Rosana是一家之主，为了照顾生病的母亲，她拼命工作赚钱。尽管竭尽全力，她还是遭到了解雇。绝望之下，她愿意付出任何代价换取母亲的生活保障，甚至同意假扮成富豪失散多年的女儿以继承遗产。在这个陌生的家族中，她不得不面对权势滔天的继承人Korn，他步步紧逼，誓要揭穿她的真实身份……

Rosana是一家之主，为了照顾生病的母亲，她拼命工作赚钱。尽管竭尽全力，她还是遭到了解雇。绝望之下，她愿意付出任何代价换取母亲的生活保障，甚至同意假扮成富豪失散多年的女儿以继承遗产。在这个陌生的家族中，她不得不面对权势滔天的继承人Korn，他步步紧逼，誓要揭穿她的真实身份……

孤独的少女米娅（苏菲·王尔德 饰）沉迷于通过陶瓷手召唤灵魂的刺激，但当她面对一个自称是她死去母亲的灵魂时，她释放了一场超自然力量的瘟疫，并努力决定她可以信任谁，是选择活着的人还是死者？

孤独的少女米娅（苏菲·王尔德 饰）沉迷于通过陶瓷手召唤灵魂的刺激，但当她面对一个自称是她死去母亲的灵魂时，她释放了一场超自然力量的瘟疫，并努力决定她可以信任谁，是选择活着的人还是死者？

圣丹斯电影节展映影片，Sarah Silverman主演。兰妮有着幸福的家庭，但她并不满足，利用偷情、吸毒、失踪等等来获得短暂的刺激和快感；当她努力想回到原来的生活，却发现并没有那么容易。

这部电影在 2022 年戛纳电影节特别放映。 　　布列斯特的 Élise、圣艾蒂安的 Alexia、贡比涅的 Cécile 和马赛的吉尔：成千上万的年轻女性谴责基于性别的暴力、街头骚扰和男子气概他们每天面对的言论。晚上，他们手持白色床单和黑色油漆，贴上支持受害者的信息和反对杀害女性的口号。有些人是长期的女权主义者，有些人从来都不是活动家，但所有人都在反抗经常让她们的生活天翻地覆的暴力。性别歧视无处不在。

这部电影在 2022 年戛纳电影节特别放映。 　　布列斯特的 Élise、圣艾蒂安的 Alexia、贡比涅的 Cécile 和马赛的吉尔：成千上万的年轻女性谴责基于性别的暴力、街头骚扰和男子气概他们每天面对的言论。晚上，他们手持白色床单和黑色油漆，贴上支持受害者的信息和反对杀害女性的口号。有些人是长期的女权主义者，有些人从来都不是活动家，但所有人都在反抗经常让她们的生活天翻地覆的暴力。性别歧视无处不在。

Rainer Kohlberger is prepared to go far when it comes to the physical experiences he evokes with his work. Answering the Sun demands the utmost from its audience. The invitation is to squint our eyes and allow the most amazing trips to unfold – just like when we were children letting the sun come in. However, the work is simultaneously a 60-minute bombardment of coloured fields and a wall of sound, followed by a hallucinatory, silent inky-black sequence. 　　In the darkened cinema with its immense screen, the strong lights create afterimages on our retina, while the acoustic stimuli cause the ears to generate their own sounds. The human body seems to be taken over when the senses are overstimulated and tricked. If you are prepared to surrender this creates a unique trip, leaving us guessing as to what the person in the next seat experienced. 　　WARNING NOT SUITABLE FOR PEOPLE WITH EPILEPSY

Rainer Kohlberger is prepared to go far when it comes to the physical experiences he evokes with his work. Answering the Sun demands the utmost from its audience. The invitation is to squint our eyes and allow the most amazing trips to unfold – just like when we were children letting the sun come in. However, the work is simultaneously a 60-minute bombardment of coloured fields and a wall of sound, followed by a hallucinatory, silent inky-black sequence. 　　In the darkened cinema with its immense screen, the strong lights create afterimages on our retina, while the acoustic stimuli cause the ears to generate their own sounds. The human body seems to be taken over when the senses are overstimulated and tricked. If you are prepared to surrender this creates a unique trip, leaving us guessing as to what the person in the next seat experienced. 　　WARNING NOT SUITABLE FOR PEOPLE WITH EPILEPSY

在數百個故事和壓倒性數據的支持下，導演湯姆唐納修透過鏡頭帶出了幾十年來好萊塢女性在鏡頭前後遭受到的歧視及排擠。梅莉史翠普／娜塔莉波曼／潔西卡崔斯坦……等眾知名女星／女性導演／製片紛紛現身說法，大談光鮮亮麗後的潛規則。她們攜手挺身而出，但世人是否能正視問題所在？是否能因此改革好萊塢？