在未来，人们的记忆跟意识经过数字化之后可以被下载到一个称为“备份”的盘型装置里，再植入后颈部的脊椎骨中。这些外星人设计的储存装置已经透过还原工程后大量生产，但是只能借由哈朗世界上的材料来制造。肉体人类及复合体被称为“义体”，而备份可以在死后转移至新的躯体，但是如果摧毁一个人的备份而他也没有其他备份时，那个人就会完全死亡。虽然这在理论上意味着任何人都可以永生不死，但事实上只有那些最富有的“玛士”，透过克隆人和针刺传输他们的意识到卫星当中才能实现这件事，因此他们在重制之前再也不用死于老年。武·科瓦奇是精英星际战士中唯一幸存的士兵，他们是一个在对抗新世界秩序的起义中遭到击败的反叛团体。在星际战士被消灭的250年后，科瓦奇的备份从监狱的冰冻中被一个300岁的玛士罗伦斯·班克劳唤醒……

在一个只要备份自己的数据就可以实现永生的世界里林超的妻子木琪儿却迟迟不肯备份数据，林超几次劝说也无济于事，他希望可以和木琪儿永远在一起，但木琪儿却不认为一个模拟可以替代自己生活。一起案件中出现了一具木琪儿仿生人的尸体，林超需要调查是谁盗取了自己妻子的数据制作违法的仿生人。在调查的过程中他发现仿生人不光外貌相像，言行举止也一模一样，他在调查中逐渐变得狂热，这使得本身在婚姻中不幸福的木琪儿离开了他。林超最终找到真凶谭浩森，他发现谭浩森制作的仿生人并没有使用木琪儿的记忆，仅仅需要自己的记忆就可以制作一个一模一样的副本，他发现自己爱的不过是一个肖像，一个幻觉。他放走了谭浩森，为了使木琪儿可以和自己永远在一起。

罗PD在一次周二YouTube直播中，区别MZ世代而介绍X世代饮食取向，在与网友的互动中谈及演员金大明对首尔四大门地区美食店独有见地，电话联系后顿生企划跟着大明探店。

少年为何日夜徘徊港口，又为何沉迷绘画满脸愁苦，这一切的背后究竟是人性的扭曲还是道德的沦丧，让我们跟随一段电话留言走进他的内心世界。（美受倒贴渣攻被无情拒绝）

The young Carabiniere Gatta is sent to barracks in the Naples area. It's 1946 and the war is still hanging in the air even if the small community doesn't seem to have been affected that much by it. Even so, certain suspicions take root in the brigadier's mind. The hotel in the town was the setting for unexplained deaths and crimes that had been covered up. Gatta decides to investigate. Fragments begin to emerge, killers and their victims take shape and speak to each other from different times. There's the hotel owner, a grief-striken mother, a weak son and long-suffering sister, an orphan and two woman who were violently killed. Pain, indifference and shame cast a shadow over everything.

When three-year-old conjoined twins were separated in Taiwan in 1979, the surgery was broadcast live on television, in just one of a series of mediations through which their bodies were represented and mythologized. Blending real and fictive iterations, filmmaker Hsu Che-Yu collaborates with the lone surviving twin, now 43, digitally scanning his body, recreating moments from his life, and revisiting his small role in a 1997 film.

在村庄生活的留守儿童小恺想要在暑假去城市与父母会合，却得知妈妈怀了二胎，他只能继续待在村里度过这个夏天。经过夏日里极度炎热且焦虑的一天，小恺在夜里梦游，独自走向河边玩水。神婆上门给小恺喊魂，并为久病的外公祈福。之后小恺再也没有梦游，他的梦里却总是出现火的场景…… 　　《夏日副本》的导演潘越出生于1997年，就读于伦敦电影学院，影片入围2023年戛纳电影人双周（原“导演双周”）单元。《夏日副本》围绕水与火两种视觉元素进行构思，以大量的生活细节和原生态的表演描摹了人物的心理。

在村庄生活的留守儿童小恺想要在暑假去城市与父母会合，却得知妈妈怀了二胎，他只能继续待在村里度过这个夏天。经过夏日里极度炎热且焦虑的一天，小恺在夜里梦游，独自走向河边玩水。神婆上门给小恺喊魂，并为久病的外公祈福。之后小恺再也没有梦游，他的梦里却总是出现火的场景…… 　　《夏日副本》的导演潘越出生于1997年，就读于伦敦电影学院，影片入围2023年戛纳电影人双周（原“导演双周”）单元。《夏日副本》围绕水与火两种视觉元素进行构思，以大量的生活细节和原生态的表演描摹了人物的心理。

When three-year-old conjoined twins were separated in Taiwan in 1979, the surgery was broadcast live on television, in just one of a series of mediations through which their bodies were represented and mythologized. Blending real and fictive iterations, filmmaker Hsu Che-Yu collaborates with the lone surviving twin, now 43, digitally scanning his body, recreating moments from his life, and revisiting his small role in a 1997 film.