A governor running for President gets revealed to be a serial philanderer.

Tristan and Louise love each other but they are tugged at by muddled feelings as their relationship is sometimes toxic. During Tristan's birthday in his parents' house, an event makes Louise furious and she decides to take vengence. Adèle and Antonin, two guests at the party, will suffer the consequences.

Joe and Ella are forced to confront the truth of their relationship.

Seemingly terrified of her own bed, Madeline locks herself in her room for weeks in an attempt to confront her fears. But what begins as an absurd, domestic quest turns into a genuine fight for redemption and revenge.

Vicki Mason, a high school senior, decides to prove a point by trying out for the school football team

#NCT127 #MyTripMates #마이트립메이트 #NCT #엔시티 #엔시티127

In one of his first experiments in video, Emshwiller creates an electronic landscape of both abstract and figurative elements, where colorized dancers are chroma-keyed into a mutable, computer-animated environment. Working with the "Scan-i-mate," an early analog video synthesizer, Emshwiller choreographs an architectural, illusory video space, in which frames proliferate within frames, disembodied heads and hands move within a collage of animated forms, and the dancers and their environment are subjected to constant transformations through image processing. With its witty interplay of the "real" and the "unreal" in an electronically rendered videospace, and the skillful manipulation and articulation of a sculptural illusion of three-dimensionality, Scape-mates introduced a new vocabulary of video image-making.

#NCT127 #MyTripMates #마이트립메이트 #NCT #엔시티 #엔시티127

In one of his first experiments in video, Emshwiller creates an electronic landscape of both abstract and figurative elements, where colorized dancers are chroma-keyed into a mutable, computer-animated environment. Working with the "Scan-i-mate," an early analog video synthesizer, Emshwiller choreographs an architectural, illusory video space, in which frames proliferate within frames, disembodied heads and hands move within a collage of animated forms, and the dancers and their environment are subjected to constant transformations through image processing. With its witty interplay of the "real" and the "unreal" in an electronically rendered videospace, and the skillful manipulation and articulation of a sculptural illusion of three-dimensionality, Scape-mates introduced a new vocabulary of video image-making.

A story about a man overly influenced by the women in his life, which is unique in many ways, including the fact that he somehow turned out to be "straight" in spite of his ordeals with women, which started at birth.