Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.

Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.

艾薇和豆豆报了芭蕾舞课，却发现她们要在数百人面前演出。要赶快逃跑才行！

“万般皆下品、唯有爱情高”的奇妙国度；“真爱”与“套路”的正反对抗；从嬉笑怒骂的日常与极端搞笑的故事中见证真正的爱情、更好的彼此。

“万般皆下品、唯有爱情高”的奇妙国度；“真爱”与“套路”的正反对抗；从嬉笑怒骂的日常与极端搞笑的故事中见证真正的爱情、更好的彼此。

名人演说是当代大众喜闻乐见的对话交流呈现方式，《心动讲师》将时下各领域具有绝佳带动力的名人集结，针对各类大众关心的热门话题，展开个人主题演讲，以此方式让观众了解到话题领袖人物对同一内容的不同解读，从而得到深度心理治愈效果。 　　节目由张度妍搭档儿童教育心理学家吴恩英担任节目主持人，吴恩英同时也是演讲嘉宾之一，此外，话题明星朴明秀、80岁仍以棒球教练活跃中的金成根、作家兼企业家的吉民硕、辩护律师韩文哲、电视节目导演金英美、佛学僧人金江教授，7位不同领域的代表集结，从他们各自的领域针对同一话题进行个人演说。节目呈现演说表演效果，构建主演讲舞台和第二现场待机室两空间，吴恩英作为主现场的主持人邀请嘉宾上台，张度妍为第二现场主持人，与未上场的嘉宾展开交流互动。每期节目围绕一个主题进行演讲，该主题为节目事前调查观众给出的最关心的问题，如首期节目的主题为：界限。嘉宾依次登场，首先与吴恩英进行简单对话，随后就当期主题展开个人演讲，结束后，吴恩英再次登台，共同完成与观众的问答环节。

吉隆坡29日讯）由Astro Shaw与Act 2 Pictures携手制作的本地新电影《GOLD》，讲述大马羽球残奥冠军谢儮好的真实故事及教练拿督拉昔西迪努力不懈的奋斗史。如今，该电影正如火如荼进行拍摄中，主演陈泽耀自曝为了拍这部电影瘦了12公斤，大拇指和右脚板还因此受伤，指甲随时都会脱落！ 　　《GOLD》导演郑建国、主演陈泽耀及吕杨周二晚（28日）在沙亚南美拉华蒂室内体育馆接受大马媒体联访。在电影《GOLD》饰演大马羽球残奥冠军“谢儮好”的陈泽耀表示，自己很荣幸可以饰演“谢儮好”的角色，还能帮忙推广残奥运动，这也是他从影以来最有挑战的一部作品，身为右撇子的他，必须学习改用左手打球，难度非常高。 　　陈泽耀透露，当时在接演这部电影时，所有人都不好看自己可以练到用左手打球时，好胜心很强的他不甘心，想证明给所有人看，自己也可以用左手打球，“把不可能变成可能”。

吉隆坡29日讯）由Astro Shaw与Act 2 Pictures携手制作的本地新电影《GOLD》，讲述大马羽球残奥冠军谢儮好的真实故事及教练拿督拉昔西迪努力不懈的奋斗史。如今，该电影正如火如荼进行拍摄中，主演陈泽耀自曝为了拍这部电影瘦了12公斤，大拇指和右脚板还因此受伤，指甲随时都会脱落！ 　　《GOLD》导演郑建国、主演陈泽耀及吕杨周二晚（28日）在沙亚南美拉华蒂室内体育馆接受大马媒体联访。在电影《GOLD》饰演大马羽球残奥冠军“谢儮好”的陈泽耀表示，自己很荣幸可以饰演“谢儮好”的角色，还能帮忙推广残奥运动，这也是他从影以来最有挑战的一部作品，身为右撇子的他，必须学习改用左手打球，难度非常高。 　　陈泽耀透露，当时在接演这部电影时，所有人都不好看自己可以练到用左手打球时，好胜心很强的他不甘心，想证明给所有人看，自己也可以用左手打球，“把不可能变成可能”。

故事聚焦奥林匹克运动员经常面临的心理健康挑战，美国“飞鱼”菲尔普斯、短道速滑名将阿波罗·安东·奥诺、单板滑雪冠军肖恩·怀特、花样滑冰冠军萨莎·科恩等倾情加盟。

双腿残疾的童松是矛盾安保公司的创始人，团队中还有两人，分别是擅长机械的安宁和心思单纯、身手了得的大牛。公司主要的业务是保护客户的人身和财产安全，俗称“保镖”。 　　这天，他们接到一个为期三天的匿名委托，要保护的人是安宁的妹妹安逸。自此之后，安逸便频生意外。童松认为事情并非偶然，果然在细节之处发现端倪，证实了猜测。背后可能是一个善用制造意外杀人于无形的组织。就在这时，安逸却不见了……