Civil war died down. The soldiers returned home from the front. 　　A strong friendship links the three comrades, former Red commanders Langovoy, Zheltikov and senior among them, Uncle Sasha. 　　All three friends work in the military headquarters. Uncle Sasha and Zheltikov are bachelors. They dwelt together in one room. Friends often come to visit a cozy apartment of Langovoy and his wife Masha, which married in the years of civil war. Masha was a loyal front Langovoy's comrad. Masha selflessly cared for Langovoy when he was fell ill. Some time later, Masha was leaving a rest to his mother. During her absence Langovoy falls in love with the woman which hi was rescued from the street accident. Langovoy's friends comdemn his behavior. Masha returned from the family grieved the incident. Finally Langovoy decides to return to his wife and ask her forgiveness. 　　Civil war died down. The soldiers returned home from the front. 　　A strong friendship links the three comrades, former Red commanders Langovoy, Zheltikov and senior among them, Uncle Sasha. 　　All three friends work in the military headquarters. Uncle Sasha and Zheltikov are bachelors. They dwelt together in one room. Friends often come to visit a cozy apartment of Langovoy and his wife Masha, which married in the years of civil war. Masha was a loyal front Langovoy's comrad. Masha selflessly cared for Langovoy when he was fell ill. Some time later, Masha was leaving a rest to his mother. During her absence Langovoy falls in love with the woman which hi was rescued from the street accident. Langovoy's friends comdemn his behavior. Masha returned from the family grieved the incident. Finally Langovoy decides to return to his wife and ask her forgiveness.

This simple story of a mother and daughter finds them struggling to find work and food in Paris. Micheline Bezancon is the expressionless young mother who alone worries about the future of her and her daughter. Filmed in black and white, the directorial approach is as simple as the title. She engages in a poignant narrative about her daily life. Half of the time the screen is black, evoking a feeling of despair that permeates the feature. 　　Shot in 16 mm in Paris & its suburbs and co-produced by French television on a very low budget. This was inspired by an item on the back page of a newspaper. The essence of the film is captured by its first person voice-over commentary, and was considered "one of the few genuine masterpieces in the entire history of cinema" by film theorist Noel Burch. The film is not available in English translation, either dubbed or subtitled. But it works very well in simultaneous translation, if prepared in advance.

This simple story of a mother and daughter finds them struggling to find work and food in Paris. Micheline Bezancon is the expressionless young mother who alone worries about the future of her and her daughter. Filmed in black and white, the directorial approach is as simple as the title. She engages in a poignant narrative about her daily life. Half of the time the screen is black, evoking a feeling of despair that permeates the feature. 　　Shot in 16 mm in Paris & its suburbs and co-produced by French television on a very low budget. This was inspired by an item on the back page of a newspaper. The essence of the film is captured by its first person voice-over commentary, and was considered "one of the few genuine masterpieces in the entire history of cinema" by film theorist Noel Burch. The film is not available in English translation, either dubbed or subtitled. But it works very well in simultaneous translation, if prepared in advance.

安心亚与陈泂江在《简单的婚礼》演出要步入婚姻殿堂的男女朋友，陈泂江饰演殡葬业的型男小开“许诺言”，外形阳光，做事百无禁忌。安心亚则是潜水教练，…

这是一对即将步入婚姻殿堂的男女朋友。型男小开“许诺言”，外形阳光，做事百无禁忌。潜水教练“安纾语”，她的理想是简简单单的婚礼，但男方亲友及自己善妒的好友等人，使得即将来临的婚礼变得一点也不简单。

「使被动观众成为主动观察者、全神贯注等待下一步发展。」─《The Upcoming》网站 　　没有演员，没有剧本，没有虚假的情感。《我们与性的距离》是一部超越虚实的纪录剧情片，导演泰默姜达里 费时四个月，贴身拍摄七名住在德国科隆、介于25 至45 岁的男女，他们主宰自己的命运，并勇敢表现自己的 处境和感受。 苏菲亚搬回家和母亲姊妹同住，失业的她决定从事卖淫；索恩健壮有型并热衷拳击，他在女性床伴之间居无定 所，直到遇见令他心仪的女孩；列妮学习按摩治疗，也和热恋中的女友琵亚开始同居；史黛拉与男友尼克维持 开放式关系，却难掩心中的不安。 四组人物交错发展，在镜头前裸裎坦荡，做爱像呼吸一般自然，但更令人感同身受的，是对人生永不妥协的态 度，以及找到一份获得幸福并全心付出的爱情。只是，爱能否如此简单？性就能拉近彼此距离？

「使被动观众成为主动观察者、全神贯注等待下一步发展。」─《The Upcoming》网站 　　没有演员，没有剧本，没有虚假的情感。《我们与性的距离》是一部超越虚实的纪录剧情片，导演泰默姜达里 费时四个月，贴身拍摄七名住在德国科隆、介于25 至45 岁的男女，他们主宰自己的命运，并勇敢表现自己的 处境和感受。 苏菲亚搬回家和母亲姊妹同住，失业的她决定从事卖淫；索恩健壮有型并热衷拳击，他在女性床伴之间居无定 所，直到遇见令他心仪的女孩；列妮学习按摩治疗，也和热恋中的女友琵亚开始同居；史黛拉与男友尼克维持 开放式关系，却难掩心中的不安。 四组人物交错发展，在镜头前裸裎坦荡，做爱像呼吸一般自然，但更令人感同身受的，是对人生永不妥协的态 度，以及找到一份获得幸福并全心付出的爱情。只是，爱能否如此简单？性就能拉近彼此距离？

当我们约会时，我们都在想些什么？当内心的无数个“我”在争夺话语权，灵魂又会做出何种选择？　　罗马某个寻常夜晚，Lara（皮拉尔·福格莉亚蒂 Pilar Fogliati 饰）与Piero（爱德华多·莱奥 Edoardo Leo 饰）一次偶然的约会。初见的局促被渐渐打破，暧昧在试探中发酵蔓延，气氛升温。　　然而，两人似乎都有某种犹豫：心动的信号，究竟源自灵魂的真实共振，还是夜色与氛围施予的幻觉？默契轻松的对话下，蛰伏着两人心中的汹涌暗流。欲望与理性相互博弈，身体中不同的“我”在意识深渊中反复角力。　　当午夜降临，这场约会是否该走向终点？Lara和Piero的关系又将会如何走向？

当我们约会时，我们都在想些什么？当内心的无数个“我”在争夺话语权，灵魂又会做出何种选择？ 　　罗马某个寻常夜晚，Lara（皮拉尔·福格莉亚蒂 Pilar Fogliati 饰）与Piero（爱德华多·莱奥 Edoardo Leo 饰）一次偶然的约会。初见的局促被渐渐打破，暧昧在试探中发酵蔓延，气氛升温。 　　然而，两人似乎都有某种犹豫：心动的信号，究竟源自灵魂的真实共振，还是夜色与氛围施予的幻觉？默契轻松的对话下，蛰伏着两人心中的汹涌暗流。欲望与理性相互博弈，身体中不同的“我”在意识深渊中反复角力。 　　当午夜降临，这场约会是否该走向终点？Lara和Piero的关系又将会如何走向？