影片讲述了热爱跳舞的男孩彦青在舅舅朝阳的帮助及引导下与舞伴梦迪共同走过迷茫与重重的艰难险阻，最终通过自己的努力与坚持在WDC世界舞蹈总会获得了丰硕果实的故事，以此激励人们在面对困难时始终保持不抛弃不放弃的精神，勇于拼搏进取。

1995年，东北黑龙江小镇发生一起奸杀案，黑白两道分别用自己的方式展开了对凶手的追查行动，十五年后，真相出乎意料。

Madame Ondine performs a serpentine dance surrounded by big cats.

Madame Ondine performs a serpentine dance surrounded by big cats.

CBS宣布制作一部真人秀《来舞吧 Come Dance With Me》，这部节目由《海军罪案调查处：洛杉矶 NCIS: Los Angeles》的两男主LL Cool J及Chris O’Donnell负责。《来舞吧》会在美国上找上一些才华洋溢的年轻舞者，并让他们与过去支持过自己的人组成拍档，共同在竞赛中挑战大奖。 每周这些孩子会分享自己对舞蹈的跳爱，以及他们的父母﹑祖辈，或者其他对孩子来说是英雄的人，是如何支持过自己。

The Oscar-nominated Op-Doc "Walk Run Cha-Cha" profiles Paul and Millie Cao, who reunited in California after the Vietnam War. Forty years later, they are rediscovering themselves on the dance floor. 　　In an accompanying essay, director Laura Nix writes, "Faced with middle age, Paul and Millie chose to reinvent themselves again. After decades of delayed gratification, this time they focused on what gives them joy. As you’ll see in this Op-Doc, dance opened up a world of self-expression and pleasure for the couple, sparking a transition from responsible professionals to flamboyant performers pursuing their creative dreams. 　　On the face of it, a film about middle-aged people dancing might not seem political. But my decision to tell a story about Paul and Millie’s life in the present, and not solely focus on their past, was intentional. Films about refugees and immigrants are often focused on the point of entry, when the newly arrived are at their most vulnerable. But it’s essential for us to hear stories about what happens next. 　　Paul and Millie are refugees from Vietnam. Paul and Millie are also working professionals, parents, dancers and American citizens who have lived in California for over 40 years. As with many Americans who started their lives in another country, their story embodies resilience and courage. Love and longing. Separation and reunion. These themes are visually reflected in the dance itself, in their tender glances, when he lifts her to the sky, the yearning in their gestures — their ability to transform adversity into beauty."

The Oscar-nominated Op-Doc "Walk Run Cha-Cha" profiles Paul and Millie Cao, who reunited in California after the Vietnam War. Forty years later, they are rediscovering themselves on the dance floor. 　　In an accompanying essay, director Laura Nix writes, "Faced with middle age, Paul and Millie chose to reinvent themselves again. After decades of delayed gratification, this time they focused on what gives them joy. As you’ll see in this Op-Doc, dance opened up a world of self-expression and pleasure for the couple, sparking a transition from responsible professionals to flamboyant performers pursuing their creative dreams. 　　On the face of it, a film about middle-aged people dancing might not seem political. But my decision to tell a story about Paul and Millie’s life in the present, and not solely focus on their past, was intentional. Films about refugees and immigrants are often focused on the point of entry, when the newly arrived are at their most vulnerable. But it’s essential for us to hear stories about what happens next. 　　Paul and Millie are refugees from Vietnam. Paul and Millie are also working professionals, parents, dancers and American citizens who have lived in California for over 40 years. As with many Americans who started their lives in another country, their story embodies resilience and courage. Love and longing. Separation and reunion. These themes are visually reflected in the dance itself, in their tender glances, when he lifts her to the sky, the yearning in their gestures — their ability to transform adversity into beauty."

尽管好莱坞无声电影时代有过一些女导演，比如喜剧女演员梅布尔·诺曼德，但随着电影行业越来越商业化，男性完全地掌握了这个领域。阿兹娜是早期有声电影时代的第一位女导演，1927年到1943年间执导了多部电影，也是第一位加入美国电影工会的女性。她在自己的第一部电影中，发明了吊杆话筒技术，这部电影是《狂野派对》的翻拍版，由克拉拉·鲍主演。同时，她还捧红了凯瑟琳·赫本（《雌雄同体的克里斯托弗·斯特朗》）和罗莎琳德·拉塞尔（《克里格的妻子》）。她导演的20部电影即使算不上开创性的，也绝对是经典佳片。杰出女权主义电影代表《跳吧，女孩子》由阿兹娜的长期伴侣马里恩·摩根编舞，讲述了演艺界幕后的故事，并被选入美国国家电影名录。影片中，两位顶尖舞者露西尔·鲍尔和莫琳·奥哈拉，争夺工作以及同一位男子（路易斯·海沃德饰）的青睐。在一场关键的试镜一幕中，严肃的舞蹈演员莫琳·奥哈拉引诱叼着雪茄负责选角的男人失败后，鲍尔靠着卖弄风情得到了一份跳草裙舞的工作。阿兹娜通过大特写镜头展示男人对两个女人的反应，从面无表情到满脸色相，在影片中传达了女权主义思想。

尽管好莱坞无声电影时代有过一些女导演，比如喜剧女演员梅布尔·诺曼德，但随着电影行业越来越商业化，男性完全地掌握了这个领域。阿兹娜是早期有声电影时代的第一位女导演，1927年到1943年间执导了多部电影，也是第一位加入美国电影工会的女性。她在自己的第一部电影中，发明了吊杆话筒技术，这部电影是《狂野派对》的翻拍版，由克拉拉·鲍主演。同时，她还捧红了凯瑟琳·赫本（《雌雄同体的克里斯托弗·斯特朗》）和罗莎琳德·拉塞尔（《克里格的妻子》）。她导演的20部电影即使算不上开创性的，也绝对是经典佳片。杰出女权主义电影代表《跳吧，女孩子》由阿兹娜的长期伴侣马里恩·摩根编舞，讲述了演艺界幕后的故事，并被选入美国国家电影名录。影片中，两位顶尖舞者露西尔·鲍尔和莫琳·奥哈拉，争夺工作以及同一位男子（路易斯·海沃德饰）的青睐。在一场关键的试镜一幕中，严肃的舞蹈演员莫琳·奥哈拉引诱叼着雪茄负责选角的男人失败后，鲍尔靠着卖弄风情得到了一份跳草裙舞的工作。阿兹娜通过大特写镜头展示男人对两个女人的反应，从面无表情到满脸色相，在影片中传达了女权主义思想。

1991年，法国芭蕾舞剧作家罗朗·佩蒂灵光乍现，由此创作了芭蕾舞剧《舞吧，卓别林》，喜剧之王卓别林一部部经典电影桥段以芭蕾舞的形式得到再现。在此后的岁月里，这出精彩剧目经久不衰，备受欢迎，也成为了男主角路易吉·波尼诺的代表作。2009年，曾执导《谈谈情，跳跳舞》、《变态家族》等作品而备受瞩目的作者导演周防正行决定将《舞吧，卓别林》搬上银幕。凭借这项计划，芭蕾舞女演员草刈民代（《谈谈情，跳跳舞》女主角，周防正行之妻）回归舞台，和老朋友路易吉再次携手，上演了一出全新的卓别林芭蕾舞剧。 　　公演前紧张10日排练，全部被收入摄像机之中……