism, thought becomes flesh and the universe becomes a brain dreaming of thoughts yet unborn." - Jonathan Rosenbaum, Chicago Reader

雄心勃勃却不受器重的教师想成为一所名校的校长，但他必须爬上谎言和腐败铸就的滑腻阶梯才能到达顶峰。

法塔赫 （Fateh） 是一个神秘人，他认为自己已经把过去抛在脑后，致力于在旁遮普邦开始平静的新生活。然而，当一名当地女孩成为网络黑手党的受害者并在德里失踪时，他无法走开。凭借他强大的技能，Fateh 从自我强加的退休中走出来，成为一名复仇天使，决心打倒整个网络黑手党集团。

法塔赫 （Fateh） 是一个神秘人，他认为自己已经把过去抛在脑后，致力于在旁遮普邦开始平静的新生活。然而，当一名当地女孩成为网络黑手党的受害者并在德里失踪时，他无法走开。凭借他强大的技能，Fateh 从自我强加的退休中走出来，成为一名复仇天使，决心打倒整个网络黑手党集团。