三年前，因丈夫的自私夏晚晴在产子后带孩子出国，没想到 　　三年后回国想见女儿，却和前夫发生了那么多事情~

三年前，因丈夫的自私夏晚晴在产子后带孩子出国，没想到 　　三年后回国想见女儿，却和前夫发生了那么多事情~

曾带来“美丽心灵的永恒阳光”、“科学睡眠”等众多奇幻佳作的米歇尔·甘德瑞最初仍打算拍一部科幻电影——一群小鬼搭乘错误的公车穿越到错误的未来；然而最终交出的成品“The We And I”却是具有强烈写实风格的黑色喜剧，对种族肤色、校园霸凌都有现实的写照。本片入围戛纳电影节导演双周单元。 　　“The We And I”讲述纽约黑人区布朗克斯的一群高中生在毕业前最后一次搭乘公车回家。他们有说有笑，互相道别，但渐渐各种情绪开始浮出水面。他们的矛盾、他们的爱憎、他们的希望和失望都不再掩饰，而是以充满黑色幽默的对抗和冲突展现了出来。@QAF

The story of a Moscow family in a noisy communal apartment at a crucial point in Soviet history. Passions slowly smolder in a small kommunalka until the fire breaks out on New Year's Eve 1953.

The story of a Moscow family in a noisy communal apartment at a crucial point in Soviet history. Passions slowly smolder in a small kommunalka until the fire breaks out on New Year's Eve 1953.

Entente Cordiale intends to illustrate colonisation as a human phenomenon in an explicit manner as well as in a metaphoric sense without suggesting simplified accusations or political propositions. It will not be a historical film since colonisation as well as slave trade are still happening today - in a modified way, a more industrial, massive and more global fashion than a hundred years ago.

Entente Cordiale intends to illustrate colonisation as a human phenomenon in an explicit manner as well as in a metaphoric sense without suggesting simplified accusations or political propositions. It will not be a historical film since colonisation as well as slave trade are still happening today - in a modified way, a more industrial, massive and more global fashion than a hundred years ago.

“I have on occasion experienced filmmaking as an intensely shared activity. Lively friendships result and remain. Filming that affection today is no act of nostalgia. Paths once crossed make things simple. People who have been behind the camera, or in front of it, giving the movie their all, are without illusion.” (Alain Cavalier)