In the Catholic and traditionalist Italy, two teen-agers covertly discover new prohibited games

An Indigenous Amis family hunts snails by headlight after a midnight rain on Taiwan’s eastern coast. Back home, as they butcher, clean, and cook them, family members pass on their endangered language to a younger generation and trade ghost stories that echo the fragility of inherited identities.

An Indigenous Amis family hunts snails by headlight after a midnight rain on Taiwan’s eastern coast. Back home, as they butcher, clean, and cook them, family members pass on their endangered language to a younger generation and trade ghost stories that echo the fragility of inherited identities.

本片拍竣获奖无数，2006年法国安锡（Annecy）国际动画电影节上，更被评为“动画的世纪•100部作品”第58名。 　　借助上帝之脚，男孩从乡村开始了跳着观察世界的旅程。刚出发，他就被一辆飞奔的汽车吓了一大跳。在乡村见过农夫辛勤劳作、飞禽被猎人从高空射落等悲喜画面后，男孩来到城市，见识世间百态。男孩越跳越大步，从国内跳到了世界各地，看到了更多的人间世象。最后，男孩目睹了一场残酷的战争。

Uma Thurman（乌玛瑟曼）在这部短片中又奉献了一个有点神叨叨的角色温蒂，「Jump」的故事设定在一所精神病院里，温蒂表示还有 48 小时她就要飞天了 →_→From Jameson Irish Whiskey

A man hops off a train by the small town where he claims he was before. His presence allows to bring out the inner feelings and beliefs of the inhabitants. A man who has hidden through all of the war because he looked Jewish, even if he is not, took on a fame of a dead Jewish actor he resembles. The visitor's wife shows up to claim his and indicate that he is always running off. He escapes in the end for another town.

二十七岁精英律师闻溪，因意外揭开身世之谜，与颜昭人生置换，被迫离开原生家庭与青梅竹马，与京城豪门继承人商沉缔结契约婚姻。商沉是古板冷肃的“冰山总裁”，视婚姻为责任;闻溪因原生家庭创伤封闭内心。新婚之初二人疏离尴尬，后在相处中，商沉以细节传递关怀、引导闻溪直面创伤，闻溪也成为了商沉的例外。这场始于协议的婚姻，终在细水长流的温暖中达成灵魂共鸣。

二十七岁精英律师闻溪，因意外揭开身世之谜，与颜昭人生置换，被迫离开原生家庭与青梅竹马，与京城豪门继承人商沉缔结契约婚姻。商沉是古板冷肃的“冰山总裁”，视婚姻为责任;闻溪因原生家庭创伤封闭内心。新婚之初二人疏离尴尬，后在相处中，商沉以细节传递关怀、引导闻溪直面创伤，闻溪也成为了商沉的例外。这场始于协议的婚姻，终在细水长流的温暖中达成灵魂共鸣。

三名年近七十仍然魅力四射的年长奥地利女同志，回忆一九五○、六○年代，当她们年轻时居住在奥地利维也纳的同志生活样貌。 同志议题在当年仍为禁忌议题，影片以萝丝玛琳、厄苏拉以及布莉姬充满酸甜苦辣的回忆以及历历在目的旧照片，捕捉当年男女同志在保守的社会中如何与其他同志相遇、建立友谊；影片生动呈现这些可爱勇敢的年长T、婆如何聪明、狡黠地回避社会压力而大谈恋爱，以及勇敢地从几乎不可能的环境中突破限制，建立同志社群以及同志身分认同。

Outdoors, with a nondescript building in the background, four men stand, each holding the corner of a blanket stretched parallel to the ground. They wear the clothes of laborers. By the back corner on our left stands a uniformed man who seems in charge. A sixth man stands back from the blanket about six paces; he runs forward and takes a leap but stops at the edge of the blanket and is upbraided by the uniformed gent. The same thing happens a second time, but the next three times, he completes a flip, landing on his back in the middle of the blanket, and the four then boost him out toward the camera. The final time seems like it will be his last for awhile.