穿越者偷窥真传弟子命运，被流放至云罗别院，激活修炼系统，躺平得经验值升级。他误提剑气诀悟出新境界，修为飙升成代理院主。王之轩仗势欺人，他强势镇压。后别院院主被杀，追凶时林小凡发现劫匪设局引诱气海境修士，这场生死局将颠覆云罗城命运。

穿越者偷窥真传弟子命运，被流放至云罗别院，激活修炼系统，躺平得经验值升级。他误提剑气诀悟出新境界，修为飙升成代理院主。王之轩仗势欺人，他强势镇压。后别院院主被杀，追凶时林小凡发现劫匪设局引诱气海境修士，这场生死局将颠覆云罗城命运。

电影里的人物生病了，觉得有人在看着他，有人在看着他吗?电影里的人物生病了，觉得自己的每分每秒都曾经历过，他经历过吗？ 如果人生是一部时长100年的电影，死亡是结束，回到开头，再来一次，唯有观众换了。照照镜子，看看，谁在看。

浩瀚宇宙，人类对维度的认识还很有限，在人类已知的维度之外还存在着其他高级维度世界。在质维里，暗维阵营想要侵占更多的维度空间扩大领地，而光维则守护着其他维度与他们战斗着。 在他们最后的战场地球上，光维将自己和暗维一起降维成平面。两个阵营的维灵也留在了地球。 只有少数拥有解封维度力量的人类，可以将维灵从平面变回立体。他们被称之为“维将”。

男孩J的少年时代几乎在变装酒吧里度过，因为缺乏父爱，长期帮表演者梳妆理发，想成为变装皇后的憧憬也愈加强烈。男孩终于站上舞台的一刻，15年未见的拳击手父亲A却从人群中冲出，狠揍了他一顿。父子间从未平复的伤口和悔恨是否能为两人的生命带来和解呢？

浩瀚宇宙，人类对维度的认识还很有限，在人类已知的维度之外还存在着其他高级维度世界。在质维里，暗维阵营想要侵占更多的维度空间扩大领地，而光维则守护着其他维度与他们战斗着。在他们最后的战场地球上，光维将自己和暗维一起降维成平面。两个阵营的维灵也留在了地球。只有少数拥有解封维度力量的人类，可以将维灵从平面变回立体。他们被称之为“维将”。

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。