The Egyptian mega-temple at Karnak was once the political powerbase of the ancient pharaohs and the home to strange religious rituals. New discoveries of skeletons tell a story of jealousy, betrayal, and the rise of a new religion that changed Egypt.

The Nuer call themselves Naath. Only their immediate neighbors, the Dinka, Shilluk and Arabs, call them Nuer. Most foreigners, which includes those with whom the Nuer neither fought nor traded, are called Bar which means 'almost entirely cattleless'. Those foreigners who live even more remotely and include Europeans are called Jur which means 'entirely cattleless', a most unthinkable state indeed. 　　The people of Ciengach, where the film was made, are the Eastern Jikany, one of about a sixteen distinct tribes of Nuer. Twenty-five years ago E.E. Evans Pritchard estimated the total population of Nuer to be around a quarter of a million. Since then the number has undoubtedly dwindled considerably due to warfare, civil strife, sickness, drought and the general abandonment of traditional lifeways. 　　However, those who still called themselves Naath did so with an extraordinarily vivid image of themselves as superior people living a superior life. Furthermore, it was impossible not to see that their lives were inextricably tied to their herds. Ciengach is a perfected plan for co-posperity of cows and humans. 　　It cannot be said that filming the Nuer was an easy task, but visually it was always absorbing. They were seldom resentful as was the rule with the Islamicized Afar in the Danakil Desert to the Northeast. On the contrary, the Nuer had a real, even exaggerated, sense of their importance. They considered themselves handsome and displayed their elegance with pride. 　　Nuer existence has, consistent with life led on a flood plain, an almost tidal rhythm due largely to the movement of cattle into and out of the villages. At almost precisely 10:30 in the morning cows and bulls began to groan, stand up and in other ways indicate that the time had come for them to be released and on their way to graze. Within moments the entire herd was sounding a unified complaint. Men and boys then slipped the tethers from their necks and the flow of cattle began. Five more minutes and the village was virtually silent. The herd had receded toward the river and to whatever grass the younger men could find. So the days passed into twilights of returning herds and men and the nights were filled with stars and an almost intoxicating 'bucolia.'

Feature film based on the video game, "Temple Run", centering on an explorer trying to steal an idol.

根据《好莱坞报道者》的独家报道，华纳兄弟瞄准了这个项目，正在洽谈中，他们想要与《哈利波特》系列的著名制作人大卫·海曼联手，一起打造电影版《神庙逃亡》。大卫·海曼可谓华纳的金牌制作人，除了家喻户晓的《哈利波特》系列之外，他还刚刚制片了热门影片《地心引力》，华纳2014年的《帕丁顿熊》也将由他担任制作人。 　　 　　神庙逃亡（Temple Run）在2011年诞生，是一款热门“跑酷游戏”，游戏设定是一名冒险家来到古老的庙宇中寻宝，却碰上一群怪物追赶。玩家需要通过转弯、跳跃、卧倒等动作逃避追踪，一路需要翻过古庙围墙、爬上悬崖峭壁，在此过程中，还可以通过晃动设备收集金币。 　　 　　目前华纳还没有透露对故事情节和人物设置的想法，据悉他们接下来的首要任务就是寻找一个合适的编剧。有媒体表示，电影版的故事或许将与《夺宝奇兵》会有些相似之处，但这都只是猜测，电影是会偏向魔幻风格还是动作大片还未可知。唯一能预见的是影片将充满快节奏的动作场面。

Kara Zor-El生于氪星球（planet Krypton），多年前星球毁灭的时候她逃到地球来，一直隐藏自己的超能力。如今24岁，Kara觉得不能使用与生俱来的能力就像权…

在一个公园发生了一起持重型武器歹徒挟持人质案件，而警察却得到上层指示不准插手，原因是这些劫匪为国际大型恐怖组织“SIN”的旧部，“SIN”方面希望自己解决并派出了恐怖的抹杀者。春丽、盖尔和嘉米无法容忍无辜人质的卷入，强行突入。结果在黑暗中发现了让人胆寒的紫色光芒……她到底是什么人？“SIN”又有什么阴谋呢？

这部电影改编自拉宾德拉纳特·泰戈尔的短篇小说《喀布尔人》（1892年）。这是一个阿富汗中年男子拉曼的故事，故事发生在1965年繁华的加尔各答市，他对一个小女孩敏妮充满了父爱。这部电影敏锐地捕捉到了一段温暖人心的关系的本质，以及超越国界、宗教和文化的关于爱的深刻意义。

这部电影改编自拉宾德拉纳特·泰戈尔的短篇小说《喀布尔人》（1892年）。这是一个阿富汗中年男子拉曼的故事，故事发生在1965年繁华的加尔各答市，他对一个小女孩敏妮充满了父爱。这部电影敏锐地捕捉到了一段温暖人心的关系的本质，以及超越国界、宗教和文化的关于爱的深刻意义。

It's a wonderful story of two friends of different age. Kabuliwala (anAfghani who sells dry food from door to door) is away from home and his family of his wife and his little daughter. He finds good friend in Mini, daughter of a writer. But Mini's mother does not like their friendship. In between Kabuliwala gets involved in a murder case and ends up in jail. When he comes back from jail, first thing he does is to try to meet Mini. But Mini was getting married that day. Meeting a criminal on that day may not be good for her, thinks her father. At first he does not let Kabuliwala meet Mini. Later he agrees to let Kabuliwala meet mini. Kabuliwala finds to his surprise, Mini does not remember him at all.

身为纳粹集中营“特遣队”队员的犹太人索尔（Géza Röhrig饰），是一名被迫负责处理死尸的囚犯，某日在例行清理毒气室遇难者尸体的过程中，发现了自己“儿子”的遗体，他从此改变了苟且度日的生活，做出了人生中最大胆的决定——拼死夺回“儿子”的尸体，并找到一位犹太牧师为“儿子”下葬。