这是一个关于环保、科技与未来的电影，主要通过一对恋人的爱情故事，揭示人类工业发展让地球负担加重，未来地球有可能消耗殆尽。在这之前环保问题最为重要，人类不断努力去解决社会发展与环境资源的平衡，但这是永恒的问题。环境的紊乱让人们躁动起来，但正义之师永远不会灭亡，就像追求真理的脚步永远不会消失。本片通过星际警察艾薇儿与科学家平凡这两个人的欢喜爱情故事，表达无论身处什么样的环境，都要以人类的集体利益为重，要保持善良、积极、正确的价值观。面对失败需要努力争取胜利，把全人类的事业放在第一位，而爱情也是崇高无上的。人类的情感赋予我们更好的未来，我们要合理的发挥我们的情感，使之投入到工作中，为集体的事业而努力。集体由个体组成，所有人都有义务为社会尽责，面对罪恶我们会悉心教导，并使其改正。人类文明让我们有了今天的生活，希望未来无论我们遇到什么困难都要努力克服，为个人、家庭、集体、国家、全人类而发光发热。

这是一场征服世界的快乐～

在工作环境的不安全感驱使下，科摩多罗·里瓦达维亚赌场的员工朱莉娅屈服于格温福的诱惑，格温福是一个简洁的威尔士裔男子，他向她承诺在他工作的石油公司担任行政职务。当她意识到自己的错误时，他们已经很好地进入了沙漠，开始了穿越巴塔哥尼亚平原的艰苦徒步旅行。掩埋在洞穴和废弃的建筑，没有出路在无限的距离，困难的共存将改变随着时间的推移。在一辆皮卡车上，在追踪者的引导下，警长赫密斯·普里托骑着马，紧跟其后，确信能在沙漠中找到某种踪迹。

40岁的警官丹尼尔因爆出暴力殴打新人被停职调查，此后他的网恋对象萨拉不再回复他的消息，他决定开车横跨巴西南北到北方寻找她。他把莎拉的照片打印成启事在萨拉的住处到处张贴，这显然是愚蠢的举动，但意外的是当地竟然没有人认识这个女人。直到最后，一个陌生人突然打来电话，说他知道萨拉的下落。

40岁的警官丹尼尔因爆出暴力殴打新人被停职调查，此后他的网恋对象萨拉不再回复他的消息，他决定开车横跨巴西南北到北方寻找她。他把莎拉的照片打印成启事在萨拉的住处到处张贴，这显然是愚蠢的举动，但意外的是当地竟然没有人认识这个女人。直到最后，一个陌生人突然打来电话，说他知道萨拉的下落。

《引力邊緣》（2013）幕後父子兵再度聯手，上回是父親艾方素卡朗執導，今次就由兒子莊拿斯上陣，父親任監製。也是求生的故事，教人驚心動魄的不止於外太空，地球更危險。《向政府說不》（37屆）的基爾加西亞般奴飾演墨西哥非法移民摩西，夢想家庭團聚，偷渡穿越美國邊界。豈料遇上邊境巡邏的嗜殺排外之徒，濫用私刑，持槍獵殺，令追尋自由的冒險之旅，頓變極度恐慌的生死逃亡。邊境荒漠成為殺戮戰場，家人所贈的玩具熊到底是護身符還是催命咒？影片有如一則現代出埃及記，為當下美國右派民粹主義勢力崛起敲響警鐘。

一个男人发现自己被困在一个沙漠峡谷中，与一位在野外生活的女性一同被一群虐待狂男孩囚禁。

The sun beats down mercilessly on all those who cross the Sonoran Desert between Mexico and the United States. Aside from the few people who live here, it’s the poorest of undocumented immigrants that make the crossing, who have no choice but to take this extremely dangerous route, followed by border guards both official and self-appointed. The horizon seems endlessly far away and deadly dangers lurk everywhere. It’s best to move under the cover of darkness; during the day, being exposed to the heat and sun is enough to make animals and humans perish. Their traces and remains accumulate, fade, decompose and become inscribed into the topography of the landscape, making the absent ever-present as life and death, beauty and dread, hostile light and nights aglitter with stars and promise all continue to exist alongside one another. 　　El mar la mar masterfully weaves together sublime 16-mm shots of nature and weather phenomena, animals, people and the tracks they leave behind with a polyphonic soundtrack, creating a cinematographic exploration of the desert habitat, a multi-faceted panorama of a highly politicised stretch of land, a film poem that conjures up the ocean.

The sun beats down mercilessly on all those who cross the Sonoran Desert between Mexico and the United States. Aside from the few people who live here, it’s the poorest of undocumented immigrants that make the crossing, who have no choice but to take this extremely dangerous route, followed by border guards both official and self-appointed. The horizon seems endlessly far away and deadly dangers lurk everywhere. It’s best to move under the cover of darkness; during the day, being exposed to the heat and sun is enough to make animals and humans perish. Their traces and remains accumulate, fade, decompose and become inscribed into the topography of the landscape, making the absent ever-present as life and death, beauty and dread, hostile light and nights aglitter with stars and promise all continue to exist alongside one another. 　　El mar la mar masterfully weaves together sublime 16-mm shots of nature and weather phenomena, animals, people and the tracks they leave behind with a polyphonic soundtrack, creating a cinematographic exploration of the desert habitat, a multi-faceted panorama of a highly politicised stretch of land, a film poem that conjures up the ocean.

A small-town sheriff gets tangled in a web of lies and corruption involving a shady businessman and the cartel while investigating the homicide of a mysterious woman linked to an apparent suicide.